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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 224 143 it is the complementary color RGB 42 31 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 224 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 213 224 143: RGB 218 224 138, RGB 235 242 157, RGB 252 255 176, RGB 255 255 195 and RGB 255 255 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 224 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 213 224 143: RGB 213 224 143, RGB 196 206 124, RGB 179 188 105, RGB 162 170 86 and RGB 145 152 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 36 / 12

HEX #D5E08F

RGB 213 224 143

HSL 68.15, 0.57%, 0.72%

LAB 86.72, -16.11, 38.46

 

Complementary color

CMYK 63 / 72 / 0 / 56

HEX #2A1F70

RGB 42 31 112

HSL 248.15, 0.57%, 0.28%

LAB 18.55, 30.2, -45.11

 

CMYK 3 / 0 / 38 / 12

HEX #DAE08A

RGB 218 224 138

HSL 64.19, 0.58%, 0.71%

LAB 87.02, -14.77, 41.41

 

CMYK 3 / 0 / 35 / 5

HEX #EBF29D

RGB 235 242 157

HSL 64.94, 0.77%, 0.78%

LAB 93.28, -15.02, 40.28

 

CMYK 1 / 0 / 31 / 0

HEX #FCFFB0

RGB 252 255 176

HSL 62.28, 1%, 0.85%

LAB 98.17, -12.79, 37.51

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 5 / 0 / 36 / 12

HEX #D5E08F

RGB 213 224 143

HSL 68.15, 0.57%, 0.72%

LAB 86.72, -16.11, 38.46

 

CMYK 5 / 0 / 40 / 19

HEX #C4CE7C

RGB 196 206 124

HSL 67.32, 0.46%, 0.65%

LAB 80.37, -15.89, 39.61

 

CMYK 5 / 0 / 44 / 26

HEX #B3BC69

RGB 179 188 105

HSL 66.51, 0.38%, 0.57%

LAB 73.91, -15.62, 40.78

 

CMYK 5 / 0 / 49 / 33

HEX #A2AA56

RGB 162 170 86

HSL 65.71, 0.33%, 0.5%

LAB 67.35, -15.28, 41.97

 

CMYK 5 / 0 / 56 / 40

HEX #919843

RGB 145 152 67

HSL 64.94, 0.39%, 0.43%

LAB 60.68, -14.83, 43.11

 

CMYK 5 / 0 / 36 / 12

HEX #D5E08F

RGB 213 224 143

HSL 68.15, 0.57%, 0.72%

LAB 86.72, -16.11, 38.46

 

CMYK 11 / 0 / 37 / 12

HEX #C7E08E

RGB 199 224 142

HSL 78.29, 0.57%, 0.72%

LAB 85.71, -21.51, 37.45

 

CMYK 17 / 0 / 37 / 12

HEX #BAE08E

RGB 186 224 142

HSL 87.8, 0.57%, 0.72%

LAB 84.84, -26.29, 36.16

 

CMYK 23 / 0 / 37 / 12

HEX #ACE08E

RGB 172 224 142

HSL 98.05, 0.57%, 0.72%

LAB 83.98, -31.27, 34.87

 

CMYK 29 / 0 / 37 / 12

HEX #9FE08E

RGB 159 224 142

HSL 107.56, 0.57%, 0.72%

LAB 83.25, -35.71, 33.77

 

CMYK 5 / 0 / 36 / 12

HEX #D5E08F

RGB 213 224 143

HSL 68.15, 0.57%, 0.72%

LAB 86.72, -16.11, 38.46

 

CMYK 5 / 0 / 35 / 92

HEX #13140D

RGB 19 20 13

HSL 68.57, 0.21%, 0.06%

LAB 6.03, -1.78, 3.56

 

CMYK 4 / 0 / 37 / 72

HEX #44472D

RGB 68 71 45

HSL 66.92, 0.22%, 0.23%

LAB 29.22, -6.2, 15.26

 

CMYK 5 / 0 / 36 / 52

HEX #747A4E

RGB 116 122 78

HSL 68.18, 0.22%, 0.39%

LAB 49.72, -9.87, 23.38

 

CMYK 5 / 0 / 36 / 32

HEX #A5AD6E

RGB 165 173 110

HSL 67.62, 0.28%, 0.55%

LAB 68.76, -12.95, 31.46

 

CMYK 5 / 0 / 36 / 12

HEX #D5E08F

RGB 213 224 143

HSL 68.15, 0.57%, 0.72%

LAB 86.72, -16.11, 38.46

 

CMYK 37 / 0 / 24 / 12

HEX #8EE0AA

RGB 142 224 170

HSL 140.49, 0.57%, 0.72%

LAB 82.89, -36.38, 18.7

 

CMYK 10 / 37 / 0 / 12

HEX #CA8EE0

RGB 202 142 224

HSL 283.9, 0.57%, 0.72%

LAB 67.49, 36.87, -32.85

 

CMYK 5 / 0 / 36 / 12

HEX #D5E08F

RGB 213 224 143

HSL 68.15, 0.57%, 0.72%

LAB 86.72, -16.11, 38.46

 

CMYK 37 / 5 / 0 / 12

HEX #8ED5E0

RGB 142 213 224

HSL 188.05, 0.57%, 0.72%

LAB 81.14, -19.41, -12.47

 

CMYK 0 / 37 / 5 / 12

HEX #E08ED5

RGB 224 142 213

HSL 308.05, 0.57%, 0.72%

LAB 69.47, 41.65, -23.52

 

CMYK 5 / 0 / 36 / 12

HEX #D5E08F

RGB 213 224 143

HSL 68.15, 0.57%, 0.72%

LAB 86.72, -16.11, 38.46

 

CMYK 37 / 0 / 24 / 12

HEX #8EE0AA

RGB 142 224 170

HSL 140.49, 0.57%, 0.72%

LAB 82.89, -36.38, 18.7

 

CMYK 32 / 37 / 0 / 12

HEX #998EE0

RGB 153 142 224

HSL 248.05, 0.57%, 0.72%

LAB 62.93, 22.44, -40.3

 

CMYK 0 / 37 / 12 / 12

HEX #E08EC5

RGB 224 142 197

HSL 319.76, 0.57%, 0.72%

LAB 68.91, 38.94, -15.47

 

CMYK 5 / 0 / 36 / 12

HEX #D5E08F

RGB 213 224 143

HSL 68.15, 0.57%, 0.72%

LAB 86.72, -16.11, 38.46

 

CMYK 37 / 0 / 13 / 12

HEX #8EE0C2

RGB 142 224 194

HSL 158.05, 0.57%, 0.72%

LAB 83.42, -31.61, 6.82

 

CMYK 32 / 37 / 0 / 12

HEX #998EE0

RGB 153 142 224

HSL 248.05, 0.57%, 0.72%

LAB 62.93, 22.44, -40.3

 

CMYK 0 / 37 / 23 / 12

HEX #E08EAC

RGB 224 142 172

HSL 338.05, 0.57%, 0.72%

LAB 68.15, 35.08, -2.64

 

Description

Color code: RGB 213 224 143 | qconv.com Color code: RGB 213 224 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 224 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 224 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 36 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 36% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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