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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 51 27 it is the complementary color RGB 42 204 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 51 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 213 51 27: RGB 218 51 22, RGB 235 69 41, RGB 252 87 60, RGB 255 105 79 and RGB 255 123 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 51 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 213 51 27: RGB 213 51 27, RGB 196 33 8, RGB 179 15 0, RGB 162 0 0 and RGB 145 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 87 / 16

HEX #D5331B

RGB 213 51 27

HSL 7.74, 0.78%, 0.47%

LAB 47.74, 61.16, 51.43

 

Complementary color

CMYK 82 / 11 / 0 / 11

HEX #2ACCE4

RGB 42 204 228

HSL 187.74, 0.78%, 0.53%

LAB 75.62, -31.33, -23.23

 

CMYK 0 / 77 / 90 / 15

HEX #DA3316

RGB 218 51 22

HSL 8.88, 0.82%, 0.47%

LAB 48.67, 62.58, 54.58

 

CMYK 0 / 71 / 83 / 8

HEX #EB4529

RGB 235 69 41

HSL 8.66, 0.83%, 0.54%

LAB 54.11, 62.19, 52.14

 

CMYK 0 / 65 / 76 / 1

HEX #FC573C

RGB 252 87 60

HSL 8.44, 0.97%, 0.61%

LAB 59.74, 61.39, 49.3

 

CMYK 0 / 59 / 69 / 0

HEX #FF694F

RGB 255 105 79

HSL 8.86, 1%, 0.65%

LAB 63.28, 55.61, 43.42

 

CMYK 0 / 52 / 62 / 0

HEX #FF7B62

RGB 255 123 98

HSL 9.55, 1%, 0.69%

LAB 66.75, 48.34, 37.36

 

CMYK 0 / 76 / 87 / 16

HEX #D5331B

RGB 213 51 27

HSL 7.74, 0.78%, 0.47%

LAB 47.74, 61.16, 51.43

 

CMYK 0 / 83 / 96 / 23

HEX #C42108

RGB 196 33 8

HSL 7.98, 0.92%, 0.4%

LAB 42.52, 60.91, 53.2

 

CMYK 0 / 92 / 100 / 30

HEX #B30F00

RGB 179 15 0

HSL 5.03, 1%, 0.35%

LAB 37.71, 59.62, 51.76

 

CMYK 0 / 100 / 100 / 36

HEX #A20000

RGB 162 0 0

HSL 0, 1%, 0.32%

LAB 33.31, 57.06, 47.46

 

CMYK 0 / 100 / 100 / 43

HEX #910000

RGB 145 0 0

HSL 0, 1%, 0.28%

LAB 29.46, 52.6, 42.98

 

CMYK 0 / 76 / 87 / 16

HEX #D5331B

RGB 213 51 27

HSL 7.74, 0.78%, 0.47%

LAB 47.74, 61.16, 51.43

 

CMYK 0 / 63 / 88 / 16

HEX #D54F1A

RGB 213 79 26

HSL 17.01, 0.78%, 0.47%

LAB 51.62, 50.54, 54.89

 

CMYK 0 / 48 / 88 / 16

HEX #D56E1A

RGB 213 110 26

HSL 26.95, 0.78%, 0.47%

LAB 57.44, 35.6, 59.45

 

CMYK 0 / 34 / 88 / 16

HEX #D58D1A

RGB 213 141 26

HSL 36.9, 0.78%, 0.47%

LAB 64.38, 19.12, 64.92

 

CMYK 0 / 19 / 88 / 16

HEX #D5AC1A

RGB 213 172 26

HSL 46.84, 0.78%, 0.47%

LAB 72.04, 2.48, 70.99

 

CMYK 0 / 76 / 87 / 16

HEX #D5331B

RGB 213 51 27

HSL 7.74, 0.78%, 0.47%

LAB 47.74, 61.16, 51.43

 

CMYK 0 / 78 / 89 / 96

HEX #090201

RGB 9 2 1

HSL 7.5, 0.8%, 0.02%

LAB 0.94, 1.69, 1.02

 

CMYK 0 / 77 / 87 / 76

HEX #3C0E08

RGB 60 14 8

HSL 6.92, 0.76%, 0.13%

LAB 11.22, 22.17, 14.05

 

CMYK 0 / 76 / 87 / 56

HEX #6F1B0E

RGB 111 27 14

HSL 8.04, 0.78%, 0.25%

LAB 24.31, 36.12, 29.68

 

CMYK 0 / 76 / 87 / 36

HEX #A22715

RGB 162 39 21

HSL 7.66, 0.77%, 0.36%

LAB 36.34, 49.09, 40.73

 

CMYK 0 / 76 / 87 / 16

HEX #D5331B

RGB 213 51 27

HSL 7.74, 0.78%, 0.47%

LAB 47.74, 61.16, 51.43

 

CMYK 28 / 0 / 88 / 16

HEX #9AD51A

RGB 154 213 26

HSL 78.93, 0.78%, 0.47%

LAB 78.77, -42.41, 74.58

 

CMYK 88 / 63 / 0 / 16

HEX #1A4FD5

RGB 26 79 213

HSL 222.99, 0.78%, 0.47%

LAB 38.93, 34.84, -73.01

 

CMYK 0 / 76 / 87 / 16

HEX #D5331B

RGB 213 51 27

HSL 7.74, 0.78%, 0.47%

LAB 47.74, 61.16, 51.43

 

CMYK 88 / 0 / 77 / 16

HEX #1AD530

RGB 26 213 48

HSL 127.06, 0.78%, 0.47%

LAB 74.84, -72.24, 64.15

 

CMYK 77 / 88 / 0 / 16

HEX #301AD5

RGB 48 26 213

HSL 247.06, 0.78%, 0.47%

LAB 29.84, 63.92, -88

 

CMYK 0 / 76 / 87 / 16

HEX #D5331B

RGB 213 51 27

HSL 7.74, 0.78%, 0.47%

LAB 47.74, 61.16, 51.43

 

CMYK 28 / 0 / 88 / 16

HEX #9AD51A

RGB 154 213 26

HSL 78.93, 0.78%, 0.47%

LAB 78.77, -42.41, 74.58

 

CMYK 88 / 10 / 0 / 16

HEX #1ABFD5

RGB 26 191 213

HSL 187.06, 0.78%, 0.47%

LAB 71.07, -30.87, -22.07

 

CMYK 60 / 88 / 0 / 16

HEX #551AD5

RGB 85 26 213

HSL 258.93, 0.78%, 0.47%

LAB 32.86, 66.18, -82.89

 

CMYK 0 / 76 / 87 / 16

HEX #D5331B

RGB 213 51 27

HSL 7.74, 0.78%, 0.47%

LAB 47.74, 61.16, 51.43

 

CMYK 54 / 0 / 88 / 16

HEX #62D51A

RGB 98 213 26

HSL 96.9, 0.78%, 0.47%

LAB 76.23, -60.86, 71.42

 

CMYK 88 / 10 / 0 / 16

HEX #1ABFD5

RGB 26 191 213

HSL 187.06, 0.78%, 0.47%

LAB 71.07, -30.87, -22.07

 

CMYK 34 / 88 / 0 / 16

HEX #8D1AD5

RGB 141 26 213

HSL 276.9, 0.78%, 0.47%

LAB 39.92, 72.16, -71.01

 

Description

Color code: RGB 213 51 27 | qconv.com Color code: RGB 213 51 27 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 51 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 51 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 87 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 87% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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