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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 121 158 it is the complementary color RGB 41 134 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 121 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 121 158: RGB 219 121 153, RGB 236 139 172, RGB 253 157 191, RGB 255 175 210 and RGB 255 193 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 121 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 121 158: RGB 214 121 158, RGB 197 103 139, RGB 180 85 120, RGB 163 67 101 and RGB 146 49 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 26 / 16

HEX #D6799E

RGB 214 121 158

HSL 336.13, 0.53%, 0.66%

LAB 62.03, 40.65, -3.86

 

Complementary color

CMYK 69 / 0 / 28 / 47

HEX #298661

RGB 41 134 97

HSL 156.13, 0.53%, 0.34%

LAB 49.96, -36.31, 12.19

 

CMYK 0 / 45 / 30 / 14

HEX #DB7999

RGB 219 121 153

HSL 340.41, 0.58%, 0.67%

LAB 62.54, 41.71, -0.18

 

CMYK 0 / 41 / 27 / 7

HEX #EC8BAC

RGB 236 139 172

HSL 339.59, 0.72%, 0.74%

LAB 68.95, 40.85, -1.29

 

CMYK 0 / 38 / 25 / 1

HEX #FD9DBF

RGB 253 157 191

HSL 338.75, 0.96%, 0.8%

LAB 75.3, 40.02, -2.29

 

CMYK 0 / 31 / 18 / 0

HEX #FFAFD2

RGB 255 175 210

HSL 333.75, 1%, 0.84%

LAB 79.94, 34.11, -5.79

 

CMYK 0 / 24 / 10 / 0

HEX #FFC1E5

RGB 255 193 229

HSL 325.16, 1%, 0.88%

LAB 84.51, 27.67, -9.23

 

CMYK 0 / 43 / 26 / 16

HEX #D6799E

RGB 214 121 158

HSL 336.13, 0.53%, 0.66%

LAB 62.03, 40.65, -3.86

 

CMYK 0 / 48 / 29 / 23

HEX #C5678B

RGB 197 103 139

HSL 337.02, 0.45%, 0.59%

LAB 55.52, 41.5, -2.71

 

CMYK 0 / 53 / 33 / 29

HEX #B45578

RGB 180 85 120

HSL 337.89, 0.39%, 0.52%

LAB 48.95, 42.34, -1.35

 

CMYK 0 / 59 / 38 / 36

HEX #A34365

RGB 163 67 101

HSL 338.75, 0.42%, 0.45%

LAB 42.37, 43.1, 0.31

 

CMYK 0 / 66 / 44 / 43

HEX #923152

RGB 146 49 82

HSL 339.59, 0.5%, 0.38%

LAB 35.82, 43.64, 2.42

 

CMYK 0 / 43 / 26 / 16

HEX #D6799E

RGB 214 121 158

HSL 336.13, 0.53%, 0.66%

LAB 62.03, 40.65, -3.86

 

CMYK 0 / 43 / 33 / 16

HEX #D67A8F

RGB 214 122 143

HSL 346.3, 0.53%, 0.66%

LAB 61.83, 38.14, 4.44

 

CMYK 0 / 43 / 40 / 16

HEX #D67A80

RGB 214 122 128

HSL 356.09, 0.53%, 0.66%

LAB 61.46, 36.36, 12.51

 

CMYK 0 / 39 / 43 / 16

HEX #D6837A

RGB 214 131 122

HSL 5.87, 0.53%, 0.66%

LAB 63.29, 30.93, 18.46

 

CMYK 0 / 32 / 43 / 16

HEX #D6927A

RGB 214 146 122

HSL 15.65, 0.53%, 0.66%

LAB 66.72, 22.85, 23.12

 

CMYK 0 / 43 / 26 / 16

HEX #D6799E

RGB 214 121 158

HSL 336.13, 0.53%, 0.66%

LAB 62.03, 40.65, -3.86

 

CMYK 0 / 40 / 30 / 96

HEX #0A0607

RGB 10 6 7

HSL 345, 0.25%, 0.03%

LAB 1.9, 1.19, -0.01

 

CMYK 0 / 44 / 26 / 76

HEX #3D222D

RGB 61 34 45

HSL 335.56, 0.28%, 0.19%

LAB 17.11, 14.77, -1.77

 

CMYK 0 / 44 / 26 / 56

HEX #703F53

RGB 112 63 83

HSL 335.51, 0.28%, 0.34%

LAB 33.19, 24.19, -2.72

 

CMYK 0 / 44 / 26 / 36

HEX #A35C78

RGB 163 92 120

HSL 336.34, 0.28%, 0.5%

LAB 48, 32.61, -3.03

 

CMYK 0 / 43 / 26 / 16

HEX #D6799E

RGB 214 121 158

HSL 336.13, 0.53%, 0.66%

LAB 62.03, 40.65, -3.86

 

CMYK 0 / 9 / 43 / 16

HEX #D6C37A

RGB 214 195 122

HSL 47.61, 0.53%, 0.66%

LAB 78.89, -3.33, 39.04

 

CMYK 43 / 9 / 0 / 16

HEX #7AC3D6

RGB 122 195 214

HSL 192.39, 0.53%, 0.66%

LAB 74.84, -17.86, -16.65

 

CMYK 0 / 43 / 26 / 16

HEX #D6799E

RGB 214 121 158

HSL 336.13, 0.53%, 0.66%

LAB 62.03, 40.65, -3.86

 

CMYK 26 / 0 / 43 / 16

HEX #9FD67A

RGB 159 214 122

HSL 95.87, 0.53%, 0.66%

LAB 80.11, -33.84, 39.77

 

CMYK 43 / 26 / 0 / 16

HEX #7A9FD6

RGB 122 159 214

HSL 215.87, 0.53%, 0.66%

LAB 64.79, 1.61, -32.01

 

CMYK 0 / 43 / 26 / 16

HEX #D6799E

RGB 214 121 158

HSL 336.13, 0.53%, 0.66%

LAB 62.03, 40.65, -3.86

 

CMYK 0 / 9 / 43 / 16

HEX #D6C37A

RGB 214 195 122

HSL 47.61, 0.53%, 0.66%

LAB 78.89, -3.33, 39.04

 

CMYK 43 / 0 / 17 / 16

HEX #7AD6B1

RGB 122 214 177

HSL 155.87, 0.53%, 0.66%

LAB 79.27, -35.94, 9.78

 

CMYK 43 / 35 / 0 / 16

HEX #7A8CD6

RGB 122 140 214

HSL 228.26, 0.53%, 0.66%

LAB 59.66, 12.56, -40.01

 

CMYK 0 / 43 / 26 / 16

HEX #D6799E

RGB 214 121 158

HSL 336.13, 0.53%, 0.66%

LAB 62.03, 40.65, -3.86

 

CMYK 4 / 0 / 43 / 16

HEX #CDD67A

RGB 205 214 122

HSL 65.87, 0.53%, 0.66%

LAB 83.17, -16.58, 44.26

 

CMYK 43 / 0 / 17 / 16

HEX #7AD6B1

RGB 122 214 177

HSL 155.87, 0.53%, 0.66%

LAB 79.27, -35.94, 9.78

 

CMYK 39 / 43 / 0 / 16

HEX #837AD6

RGB 131 122 214

HSL 245.87, 0.53%, 0.66%

LAB 55.68, 25.51, -46.24

 

Description

Color code: RGB 214 121 158 | qconv.com Color code: RGB 214 121 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 121 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 121 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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