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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 68 217 it is the complementary color RGB 41 187 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 68 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 68 217: RGB 219 68 212, RGB 236 86 231, RGB 253 104 250, RGB 255 122 255 and RGB 255 140 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 68 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 68 217: RGB 214 68 217, RGB 197 50 198, RGB 180 32 179, RGB 163 14 160 and RGB 146 0 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 69 / 0 / 15

HEX #D644D9

RGB 214 68 217

HSL 298.79, 0.66%, 0.56%

LAB 55.52, 73.52, -47.59

 

Complementary color

CMYK 78 / 0 / 80 / 27

HEX #29BB26

RGB 41 187 38

HSL 118.79, 0.66%, 0.44%

LAB 66.64, -63.66, 59.38

 

CMYK 0 / 69 / 3 / 14

HEX #DB44D4

RGB 219 68 212

HSL 302.78, 0.68%, 0.56%

LAB 56.04, 73.83, -43.89

 

CMYK 0 / 64 / 2 / 7

HEX #EC56E7

RGB 236 86 231

HSL 302, 0.8%, 0.63%

LAB 61.88, 74.16, -45.21

 

CMYK 0 / 59 / 1 / 1

HEX #FD68FA

RGB 253 104 250

HSL 301.21, 0.97%, 0.7%

LAB 67.79, 74.13, -46.25

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 1 / 69 / 0 / 15

HEX #D644D9

RGB 214 68 217

HSL 298.79, 0.66%, 0.56%

LAB 55.52, 73.52, -47.59

 

CMYK 1 / 75 / 0 / 22

HEX #C532C6

RGB 197 50 198

HSL 299.59, 0.6%, 0.49%

LAB 49.77, 72.68, -46.01

 

CMYK 0 / 82 / 1 / 29

HEX #B420B3

RGB 180 32 179

HSL 300.41, 0.7%, 0.42%

LAB 44.22, 71.03, -43.92

 

CMYK 0 / 91 / 2 / 36

HEX #A30EA0

RGB 163 14 160

HSL 301.21, 0.84%, 0.35%

LAB 38.97, 68.23, -41.15

 

CMYK 0 / 100 / 3 / 43

HEX #92008D

RGB 146 0 141

HSL 302.05, 1%, 0.29%

LAB 34.05, 64.08, -37.58

 

CMYK 1 / 69 / 0 / 15

HEX #D644D9

RGB 214 68 217

HSL 298.79, 0.66%, 0.56%

LAB 55.52, 73.52, -47.59

 

CMYK 0 / 69 / 9 / 15

HEX #D844C5

RGB 216 68 197

HSL 307.7, 0.65%, 0.56%

LAB 54.83, 70.84, -37.24

 

CMYK 0 / 69 / 20 / 15

HEX #D844AC

RGB 216 68 172

HSL 317.84, 0.65%, 0.56%

LAB 53.72, 67.28, -24.48

 

CMYK 0 / 69 / 32 / 15

HEX #D84493

RGB 216 68 147

HSL 327.97, 0.65%, 0.56%

LAB 52.77, 64.16, -11.2

 

CMYK 0 / 69 / 43 / 15

HEX #D8447B

RGB 216 68 123

HSL 337.7, 0.65%, 0.56%

LAB 52.02, 61.61, 2.02

 

CMYK 1 / 69 / 0 / 15

HEX #D644D9

RGB 214 68 217

HSL 298.79, 0.66%, 0.56%

LAB 55.52, 73.52, -47.59

 

CMYK 0 / 69 / 0 / 95

HEX #0D040D

RGB 13 4 13

HSL 300, 0.53%, 0.03%

LAB 1.82, 3.71, -2.65

 

CMYK 2 / 69 / 0 / 75

HEX #3F1440

RGB 63 20 64

HSL 298.64, 0.52%, 0.16%

LAB 15.1, 27.82, -18.25

 

CMYK 2 / 69 / 0 / 55

HEX #712473

RGB 113 36 115

HSL 298.48, 0.52%, 0.3%

LAB 29.44, 44.33, -28.98

 

CMYK 1 / 69 / 0 / 35

HEX #A434A6

RGB 164 52 166

HSL 298.95, 0.52%, 0.43%

LAB 42.92, 59.52, -38.45

 

CMYK 1 / 69 / 0 / 15

HEX #D644D9

RGB 214 68 217

HSL 298.79, 0.66%, 0.56%

LAB 55.52, 73.52, -47.59

 

CMYK 0 / 57 / 69 / 15

HEX #D85D44

RGB 216 93 68

HSL 10.14, 0.65%, 0.56%

LAB 54.91, 46.74, 38.06

 

CMYK 69 / 0 / 30 / 15

HEX #44D898

RGB 68 216 152

HSL 154.05, 0.65%, 0.56%

LAB 77.64, -53.61, 20.47

 

CMYK 1 / 69 / 0 / 15

HEX #D644D9

RGB 214 68 217

HSL 298.79, 0.66%, 0.56%

LAB 55.52, 73.52, -47.59

 

CMYK 0 / 2 / 69 / 15

HEX #D8D344

RGB 216 211 68

HSL 57.97, 0.65%, 0.56%

LAB 82.7, -14.79, 67.85

 

CMYK 69 / 0 / 2 / 15

HEX #44D8D3

RGB 68 216 211

HSL 177.97, 0.65%, 0.56%

LAB 79.07, -39.19, -8.88

 

CMYK 1 / 69 / 0 / 15

HEX #D644D9

RGB 214 68 217

HSL 298.79, 0.66%, 0.56%

LAB 55.52, 73.52, -47.59

 

CMYK 0 / 57 / 69 / 15

HEX #D85D44

RGB 216 93 68

HSL 10.14, 0.65%, 0.56%

LAB 54.91, 46.74, 38.06

 

CMYK 66 / 0 / 69 / 15

HEX #49D844

RGB 73 216 68

HSL 117.97, 0.65%, 0.56%

LAB 76.65, -65.28, 59.25

 

CMYK 69 / 11 / 0 / 15

HEX #44C0D8

RGB 68 192 216

HSL 189.73, 0.65%, 0.56%

LAB 72.15, -26.33, -21.98

 

CMYK 1 / 69 / 0 / 15

HEX #D644D9

RGB 214 68 217

HSL 298.79, 0.66%, 0.56%

LAB 55.52, 73.52, -47.59

 

CMYK 0 / 37 / 69 / 15

HEX #D88944

RGB 216 137 68

HSL 27.97, 0.65%, 0.56%

LAB 64.09, 24.14, 48.44

 

CMYK 66 / 0 / 69 / 15

HEX #49D844

RGB 73 216 68

HSL 117.97, 0.65%, 0.56%

LAB 76.65, -65.28, 59.25

 

CMYK 69 / 32 / 0 / 15

HEX #4493D8

RGB 68 147 216

HSL 207.97, 0.65%, 0.56%

LAB 59.02, -2.12, -42.32

 

Description

Color code: RGB 214 68 217 | qconv.com Color code: RGB 214 68 217 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 68 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 68 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 69 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 69% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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