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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 127 157 it is the complementary color RGB 42 128 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 127 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 213 127 157: RGB 218 127 152, RGB 235 145 171, RGB 252 163 190, RGB 255 181 209 and RGB 255 199 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 127 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 213 127 157: RGB 213 127 157, RGB 196 109 138, RGB 179 91 119, RGB 162 73 100 and RGB 145 55 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 26 / 16

HEX #D57F9D

RGB 213 127 157

HSL 339.07, 0.51%, 0.67%

LAB 63.14, 37.01, -1.66

 

Complementary color

CMYK 67 / 0 / 23 / 50

HEX #2A8062

RGB 42 128 98

HSL 159.07, 0.51%, 0.33%

LAB 48.02, -33.2, 8.9

 

CMYK 0 / 42 / 30 / 15

HEX #DA7F98

RGB 218 127 152

HSL 343.52, 0.55%, 0.68%

LAB 63.63, 38.11, 1.97

 

CMYK 0 / 38 / 27 / 8

HEX #EB91AB

RGB 235 145 171

HSL 342.67, 0.69%, 0.75%

LAB 70.07, 37.24, 0.89

 

CMYK 0 / 35 / 25 / 1

HEX #FCA3BE

RGB 252 163 190

HSL 341.8, 0.94%, 0.81%

LAB 76.44, 36.43, -0.08

 

CMYK 0 / 29 / 18 / 0

HEX #FFB5D1

RGB 255 181 209

HSL 337.3, 1%, 0.85%

LAB 81.24, 30.81, -3.33

 

CMYK 0 / 22 / 11 / 0

HEX #FFC7E4

RGB 255 199 228

HSL 328.93, 1%, 0.89%

LAB 85.86, 24.35, -6.7

 

CMYK 0 / 40 / 26 / 16

HEX #D57F9D

RGB 213 127 157

HSL 339.07, 0.51%, 0.67%

LAB 63.14, 37.01, -1.66

 

CMYK 0 / 44 / 30 / 23

HEX #C46D8A

RGB 196 109 138

HSL 340, 0.42%, 0.6%

LAB 56.59, 37.88, -0.56

 

CMYK 0 / 49 / 34 / 30

HEX #B35B77

RGB 179 91 119

HSL 340.91, 0.37%, 0.53%

LAB 49.98, 38.78, 0.73

 

CMYK 0 / 55 / 38 / 36

HEX #A24964

RGB 162 73 100

HSL 341.8, 0.38%, 0.46%

LAB 43.31, 39.67, 2.27

 

CMYK 0 / 62 / 44 / 43

HEX #913751

RGB 145 55 81

HSL 342.67, 0.45%, 0.39%

LAB 36.64, 40.43, 4.22

 

CMYK 0 / 40 / 26 / 16

HEX #D57F9D

RGB 213 127 157

HSL 339.07, 0.51%, 0.67%

LAB 63.14, 37.01, -1.66

 

CMYK 0 / 40 / 33 / 16

HEX #D57F8F

RGB 213 127 143

HSL 348.84, 0.51%, 0.67%

LAB 62.77, 35.14, 5.78

 

CMYK 0 / 40 / 39 / 16

HEX #D57F81

RGB 213 127 129

HSL 358.6, 0.51%, 0.67%

LAB 62.43, 33.45, 13.28

 

CMYK 0 / 34 / 40 / 16

HEX #D58C7F

RGB 213 140 127

HSL 9.07, 0.51%, 0.67%

LAB 65.31, 26.25, 18.4

 

CMYK 0 / 27 / 40 / 16

HEX #D59B7F

RGB 213 155 127

HSL 19.53, 0.51%, 0.67%

LAB 68.84, 18.13, 23.21

 

CMYK 0 / 40 / 26 / 16

HEX #D57F9D

RGB 213 127 157

HSL 339.07, 0.51%, 0.67%

LAB 63.14, 37.01, -1.66

 

CMYK 0 / 44 / 22 / 96

HEX #090507

RGB 9 5 7

HSL 330, 0.29%, 0.03%

LAB 1.64, 1.32, -0.39

 

CMYK 0 / 40 / 27 / 76

HEX #3C242C

RGB 60 36 44

HSL 340, 0.25%, 0.19%

LAB 17.48, 12.8, -0.54

 

CMYK 0 / 41 / 26 / 56

HEX #6F4252

RGB 111 66 82

HSL 338.67, 0.25%, 0.35%

LAB 33.74, 21.85, -1.28

 

CMYK 0 / 40 / 27 / 36

HEX #A26177

RGB 162 97 119

HSL 339.69, 0.26%, 0.51%

LAB 48.96, 29.32, -1.03

 

CMYK 0 / 40 / 26 / 16

HEX #D57F9D

RGB 213 127 157

HSL 339.07, 0.51%, 0.67%

LAB 63.14, 37.01, -1.66

 

CMYK 0 / 6 / 40 / 16

HEX #D5C87F

RGB 213 200 127

HSL 50.93, 0.51%, 0.67%

LAB 80.17, -5.79, 38.12

 

CMYK 40 / 10 / 0 / 16

HEX #7FC0D5

RGB 127 192 213

HSL 194.65, 0.51%, 0.67%

LAB 74.2, -15.31, -17.05

 

CMYK 0 / 40 / 26 / 16

HEX #D57F9D

RGB 213 127 157

HSL 339.07, 0.51%, 0.67%

LAB 63.14, 37.01, -1.66

 

CMYK 26 / 0 / 40 / 16

HEX #9DD57F

RGB 157 213 127

HSL 99.07, 0.51%, 0.67%

LAB 79.78, -33.43, 36.82

 

CMYK 40 / 26 / 0 / 16

HEX #7F9DD5

RGB 127 157 213

HSL 219.07, 0.51%, 0.67%

LAB 64.51, 3.76, -31.87

 

CMYK 0 / 40 / 26 / 16

HEX #D57F9D

RGB 213 127 157

HSL 339.07, 0.51%, 0.67%

LAB 63.14, 37.01, -1.66

 

CMYK 0 / 6 / 40 / 16

HEX #D5C87F

RGB 213 200 127

HSL 50.93, 0.51%, 0.67%

LAB 80.17, -5.79, 38.12

 

CMYK 40 / 0 / 14 / 16

HEX #7FD5B7

RGB 127 213 183

HSL 159.07, 0.51%, 0.67%

LAB 79.34, -32.87, 6.71

 

CMYK 40 / 34 / 0 / 16

HEX #7F8CD5

RGB 127 140 213

HSL 230.93, 0.51%, 0.67%

LAB 59.95, 13.58, -38.97

 

CMYK 0 / 40 / 26 / 16

HEX #D57F9D

RGB 213 127 157

HSL 339.07, 0.51%, 0.67%

LAB 63.14, 37.01, -1.66

 

CMYK 6 / 0 / 40 / 16

HEX #C8D57F

RGB 200 213 127

HSL 69.07, 0.51%, 0.67%

LAB 82.59, -17.49, 40.99

 

CMYK 40 / 0 / 14 / 16

HEX #7FD5B7

RGB 127 213 183

HSL 159.07, 0.51%, 0.67%

LAB 79.34, -32.87, 6.71

 

CMYK 34 / 40 / 0 / 16

HEX #8C7FD5

RGB 140 127 213

HSL 249.07, 0.51%, 0.67%

LAB 57.62, 24.69, -42.58

 

Description

Color code: RGB 213 127 157 | qconv.com Color code: RGB 213 127 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 127 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 127 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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