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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 174 89 it is the complementary color RGB 42 81 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 174 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 174 89 shade: RGB 218 174 84, RGB 235 192 103, RGB 252 210 122, RGB 255 228 141 and RGB 255 246 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 174 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 174 89 shade: RGB 213 174 89, RGB 196 156 70, RGB 179 138 51, RGB 162 120 32 and RGB 145 102 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 174 89 shade: RGB 213 173 87, RGB 213 139 87, RGB 213 106 87 and RGB 213 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 174 89 shade: RGB 213 173 87, RGB 213 207 87, RGB 184 213 87, RGB 151 213 87 and RGB 117 213 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 174 89 shade matches the following richer shades: RGB 213 173 87, RGB 230 179 70 and RGB 247 186 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 174 89 shade: RGB 213 173 87, RGB 196 167 104, RGB 179 161 121, RGB 162 154 138 and RGB 145 148 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 174 89 shade: RGB 213 106 87, RGB 213 139 87, RGB 213 173 87, RGB 213 206 87 and RGB 185 213 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 174 89 shade: RGB 174 133 43, RGB 204 157 54, RGB 213 173 87, RGB 221 189 120 and RGB 229 205 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 174 89 shade: RGB 213 174 89, RGB 102 213 87 and RGB 123 87 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 174 89 shade: RGB 213 174 89, RGB 87 213 173 and RGB 173 87 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 174 89 shade: RGB 213 174 89, RGB 102 213 87, RGB 87 127 213 and RGB 198 87 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 174 89 shade: RGB 213 174 89, RGB 87 213 110, RGB 87 127 213 and RGB 213 87 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 58 / 16

HEX #D5AE59

RGB 213 174 89

HSL 41.13, 0.6%, 0.59%

LAB 72.98, 4.35, 48.27

 

Complementary color

CMYK 75 / 51 / 0 / 35

HEX #2A51A6

RGB 42 81 166

HSL 221.13, 0.6%, 0.41%

LAB 36.23, 16.88, -49.85

 

CMYK 0 / 20 / 61 / 15

HEX #DAAE54

RGB 218 174 84

HSL 40.3, 0.64%, 0.59%

LAB 73.43, 6.1, 51.29

 

CMYK 0 / 18 / 56 / 8

HEX #EBC067

RGB 235 192 103

HSL 40.45, 0.77%, 0.66%

LAB 79.81, 5.1, 50.04

 

CMYK 0 / 17 / 52 / 1

HEX #FCD27A

RGB 252 210 122

HSL 40.62, 0.96%, 0.73%

LAB 86.1, 4.23, 48.77

 

CMYK 0 / 11 / 45 / 0

HEX #FFE48D

RGB 255 228 141

HSL 45.79, 1%, 0.78%

LAB 91.08, -2.03, 45.7

 

CMYK 0 / 4 / 37 / 0

HEX #FFF6A0

RGB 255 246 160

HSL 54.32, 1%, 0.81%

LAB 95.88, -9.08, 42.46

 

CMYK 0 / 18 / 58 / 16

HEX #D5AE59

RGB 213 174 89

HSL 41.13, 0.6%, 0.59%

LAB 72.98, 4.35, 48.27

 

CMYK 0 / 20 / 64 / 23

HEX #C49C46

RGB 196 156 70

HSL 40.95, 0.52%, 0.52%

LAB 66.49, 5.41, 49.49

 

CMYK 0 / 23 / 72 / 30

HEX #B38A33

RGB 179 138 51

HSL 40.78, 0.56%, 0.45%

LAB 59.89, 6.68, 50.55

 

CMYK 0 / 26 / 80 / 36

HEX #A27820

RGB 162 120 32

HSL 40.62, 0.67%, 0.38%

LAB 53.19, 8.2, 51.13

 

CMYK 0 / 30 / 91 / 43

HEX #91660D

RGB 145 102 13

HSL 40.45, 0.84%, 0.31%

LAB 46.38, 10.05, 50.61

 

CMYK 0 / 19 / 59 / 16

HEX #D5AD57

RGB 213 173 87

HSL 40.95, 0.6%, 0.59%

LAB 72.71, 4.73, 48.91

 

CMYK 0 / 35 / 59 / 16

HEX #D58B57

RGB 213 139 87

HSL 24.76, 0.6%, 0.59%

LAB 64.4, 23.05, 39.09

 

CMYK 0 / 50 / 59 / 16

HEX #D56A57

RGB 213 106 87

HSL 9.05, 0.6%, 0.59%

LAB 57.21, 40.45, 30.18

 

CMYK 0 / 59 / 59 / 16

HEX #D55757

RGB 213 87 87

HSL 0, 0.6%, 0.59%

LAB 53.65, 49.65, 25.61

 

CMYK 0 / 19 / 59 / 16

HEX #D5AD57

RGB 213 173 87

HSL 40.95, 0.6%, 0.59%

LAB 72.71, 4.73, 48.91

 

CMYK 0 / 3 / 59 / 16

HEX #D5CF57

RGB 213 207 87

HSL 57.14, 0.6%, 0.59%

LAB 81.54, -12.89, 58.86

 

CMYK 14 / 0 / 59 / 16

HEX #B8D557

RGB 184 213 87

HSL 73.81, 0.6%, 0.59%

LAB 81, -27.58, 57.64

 

CMYK 29 / 0 / 59 / 16

HEX #97D557

RGB 151 213 87

HSL 89.52, 0.6%, 0.59%

LAB 78.96, -40.07, 54.8

 

CMYK 45 / 0 / 59 / 16

HEX #75D557

RGB 117 213 87

HSL 105.71, 0.6%, 0.59%

LAB 77.32, -51.33, 52.49

 

CMYK 0 / 19 / 59 / 16

HEX #D5AD57

RGB 213 173 87

HSL 40.95, 0.6%, 0.59%

LAB 72.71, 4.73, 48.91

 

CMYK 0 / 22 / 70 / 10

HEX #E6B346

RGB 230 179 70

HSL 40.88, 0.76%, 0.59%

LAB 75.76, 7.71, 60.44

 

CMYK 0 / 25 / 79 / 3

HEX #F7BA35

RGB 247 186 53

HSL 41.13, 0.92%, 0.59%

LAB 79.13, 10.53, 70.77

 

CMYK 0 / 19 / 59 / 16

HEX #D5AD57

RGB 213 173 87

HSL 40.95, 0.6%, 0.59%

LAB 72.71, 4.73, 48.91

 

CMYK 0 / 15 / 47 / 23

HEX #C4A768

RGB 196 167 104

HSL 41.09, 0.44%, 0.59%

LAB 69.73, 2.26, 36.39

 

CMYK 0 / 10 / 32 / 30

HEX #B3A179

RGB 179 161 121

HSL 41.38, 0.28%, 0.59%

LAB 66.87, 0.47, 23.26

 

CMYK 0 / 5 / 15 / 36

HEX #A29A8A

RGB 162 154 138

HSL 40, 0.11%, 0.59%

LAB 63.86, 0.12, 9.44

 

CMYK 6 / 5 / 0 / 39

HEX #91949B

RGB 145 148 155

HSL 222, 0.05%, 0.59%

LAB 61.28, 0.32, -4.07

 

CMYK 0 / 50 / 59 / 16

HEX #D56A57

RGB 213 106 87

HSL 9.05, 0.6%, 0.59%

LAB 57.21, 40.45, 30.18

 

CMYK 0 / 35 / 59 / 16

HEX #D58B57

RGB 213 139 87

HSL 24.76, 0.6%, 0.59%

LAB 64.4, 23.05, 39.09

 

CMYK 0 / 19 / 59 / 16

HEX #D5AD57

RGB 213 173 87

HSL 40.95, 0.6%, 0.59%

LAB 72.71, 4.73, 48.91

 

CMYK 0 / 3 / 59 / 16

HEX #D5CE57

RGB 213 206 87

HSL 56.67, 0.6%, 0.59%

LAB 81.28, -12.39, 58.57

 

CMYK 13 / 0 / 59 / 16

HEX #B9D557

RGB 185 213 87

HSL 73.33, 0.6%, 0.59%

LAB 81.07, -27.19, 57.74

 

CMYK 0 / 24 / 75 / 32

HEX #AE852B

RGB 174 133 43

HSL 41.22, 0.6%, 0.43%

LAB 57.99, 6.82, 51.84

 

CMYK 0 / 23 / 74 / 20

HEX #CC9D36

RGB 204 157 54

HSL 41.2, 0.6%, 0.51%

LAB 67.44, 7.47, 57.75

 

CMYK 0 / 19 / 59 / 16

HEX #D5AD57

RGB 213 173 87

HSL 40.95, 0.6%, 0.59%

LAB 72.71, 4.73, 48.91

 

CMYK 0 / 14 / 46 / 13

HEX #DDBD78

RGB 221 189 120

HSL 40.99, 0.6%, 0.67%

LAB 77.95, 2.43, 39

 

CMYK 0 / 10 / 33 / 10

HEX #E5CD99

RGB 229 205 153

HSL 41.05, 0.59%, 0.75%

LAB 83.24, 0.9, 28.99

 

CMYK 0 / 18 / 58 / 16

HEX #D5AE59

RGB 213 174 89

HSL 41.13, 0.6%, 0.59%

LAB 72.98, 4.35, 48.27

 

CMYK 52 / 0 / 59 / 16

HEX #66D557

RGB 102 213 87

HSL 112.86, 0.6%, 0.59%

LAB 76.74, -55.59, 51.68

 

CMYK 42 / 59 / 0 / 16

HEX #7B57D5

RGB 123 87 213

HSL 257.14, 0.6%, 0.59%

LAB 46.75, 43.72, -60

 

CMYK 0 / 18 / 58 / 16

HEX #D5AE59

RGB 213 174 89

HSL 41.13, 0.6%, 0.59%

LAB 72.98, 4.35, 48.27

 

CMYK 59 / 0 / 19 / 16

HEX #57D5AD

RGB 87 213 173

HSL 160.95, 0.6%, 0.59%

LAB 77.66, -44.4, 9.44

 

CMYK 19 / 59 / 0 / 16

HEX #AD57D5

RGB 173 87 213

HSL 280.95, 0.6%, 0.59%

LAB 52.4, 55.34, -50.63

 

CMYK 0 / 18 / 58 / 16

HEX #D5AE59

RGB 213 174 89

HSL 41.13, 0.6%, 0.59%

LAB 72.98, 4.35, 48.27

 

CMYK 52 / 0 / 59 / 16

HEX #66D557

RGB 102 213 87

HSL 112.86, 0.6%, 0.59%

LAB 76.74, -55.59, 51.68

 

CMYK 59 / 40 / 0 / 16

HEX #577FD5

RGB 87 127 213

HSL 220.95, 0.6%, 0.59%

LAB 54.04, 12.07, -48.47

 

CMYK 7 / 59 / 0 / 16

HEX #C657D5

RGB 198 87 213

HSL 292.86, 0.6%, 0.59%

LAB 55.71, 61.51, -45.17

 

CMYK 0 / 18 / 58 / 16

HEX #D5AE59

RGB 213 174 89

HSL 41.13, 0.6%, 0.59%

LAB 72.98, 4.35, 48.27

 

CMYK 59 / 0 / 48 / 16

HEX #57D56E

RGB 87 213 110

HSL 130.95, 0.6%, 0.59%

LAB 76.52, -56.34, 40.52

 

CMYK 59 / 40 / 0 / 16

HEX #577FD5

RGB 87 127 213

HSL 220.95, 0.6%, 0.59%

LAB 54.04, 12.07, -48.47

 

CMYK 0 / 59 / 11 / 16

HEX #D557BE

RGB 213 87 190

HSL 310.95, 0.6%, 0.59%

LAB 56.76, 61.51, -30.24

 

Description

Color code: RGB 213 174 89 | qconv.com Color code: RGB 213 174 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 174 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 174 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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