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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 25 236 it is the complementary color RGB 41 230 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 25 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 25 236: RGB 219 25 231, RGB 236 43 250, RGB 253 61 255, RGB 255 79 255 and RGB 255 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 25 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 25 236: RGB 214 25 236, RGB 197 7 217, RGB 180 0 198, RGB 163 0 179 and RGB 146 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 89 / 0 / 7

HEX #D619EC

RGB 214 25 236

HSL 293.74, 0.85%, 0.51%

LAB 53, 87.07, -62.36

 

Complementary color

CMYK 82 / 0 / 92 / 10

HEX #29E613

RGB 41 230 19

HSL 113.74, 0.85%, 0.49%

LAB 80.24, -76.96, 75.42

 

CMYK 5 / 89 / 0 / 9

HEX #DB19E7

RGB 219 25 231

HSL 296.5, 0.81%, 0.5%

LAB 53.52, 87.09, -58.66

 

CMYK 6 / 83 / 0 / 2

HEX #EC2BFA

RGB 236 43 250

HSL 295.94, 0.95%, 0.57%

LAB 58.47, 89.79, -61.2

 

CMYK 1 / 76 / 0 / 0

HEX #FD3DFF

RGB 253 61 255

HSL 299.38, 1%, 0.62%

LAB 62.88, 89.47, -56.78

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 9 / 89 / 0 / 7

HEX #D619EC

RGB 214 25 236

HSL 293.74, 0.85%, 0.51%

LAB 53, 87.07, -62.36

 

CMYK 9 / 97 / 0 / 15

HEX #C507D9

RGB 197 7 217

HSL 294.29, 0.94%, 0.44%

LAB 48.3, 83.35, -59.3

 

CMYK 9 / 100 / 0 / 22

HEX #B400C6

RGB 180 0 198

HSL 294.55, 1%, 0.39%

LAB 43.92, 78.41, -55.55

 

CMYK 9 / 100 / 0 / 30

HEX #A300B3

RGB 163 0 179

HSL 294.64, 1%, 0.35%

LAB 39.65, 72.79, -51.41

 

CMYK 9 / 100 / 0 / 37

HEX #9200A0

RGB 146 0 160

HSL 294.75, 1%, 0.31%

LAB 35.3, 67.07, -47.2

 

CMYK 9 / 89 / 0 / 7

HEX #D619EC

RGB 214 25 236

HSL 293.74, 0.85%, 0.51%

LAB 53, 87.07, -62.36

 

CMYK 0 / 90 / 5 / 7

HEX #EC17E1

RGB 236 23 225

HSL 303.1, 0.85%, 0.51%

LAB 55.97, 89.31, -51.19

 

CMYK 0 / 90 / 19 / 7

HEX #EC17BE

RGB 236 23 190

HSL 312.96, 0.85%, 0.51%

LAB 54.2, 84.77, -33.95

 

CMYK 0 / 90 / 35 / 7

HEX #EC179A

RGB 236 23 154

HSL 323.1, 0.85%, 0.51%

LAB 52.71, 80.82, -15.11

 

CMYK 0 / 90 / 50 / 7

HEX #EC1777

RGB 236 23 119

HSL 332.96, 0.85%, 0.51%

LAB 51.58, 77.76, 4.26

 

CMYK 9 / 89 / 0 / 7

HEX #D619EC

RGB 214 25 236

HSL 293.74, 0.85%, 0.51%

LAB 53, 87.07, -62.36

 

CMYK 9 / 91 / 0 / 87

HEX #1D0320

RGB 29 3 32

HSL 293.79, 0.83%, 0.07%

LAB 3.89, 16, -12.64

 

CMYK 10 / 89 / 0 / 67

HEX #4B0953

RGB 75 9 83

HSL 293.51, 0.8%, 0.18%

LAB 17.06, 39.17, -28.1

 

CMYK 9 / 90 / 0 / 47

HEX #7A0E86

RGB 122 14 134

HSL 294, 0.81%, 0.29%

LAB 29.84, 56.57, -40.22

 

CMYK 9 / 89 / 0 / 27

HEX #A814B9

RGB 168 20 185

HSL 293.82, 0.8%, 0.4%

LAB 41.73, 72.17, -51.56

 

CMYK 9 / 89 / 0 / 7

HEX #D619EC

RGB 214 25 236

HSL 293.74, 0.85%, 0.51%

LAB 53, 87.07, -62.36

 

CMYK 0 / 83 / 90 / 7

HEX #EC2917

RGB 236 41 23

HSL 5.07, 0.85%, 0.51%

LAB 51.24, 70.37, 57.63

 

CMYK 90 / 0 / 47 / 7

HEX #17EC7E

RGB 23 236 126

HSL 149.01, 0.85%, 0.51%

LAB 82.74, -70.28, 40.33

 

CMYK 9 / 89 / 0 / 7

HEX #D619EC

RGB 214 25 236

HSL 293.74, 0.85%, 0.51%

LAB 53, 87.07, -62.36

 

CMYK 0 / 11 / 90 / 7

HEX #ECD317

RGB 236 211 23

HSL 52.96, 0.85%, 0.51%

LAB 84.22, -7.77, 81.96

 

CMYK 90 / 0 / 11 / 7

HEX #17ECD3

RGB 23 236 211

HSL 172.96, 0.85%, 0.51%

LAB 84.42, -51.68, -1.05

 

CMYK 9 / 89 / 0 / 7

HEX #D619EC

RGB 214 25 236

HSL 293.74, 0.85%, 0.51%

LAB 53, 87.07, -62.36

 

CMYK 0 / 83 / 90 / 7

HEX #EC2917

RGB 236 41 23

HSL 5.07, 0.85%, 0.51%

LAB 51.24, 70.37, 57.63

 

CMYK 80 / 0 / 90 / 7

HEX #30EC17

RGB 48 236 23

HSL 112.96, 0.85%, 0.51%

LAB 82.21, -77.77, 76.54

 

CMYK 90 / 8 / 0 / 7

HEX #17DAEC

RGB 23 218 236

HSL 185.07, 0.85%, 0.51%

LAB 79.83, -36.61, -21.14

 

CMYK 9 / 89 / 0 / 7

HEX #D619EC

RGB 214 25 236

HSL 293.74, 0.85%, 0.51%

LAB 53, 87.07, -62.36

 

CMYK 0 / 56 / 90 / 7

HEX #EC6917

RGB 236 105 23

HSL 23.1, 0.85%, 0.51%

LAB 59.89, 46.97, 63.71

 

CMYK 80 / 0 / 90 / 7

HEX #30EC17

RGB 48 236 23

HSL 112.96, 0.85%, 0.51%

LAB 82.21, -77.77, 76.54

 

CMYK 90 / 35 / 0 / 7

HEX #179AEC

RGB 23 154 236

HSL 203.1, 0.85%, 0.51%

LAB 61.09, -3.4, -50.22

 

Description

Color code: RGB 214 25 236 | qconv.com Color code: RGB 214 25 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 25 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 25 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 89 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 89% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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