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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 165 138 it is the complementary color RGB 41 90 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 165 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 165 138: RGB 219 165 133, RGB 236 183 152, RGB 253 201 171, RGB 255 219 190 and RGB 255 237 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 165 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 165 138: RGB 214 165 138, RGB 197 147 119, RGB 180 129 100, RGB 163 111 81 and RGB 146 93 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 36 / 16

HEX #D6A58A

RGB 214 165 138

HSL 21.32, 0.48%, 0.69%

LAB 71.58, 14.41, 20.95

 

Complementary color

CMYK 65 / 23 / 0 / 54

HEX #295A75

RGB 41 90 117

HSL 201.32, 0.48%, 0.31%

LAB 36.12, -7.52, -20.26

 

CMYK 0 / 25 / 39 / 14

HEX #DBA585

RGB 219 165 133

HSL 22.33, 0.54%, 0.69%

LAB 72, 15.79, 24.33

 

CMYK 0 / 22 / 36 / 7

HEX #ECB798

RGB 236 183 152

HSL 22.14, 0.69%, 0.76%

LAB 78.44, 15.04, 23.13

 

CMYK 0 / 21 / 32 / 1

HEX #FDC9AB

RGB 253 201 171

HSL 21.95, 0.95%, 0.83%

LAB 84.79, 14.38, 22.02

 

CMYK 0 / 14 / 25 / 0

HEX #FFDBBE

RGB 255 219 190

HSL 26.77, 1%, 0.87%

LAB 89.69, 8.24, 18.88

 

CMYK 0 / 7 / 18 / 0

HEX #FFEDD1

RGB 255 237 209

HSL 36.52, 1%, 0.91%

LAB 94.5, 1.7, 15.76

 

CMYK 0 / 23 / 36 / 16

HEX #D6A58A

RGB 214 165 138

HSL 21.32, 0.48%, 0.69%

LAB 71.58, 14.41, 20.95

 

CMYK 0 / 25 / 40 / 23

HEX #C59377

RGB 197 147 119

HSL 21.54, 0.4%, 0.62%

LAB 65.02, 15.17, 22.17

 

CMYK 0 / 28 / 44 / 29

HEX #B48164

RGB 180 129 100

HSL 21.75, 0.35%, 0.55%

LAB 58.34, 16.06, 23.5

 

CMYK 0 / 32 / 50 / 36

HEX #A36F51

RGB 163 111 81

HSL 21.95, 0.34%, 0.48%

LAB 51.55, 17.09, 24.98

 

CMYK 0 / 36 / 58 / 43

HEX #925D3E

RGB 146 93 62

HSL 22.14, 0.4%, 0.41%

LAB 44.64, 18.31, 26.64

 

CMYK 0 / 23 / 36 / 16

HEX #D6A58A

RGB 214 165 138

HSL 21.32, 0.48%, 0.69%

LAB 71.58, 14.41, 20.95

 

CMYK 0 / 17 / 35 / 16

HEX #D5B18A

RGB 213 177 138

HSL 31.2, 0.47%, 0.69%

LAB 74.46, 7.56, 24.85

 

CMYK 0 / 11 / 35 / 16

HEX #D5BD8A

RGB 213 189 138

HSL 40.8, 0.47%, 0.69%

LAB 77.51, 1.19, 28.93

 

CMYK 0 / 5 / 35 / 16

HEX #D5CA8A

RGB 213 202 138

HSL 51.2, 0.47%, 0.69%

LAB 80.86, -5.58, 33.37

 

CMYK 0 / 0 / 35 / 16

HEX #D4D58A

RGB 212 213 138

HSL 60.8, 0.47%, 0.69%

LAB 83.66, -11.58, 37

 

CMYK 0 / 23 / 36 / 16

HEX #D6A58A

RGB 214 165 138

HSL 21.32, 0.48%, 0.69%

LAB 71.58, 14.41, 20.95

 

CMYK 0 / 20 / 40 / 96

HEX #0A0806

RGB 10 8 6

HSL 30, 0.25%, 0.03%

LAB 2.27, 0.25, 0.94

 

CMYK 0 / 23 / 36 / 76

HEX #3D2F27

RGB 61 47 39

HSL 21.82, 0.22%, 0.2%

LAB 20.72, 4.96, 7.57

 

CMYK 0 / 23 / 36 / 56

HEX #705648

RGB 112 86 72

HSL 21, 0.22%, 0.36%

LAB 38.84, 8.59, 12.28

 

CMYK 0 / 23 / 36 / 36

HEX #A37E69

RGB 163 126 105

HSL 21.72, 0.24%, 0.53%

LAB 55.81, 11.3, 16.93

 

CMYK 0 / 23 / 36 / 16

HEX #D6A58A

RGB 214 165 138

HSL 21.32, 0.48%, 0.69%

LAB 71.58, 14.41, 20.95

 

CMYK 19 / 0 / 35 / 16

HEX #ACD58A

RGB 172 213 138

HSL 92.8, 0.47%, 0.69%

LAB 80.85, -26.61, 32.79

 

CMYK 35 / 34 / 0 / 16

HEX #8A8DD5

RGB 138 141 213

HSL 237.6, 0.47%, 0.69%

LAB 61.01, 15.96, -37.26

 

CMYK 0 / 23 / 36 / 16

HEX #D6A58A

RGB 214 165 138

HSL 21.32, 0.48%, 0.69%

LAB 71.58, 14.41, 20.95

 

CMYK 35 / 0 / 23 / 16

HEX #8AD5A4

RGB 138 213 164

HSL 140.8, 0.47%, 0.69%

LAB 79.43, -33.6, 16.99

 

CMYK 23 / 35 / 0 / 16

HEX #A48AD5

RGB 164 138 213

HSL 260.8, 0.47%, 0.69%

LAB 62.4, 25.19, -34.93

 

CMYK 0 / 23 / 36 / 16

HEX #D6A58A

RGB 214 165 138

HSL 21.32, 0.48%, 0.69%

LAB 71.58, 14.41, 20.95

 

CMYK 19 / 0 / 35 / 16

HEX #ACD58A

RGB 172 213 138

HSL 92.8, 0.47%, 0.69%

LAB 80.85, -26.61, 32.79

 

CMYK 35 / 12 / 0 / 16

HEX #8ABBD5

RGB 138 187 213

HSL 200.8, 0.47%, 0.69%

LAB 73.38, -9.76, -18.23

 

CMYK 16 / 35 / 0 / 16

HEX #B38AD5

RGB 179 138 213

HSL 272.8, 0.47%, 0.69%

LAB 63.81, 29.73, -32.64

 

CMYK 0 / 23 / 36 / 16

HEX #D6A58A

RGB 214 165 138

HSL 21.32, 0.48%, 0.69%

LAB 71.58, 14.41, 20.95

 

CMYK 30 / 0 / 35 / 16

HEX #95D58A

RGB 149 213 138

HSL 111.2, 0.47%, 0.69%

LAB 79.51, -34.57, 30.78

 

CMYK 35 / 12 / 0 / 16

HEX #8ABBD5

RGB 138 187 213

HSL 200.8, 0.47%, 0.69%

LAB 73.38, -9.76, -18.23

 

CMYK 5 / 35 / 0 / 16

HEX #CA8AD5

RGB 202 138 213

HSL 291.2, 0.47%, 0.69%

LAB 66.17, 36.85, -28.8

 

Description

Color code: RGB 214 165 138 | qconv.com Color code: RGB 214 165 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 165 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 165 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 36 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 36% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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