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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 161 133 it is the complementary color RGB 42 94 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 161 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 213 161 133: RGB 218 161 128, RGB 235 179 147, RGB 252 197 166, RGB 255 215 185 and RGB 255 233 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 161 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 213 161 133: RGB 213 161 133, RGB 196 143 114, RGB 179 125 95, RGB 162 107 76 and RGB 145 89 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 38 / 16

HEX #D5A185

RGB 213 161 133

HSL 21, 0.49%, 0.68%

LAB 70.41, 15.57, 22.06

 

Complementary color

CMYK 66 / 23 / 0 / 52

HEX #2A5E7A

RGB 42 94 122

HSL 201, 0.49%, 0.32%

LAB 37.67, -7.99, -20.93

 

CMYK 0 / 26 / 41 / 15

HEX #DAA180

RGB 218 161 128

HSL 22, 0.55%, 0.68%

LAB 70.84, 16.99, 25.45

 

CMYK 0 / 24 / 37 / 8

HEX #EBB393

RGB 235 179 147

HSL 21.82, 0.69%, 0.75%

LAB 77.29, 16.19, 24.21

 

CMYK 0 / 22 / 34 / 1

HEX #FCC5A6

RGB 252 197 166

HSL 21.63, 0.93%, 0.82%

LAB 83.64, 15.48, 23.07

 

CMYK 0 / 16 / 27 / 0

HEX #FFD7B9

RGB 255 215 185

HSL 25.71, 1%, 0.86%

LAB 88.62, 9.64, 20

 

CMYK 0 / 9 / 20 / 0

HEX #FFE9CC

RGB 255 233 204

HSL 34.12, 1%, 0.9%

LAB 93.41, 3.01, 16.81

 

CMYK 0 / 24 / 38 / 16

HEX #D5A185

RGB 213 161 133

HSL 21, 0.49%, 0.68%

LAB 70.41, 15.57, 22.06

 

CMYK 0 / 27 / 42 / 23

HEX #C48F72

RGB 196 143 114

HSL 21.22, 0.41%, 0.61%

LAB 63.83, 16.4, 23.32

 

CMYK 0 / 30 / 47 / 30

HEX #B37D5F

RGB 179 125 95

HSL 21.43, 0.36%, 0.54%

LAB 57.15, 17.35, 24.72

 

CMYK 0 / 34 / 53 / 36

HEX #A26B4C

RGB 162 107 76

HSL 21.63, 0.36%, 0.47%

LAB 50.36, 18.46, 26.27

 

CMYK 0 / 39 / 61 / 43

HEX #915939

RGB 145 89 57

HSL 21.82, 0.44%, 0.4%

LAB 43.45, 19.77, 28

 

CMYK 0 / 24 / 38 / 16

HEX #D5A185

RGB 213 161 133

HSL 21, 0.49%, 0.68%

LAB 70.41, 15.57, 22.06

 

CMYK 0 / 18 / 38 / 16

HEX #D5AE85

RGB 213 174 133

HSL 30.75, 0.49%, 0.68%

LAB 73.62, 8.57, 26.39

 

CMYK 0 / 12 / 38 / 16

HEX #D5BC85

RGB 213 188 133

HSL 41.25, 0.49%, 0.68%

LAB 77.16, 1.13, 31.11

 

CMYK 0 / 6 / 38 / 16

HEX #D5C985

RGB 213 201 133

HSL 51, 0.49%, 0.68%

LAB 80.52, -5.64, 35.5

 

CMYK 0 / 0 / 38 / 16

HEX #D4D585

RGB 212 213 133

HSL 60.75, 0.49%, 0.68%

LAB 83.59, -12.15, 39.43

 

CMYK 0 / 24 / 38 / 16

HEX #D5A185

RGB 213 161 133

HSL 21, 0.49%, 0.68%

LAB 70.41, 15.57, 22.06

 

CMYK 0 / 22 / 33 / 96

HEX #090706

RGB 9 7 6

HSL 20, 0.2%, 0.03%

LAB 2.02, 0.38, 0.56

 

CMYK 0 / 25 / 38 / 76

HEX #3C2D25

RGB 60 45 37

HSL 20.87, 0.24%, 0.19%

LAB 19.93, 5.5, 7.82

 

CMYK 0 / 24 / 38 / 56

HEX #6F5445

RGB 111 84 69

HSL 21.43, 0.23%, 0.35%

LAB 38.11, 8.94, 13.1

 

CMYK 0 / 25 / 38 / 36

HEX #A27A65

RGB 162 122 101

HSL 20.66, 0.25%, 0.52%

LAB 54.6, 12.65, 17.54

 

CMYK 0 / 24 / 38 / 16

HEX #D5A185

RGB 213 161 133

HSL 21, 0.49%, 0.68%

LAB 70.41, 15.57, 22.06

 

CMYK 21 / 0 / 38 / 16

HEX #A9D585

RGB 169 213 133

HSL 93, 0.49%, 0.68%

LAB 80.58, -28.37, 34.96

 

CMYK 38 / 36 / 0 / 16

HEX #8589D5

RGB 133 137 213

HSL 237, 0.49%, 0.68%

LAB 59.6, 16.93, -39.5

 

CMYK 0 / 24 / 38 / 16

HEX #D5A185

RGB 213 161 133

HSL 21, 0.49%, 0.68%

LAB 70.41, 15.57, 22.06

 

CMYK 38 / 0 / 24 / 16

HEX #85D5A1

RGB 133 213 161

HSL 141, 0.49%, 0.68%

LAB 79.13, -35.65, 18.12

 

CMYK 24 / 38 / 0 / 16

HEX #A185D5

RGB 161 133 213

HSL 261, 0.49%, 0.68%

LAB 60.92, 27.16, -37.26

 

CMYK 0 / 24 / 38 / 16

HEX #D5A185

RGB 213 161 133

HSL 21, 0.49%, 0.68%

LAB 70.41, 15.57, 22.06

 

CMYK 21 / 0 / 38 / 16

HEX #A9D585

RGB 169 213 133

HSL 93, 0.49%, 0.68%

LAB 80.58, -28.37, 34.96

 

CMYK 38 / 13 / 0 / 16

HEX #85B9D5

RGB 133 185 213

HSL 201, 0.49%, 0.68%

LAB 72.55, -10.05, -19.51

 

CMYK 17 / 38 / 0 / 16

HEX #B185D5

RGB 177 133 213

HSL 273, 0.49%, 0.68%

LAB 62.45, 31.92, -34.77

 

CMYK 0 / 24 / 38 / 16

HEX #D5A185

RGB 213 161 133

HSL 21, 0.49%, 0.68%

LAB 70.41, 15.57, 22.06

 

CMYK 32 / 0 / 38 / 16

HEX #91D585

RGB 145 213 133

HSL 111, 0.49%, 0.68%

LAB 79.21, -36.64, 32.91

 

CMYK 38 / 13 / 0 / 16

HEX #85B9D5

RGB 133 185 213

HSL 201, 0.49%, 0.68%

LAB 72.55, -10.05, -19.51

 

CMYK 6 / 38 / 0 / 16

HEX #C985D5

RGB 201 133 213

HSL 291, 0.49%, 0.68%

LAB 64.96, 39.24, -30.67

 

Description

Color code: RGB 213 161 133 | qconv.com Color code: RGB 213 161 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 161 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 161 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 38 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 38% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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