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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 128 158 it is the complementary color RGB 41 127 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 128 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 128 158: RGB 219 128 153, RGB 236 146 172, RGB 253 164 191, RGB 255 182 210 and RGB 255 200 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 128 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 128 158: RGB 214 128 158, RGB 197 110 139, RGB 180 92 120, RGB 163 74 101 and RGB 146 56 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 26 / 16

HEX #D6809E

RGB 214 128 158

HSL 339.07, 0.51%, 0.67%

LAB 63.51, 36.98, -1.68

 

Complementary color

CMYK 68 / 0 / 24 / 50

HEX #297F61

RGB 41 127 97

HSL 159.07, 0.51%, 0.33%

LAB 47.64, -33.18, 8.94

 

CMYK 0 / 42 / 30 / 14

HEX #DB8099

RGB 219 128 153

HSL 343.52, 0.56%, 0.68%

LAB 64, 38.07, 1.95

 

CMYK 0 / 38 / 27 / 7

HEX #EC92AC

RGB 236 146 172

HSL 342.67, 0.7%, 0.75%

LAB 70.43, 37.21, 0.87

 

CMYK 0 / 35 / 25 / 1

HEX #FDA4BF

RGB 253 164 191

HSL 341.8, 0.96%, 0.82%

LAB 76.8, 36.4, -0.09

 

CMYK 0 / 29 / 18 / 0

HEX #FFB6D2

RGB 255 182 210

HSL 336.99, 1%, 0.86%

LAB 81.49, 30.44, -3.5

 

CMYK 0 / 22 / 10 / 0

HEX #FFC8E5

RGB 255 200 229

HSL 328.36, 1%, 0.89%

LAB 86.12, 23.99, -6.84

 

CMYK 0 / 40 / 26 / 16

HEX #D6809E

RGB 214 128 158

HSL 339.07, 0.51%, 0.67%

LAB 63.51, 36.98, -1.68

 

CMYK 0 / 44 / 29 / 23

HEX #C56E8B

RGB 197 110 139

HSL 340, 0.43%, 0.6%

LAB 56.96, 37.85, -0.58

 

CMYK 0 / 49 / 33 / 29

HEX #B45C78

RGB 180 92 120

HSL 340.91, 0.37%, 0.53%

LAB 50.35, 38.75, 0.69

 

CMYK 0 / 55 / 38 / 36

HEX #A34A65

RGB 163 74 101

HSL 341.8, 0.38%, 0.46%

LAB 43.69, 39.63, 2.22

 

CMYK 0 / 62 / 44 / 43

HEX #923852

RGB 146 56 82

HSL 342.67, 0.45%, 0.4%

LAB 37.02, 40.41, 4.14

 

CMYK 0 / 40 / 26 / 16

HEX #D6809E

RGB 214 128 158

HSL 339.07, 0.51%, 0.67%

LAB 63.51, 36.98, -1.68

 

CMYK 0 / 40 / 33 / 16

HEX #D57F8F

RGB 213 127 143

HSL 348.84, 0.51%, 0.67%

LAB 62.77, 35.14, 5.78

 

CMYK 0 / 40 / 39 / 16

HEX #D57F81

RGB 213 127 129

HSL 358.6, 0.51%, 0.67%

LAB 62.43, 33.45, 13.28

 

CMYK 0 / 34 / 40 / 16

HEX #D58C7F

RGB 213 140 127

HSL 9.07, 0.51%, 0.67%

LAB 65.31, 26.25, 18.4

 

CMYK 0 / 27 / 40 / 16

HEX #D59B7F

RGB 213 155 127

HSL 19.53, 0.51%, 0.67%

LAB 68.84, 18.13, 23.21

 

CMYK 0 / 40 / 26 / 16

HEX #D6809E

RGB 214 128 158

HSL 339.07, 0.51%, 0.67%

LAB 63.51, 36.98, -1.68

 

CMYK 0 / 40 / 30 / 96

HEX #0A0607

RGB 10 6 7

HSL 345, 0.25%, 0.03%

LAB 1.9, 1.19, -0.01

 

CMYK 0 / 41 / 26 / 76

HEX #3D242D

RGB 61 36 45

HSL 338.4, 0.26%, 0.19%

LAB 17.66, 13.43, -0.96

 

CMYK 0 / 40 / 26 / 56

HEX #704353

RGB 112 67 83

HSL 338.67, 0.25%, 0.35%

LAB 34.16, 21.81, -1.3

 

CMYK 0 / 40 / 26 / 36

HEX #A36178

RGB 163 97 120

HSL 339.09, 0.26%, 0.51%

LAB 49.12, 29.84, -1.38

 

CMYK 0 / 40 / 26 / 16

HEX #D6809E

RGB 214 128 158

HSL 339.07, 0.51%, 0.67%

LAB 63.51, 36.98, -1.68

 

CMYK 0 / 6 / 40 / 16

HEX #D5C87F

RGB 213 200 127

HSL 50.93, 0.51%, 0.67%

LAB 80.17, -5.79, 38.12

 

CMYK 40 / 10 / 0 / 16

HEX #7FC0D5

RGB 127 192 213

HSL 194.65, 0.51%, 0.67%

LAB 74.2, -15.31, -17.05

 

CMYK 0 / 40 / 26 / 16

HEX #D6809E

RGB 214 128 158

HSL 339.07, 0.51%, 0.67%

LAB 63.51, 36.98, -1.68

 

CMYK 26 / 0 / 40 / 16

HEX #9DD57F

RGB 157 213 127

HSL 99.07, 0.51%, 0.67%

LAB 79.78, -33.43, 36.82

 

CMYK 40 / 26 / 0 / 16

HEX #7F9DD5

RGB 127 157 213

HSL 219.07, 0.51%, 0.67%

LAB 64.51, 3.76, -31.87

 

CMYK 0 / 40 / 26 / 16

HEX #D6809E

RGB 214 128 158

HSL 339.07, 0.51%, 0.67%

LAB 63.51, 36.98, -1.68

 

CMYK 0 / 6 / 40 / 16

HEX #D5C87F

RGB 213 200 127

HSL 50.93, 0.51%, 0.67%

LAB 80.17, -5.79, 38.12

 

CMYK 40 / 0 / 14 / 16

HEX #7FD5B7

RGB 127 213 183

HSL 159.07, 0.51%, 0.67%

LAB 79.34, -32.87, 6.71

 

CMYK 40 / 34 / 0 / 16

HEX #7F8CD5

RGB 127 140 213

HSL 230.93, 0.51%, 0.67%

LAB 59.95, 13.58, -38.97

 

CMYK 0 / 40 / 26 / 16

HEX #D6809E

RGB 214 128 158

HSL 339.07, 0.51%, 0.67%

LAB 63.51, 36.98, -1.68

 

CMYK 6 / 0 / 40 / 16

HEX #C8D57F

RGB 200 213 127

HSL 69.07, 0.51%, 0.67%

LAB 82.59, -17.49, 40.99

 

CMYK 40 / 0 / 14 / 16

HEX #7FD5B7

RGB 127 213 183

HSL 159.07, 0.51%, 0.67%

LAB 79.34, -32.87, 6.71

 

CMYK 34 / 40 / 0 / 16

HEX #8C7FD5

RGB 140 127 213

HSL 249.07, 0.51%, 0.67%

LAB 57.62, 24.69, -42.58

 

Description

Color code: RGB 214 128 158 | qconv.com Color code: RGB 214 128 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 128 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 128 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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