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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 183 164 it is the complementary color RGB 41 72 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 183 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 183 164: RGB 219 183 159, RGB 236 201 178, RGB 253 219 197, RGB 255 237 216 and RGB 255 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 183 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 183 164: RGB 214 183 164, RGB 197 165 145, RGB 180 147 126, RGB 163 129 107 and RGB 146 111 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 23 / 16

HEX #D6B7A4

RGB 214 183 164

HSL 22.8, 0.38%, 0.74%

LAB 76.58, 8.2, 13.78

 

Complementary color

CMYK 55 / 21 / 0 / 64

HEX #29485B

RGB 41 72 91

HSL 202.8, 0.38%, 0.26%

LAB 29.06, -5.39, -14.77

 

CMYK 0 / 16 / 27 / 14

HEX #DBB79F

RGB 219 183 159

HSL 24, 0.45%, 0.74%

LAB 76.94, 9.4, 17.04

 

CMYK 0 / 15 / 25 / 7

HEX #ECC9B2

RGB 236 201 178

HSL 23.79, 0.6%, 0.81%

LAB 83.35, 8.91, 16.07

 

CMYK 0 / 13 / 22 / 1

HEX #FDDBC5

RGB 253 219 197

HSL 23.57, 0.93%, 0.88%

LAB 89.66, 8.47, 15.16

 

CMYK 0 / 7 / 15 / 0

HEX #FFEDD8

RGB 255 237 216

HSL 32.31, 1%, 0.92%

LAB 94.65, 2.74, 12.36

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 14 / 23 / 16

HEX #D6B7A4

RGB 214 183 164

HSL 22.8, 0.38%, 0.74%

LAB 76.58, 8.2, 13.78

 

CMYK 0 / 16 / 26 / 23

HEX #C5A591

RGB 197 165 145

HSL 23.08, 0.31%, 0.67%

LAB 70.05, 8.68, 14.74

 

CMYK 0 / 18 / 30 / 29

HEX #B4937E

RGB 180 147 126

HSL 23.33, 0.26%, 0.6%

LAB 63.41, 9.23, 15.78

 

CMYK 0 / 21 / 34 / 36

HEX #A3816B

RGB 163 129 107

HSL 23.57, 0.23%, 0.53%

LAB 56.63, 9.86, 16.91

 

CMYK 0 / 24 / 40 / 43

HEX #926F58

RGB 146 111 88

HSL 23.79, 0.25%, 0.46%

LAB 49.72, 10.61, 18.16

 

CMYK 0 / 14 / 23 / 16

HEX #D6B7A4

RGB 214 183 164

HSL 22.8, 0.38%, 0.74%

LAB 76.58, 8.2, 13.78

 

CMYK 0 / 11 / 23 / 16

HEX #D5BEA3

RGB 213 190 163

HSL 32.4, 0.37%, 0.74%

LAB 78.24, 3.96, 16.62

 

CMYK 0 / 7 / 23 / 16

HEX #D5C6A3

RGB 213 198 163

HSL 42, 0.37%, 0.74%

LAB 80.28, -0.26, 19.46

 

CMYK 0 / 3 / 23 / 16

HEX #D5CFA3

RGB 213 207 163

HSL 52.8, 0.37%, 0.74%

LAB 82.6, -4.94, 22.66

 

CMYK 0 / 0 / 23 / 16

HEX #D4D5A3

RGB 212 213 163

HSL 61.2, 0.37%, 0.74%

LAB 84.09, -8.39, 24.68

 

CMYK 0 / 14 / 23 / 16

HEX #D6B7A4

RGB 214 183 164

HSL 22.8, 0.38%, 0.74%

LAB 76.58, 8.2, 13.78

 

CMYK 0 / 10 / 20 / 96

HEX #0A0908

RGB 10 9 8

HSL 30, 0.11%, 0.04%

LAB 2.51, 0.12, 0.47

 

CMYK 0 / 15 / 23 / 76

HEX #3D342F

RGB 61 52 47

HSL 21.43, 0.13%, 0.21%

LAB 22.49, 3.02, 4.63

 

CMYK 0 / 14 / 23 / 56

HEX #706056

RGB 112 96 86

HSL 23.08, 0.13%, 0.39%

LAB 41.97, 4.69, 8.09

 

CMYK 0 / 15 / 23 / 36

HEX #A38B7D

RGB 163 139 125

HSL 22.11, 0.17%, 0.56%

LAB 59.65, 6.78, 10.84

 

CMYK 0 / 14 / 23 / 16

HEX #D6B7A4

RGB 214 183 164

HSL 22.8, 0.38%, 0.74%

LAB 76.58, 8.2, 13.78

 

CMYK 13 / 0 / 23 / 16

HEX #B9D5A3

RGB 185 213 163

HSL 93.6, 0.37%, 0.74%

LAB 82.13, -18.26, 21.69

 

CMYK 23 / 23 / 0 / 16

HEX #A3A5D5

RGB 163 165 213

HSL 237.6, 0.37%, 0.74%

LAB 69.11, 9.6, -24.57

 

CMYK 0 / 14 / 23 / 16

HEX #D6B7A4

RGB 214 183 164

HSL 22.8, 0.38%, 0.74%

LAB 76.58, 8.2, 13.78

 

CMYK 23 / 0 / 15 / 16

HEX #A3D5B5

RGB 163 213 181

HSL 141.6, 0.37%, 0.74%

LAB 81.13, -22.62, 10.58

 

CMYK 15 / 23 / 0 / 16

HEX #B5A3D5

RGB 181 163 213

HSL 261.6, 0.37%, 0.74%

LAB 70.05, 16.36, -23.01

 

CMYK 0 / 14 / 23 / 16

HEX #D6B7A4

RGB 214 183 164

HSL 22.8, 0.38%, 0.74%

LAB 76.58, 8.2, 13.78

 

CMYK 13 / 0 / 23 / 16

HEX #B9D5A3

RGB 185 213 163

HSL 93.6, 0.37%, 0.74%

LAB 82.13, -18.26, 21.69

 

CMYK 23 / 8 / 0 / 16

HEX #A3C3D5

RGB 163 195 213

HSL 201.6, 0.37%, 0.74%

LAB 77.05, -6.75, -12.55

 

CMYK 10 / 23 / 0 / 16

HEX #C0A3D5

RGB 192 163 213

HSL 274.8, 0.37%, 0.74%

LAB 71.01, 19.9, -21.46

 

CMYK 0 / 14 / 23 / 16

HEX #D6B7A4

RGB 214 183 164

HSL 22.8, 0.38%, 0.74%

LAB 76.58, 8.2, 13.78

 

CMYK 20 / 0 / 23 / 16

HEX #AAD5A3

RGB 170 213 163

HSL 111.6, 0.37%, 0.74%

LAB 81.17, -23.5, 20.21

 

CMYK 23 / 8 / 0 / 16

HEX #A3C3D5

RGB 163 195 213

HSL 201.6, 0.37%, 0.74%

LAB 77.05, -6.75, -12.55

 

CMYK 3 / 23 / 0 / 16

HEX #CFA3D5

RGB 207 163 213

HSL 292.8, 0.37%, 0.74%

LAB 72.4, 24.82, -19.21

 

Description

Color code: RGB 214 183 164 | qconv.com Color code: RGB 214 183 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 183 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 183 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 23 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 23% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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