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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57D56E it is the complementary color #A82A91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57D56E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #57D56E: #5CD569, #6DE77C, #7EF98F, #8FFFA2 and #A0FFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57D56E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #57D56E: #57D56E, #46C35B, #35B148, #249F35 and #138D22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 48 / 16

HEX #57D56E

RGB 87 213 110

HSL 130.95, 0.6%, 0.59%

LAB 76.52, -56.34, 40.52

 

Complementary color

CMYK 0 / 75 / 14 / 34

HEX #A82A91

RGB 168 42 145

HSL 310.95, 0.6%, 0.41%

LAB 41.26, 60.61, -28.38

 

CMYK 57 / 0 / 51 / 16

HEX #5CD569

RGB 92 213 105

HSL 126.45, 0.59%, 0.6%

LAB 76.61, -55.9, 43.09

 

CMYK 53 / 0 / 46 / 9

HEX #6DE77C

RGB 109 231 124

HSL 127.38, 0.72%, 0.67%

LAB 82.84, -56.01, 41.76

 

CMYK 49 / 0 / 43 / 2

HEX #7EF98F

RGB 126 249 143

HSL 128.29, 0.91%, 0.74%

LAB 89, -55.99, 40.47

 

CMYK 44 / 0 / 36 / 0

HEX #8FFFA2

RGB 143 255 162

HSL 130.18, 1%, 0.78%

LAB 91.67, -50.98, 34.71

 

CMYK 37 / 0 / 29 / 0

HEX #A0FFB5

RGB 160 255 181

HSL 133.26, 1%, 0.81%

LAB 92.72, -43.07, 26.71

 

CMYK 59 / 0 / 48 / 16

HEX #57D56E

RGB 87 213 110

HSL 130.95, 0.6%, 0.59%

LAB 76.52, -56.34, 40.52

 

CMYK 64 / 0 / 53 / 24

HEX #46C35B

RGB 70 195 91

HSL 130.08, 0.51%, 0.52%

LAB 70.24, -55.99, 41.91

 

CMYK 70 / 0 / 59 / 31

HEX #35B148

RGB 53 177 72

HSL 129.19, 0.54%, 0.45%

LAB 63.89, -55.33, 43.29

 

CMYK 77 / 0 / 67 / 38

HEX #249F35

RGB 36 159 53

HSL 128.29, 0.63%, 0.38%

LAB 57.49, -54.18, 44.54

 

CMYK 87 / 0 / 76 / 45

HEX #138D22

RGB 19 141 34

HSL 127.38, 0.76%, 0.31%

LAB 51.04, -52.28, 45.39

 

CMYK 59 / 0 / 48 / 16

HEX #57D56E

RGB 87 213 110

HSL 130.95, 0.6%, 0.59%

LAB 76.52, -56.34, 40.52

 

CMYK 59 / 0 / 39 / 16

HEX #57D581

RGB 87 213 129

HSL 140, 0.6%, 0.59%

LAB 76.8, -53.3, 31.35

 

CMYK 59 / 0 / 30 / 16

HEX #57D596

RGB 87 213 150

HSL 150, 0.6%, 0.59%

LAB 77.17, -49.36, 20.94

 

CMYK 59 / 0 / 20 / 16

HEX #57D5AB

RGB 87 213 171

HSL 160, 0.6%, 0.59%

LAB 77.61, -44.86, 10.44

 

CMYK 59 / 0 / 10 / 16

HEX #57D5C0

RGB 87 213 192

HSL 170, 0.6%, 0.59%

LAB 78.12, -39.83, -0.05

 

CMYK 59 / 0 / 48 / 16

HEX #57D56E

RGB 87 213 110

HSL 130.95, 0.6%, 0.59%

LAB 76.52, -56.34, 40.52

 

CMYK 56 / 0 / 44 / 96

HEX #040905

RGB 4 9 5

HSL 132, 0.38%, 0.03%

LAB 2.1, -1.86, 1.05

 

CMYK 58 / 0 / 48 / 76

HEX #193C1F

RGB 25 60 31

HSL 130.29, 0.41%, 0.17%

LAB 22.08, -20.27, 14.15

 

CMYK 59 / 0 / 49 / 56

HEX #2D6F39

RGB 45 111 57

HSL 130.91, 0.42%, 0.31%

LAB 41.57, -33.63, 23.85

 

CMYK 59 / 0 / 48 / 36

HEX #42A254

RGB 66 162 84

HSL 131.25, 0.42%, 0.45%

LAB 59.56, -45.27, 32.2

 

CMYK 59 / 0 / 48 / 16

HEX #57D56E

RGB 87 213 110

HSL 130.95, 0.6%, 0.59%

LAB 76.52, -56.34, 40.52

 

CMYK 59 / 22 / 0 / 16

HEX #57A7D5

RGB 87 167 213

HSL 201.9, 0.6%, 0.59%

LAB 65.33, -11.05, -30.76

 

CMYK 0 / 59 / 46 / 16

HEX #D55774

RGB 213 87 116

HSL 346.19, 0.6%, 0.59%

LAB 54.26, 52.08, 9.34

 

CMYK 59 / 0 / 48 / 16

HEX #57D56E

RGB 87 213 110

HSL 130.95, 0.6%, 0.59%

LAB 76.52, -56.34, 40.52

 

CMYK 49 / 59 / 0 / 16

HEX #6C57D5

RGB 108 87 213

HSL 250, 0.6%, 0.59%

LAB 45.37, 40.61, -62.31

 

CMYK 0 / 49 / 59 / 16

HEX #D56C57

RGB 213 108 87

HSL 10, 0.6%, 0.59%

LAB 57.62, 39.44, 30.69

 

CMYK 59 / 0 / 48 / 16

HEX #57D56E

RGB 87 213 110

HSL 130.95, 0.6%, 0.59%

LAB 76.52, -56.34, 40.52

 

CMYK 59 / 22 / 0 / 16

HEX #57A7D5

RGB 87 167 213

HSL 201.9, 0.6%, 0.59%

LAB 65.33, -11.05, -30.76

 

CMYK 0 / 59 / 10 / 16

HEX #D557C0

RGB 213 87 192

HSL 310, 0.6%, 0.59%

LAB 56.85, 61.82, -31.25

 

CMYK 0 / 38 / 59 / 16

HEX #D58557

RGB 213 133 87

HSL 21.9, 0.6%, 0.59%

LAB 63.02, 26.28, 37.41

 

CMYK 59 / 0 / 48 / 16

HEX #57D56E

RGB 87 213 110

HSL 130.95, 0.6%, 0.59%

LAB 76.52, -56.34, 40.52

 

CMYK 59 / 39 / 0 / 16

HEX #5781D5

RGB 87 129 213

HSL 220, 0.6%, 0.59%

LAB 54.59, 10.86, -47.6

 

CMYK 0 / 59 / 10 / 16

HEX #D557C0

RGB 213 87 192

HSL 310, 0.6%, 0.59%

LAB 56.85, 61.82, -31.25

 

CMYK 0 / 20 / 59 / 16

HEX #D5AB57

RGB 213 171 87

HSL 40, 0.6%, 0.59%

LAB 72.2, 5.8, 48.33

 

Description

Color code: HEX #57D56E | qconv.com Color code: HEX #57D56E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 213 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 213 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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