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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 150 91 it is the complementary color RGB 42 105 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 150 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 213 150 91: RGB 218 150 86, RGB 235 168 105, RGB 252 186 124, RGB 255 204 143 and RGB 255 222 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 150 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 213 150 91: RGB 213 150 91, RGB 196 132 72, RGB 179 114 53, RGB 162 96 34 and RGB 145 78 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 57 / 16

HEX #D5965B

RGB 213 150 91

HSL 29.02, 0.59%, 0.6%

LAB 67.06, 17.4, 40.23

 

Complementary color

CMYK 74 / 36 / 0 / 36

HEX #2A69A4

RGB 42 105 164

HSL 209.02, 0.59%, 0.4%

LAB 43.18, 0.6, -37.56

 

CMYK 0 / 31 / 61 / 15

HEX #DA9656

RGB 218 150 86

HSL 29.09, 0.64%, 0.6%

LAB 67.57, 19.11, 43.54

 

CMYK 0 / 29 / 55 / 8

HEX #EBA869

RGB 235 168 105

HSL 29.08, 0.76%, 0.67%

LAB 73.99, 17.92, 42.04

 

CMYK 0 / 26 / 51 / 1

HEX #FCBA7C

RGB 252 186 124

HSL 29.06, 0.96%, 0.74%

LAB 80.33, 16.87, 40.61

 

CMYK 0 / 20 / 44 / 0

HEX #FFCC8F

RGB 255 204 143

HSL 32.68, 1%, 0.78%

LAB 85.21, 10.46, 37.2

 

CMYK 0 / 13 / 36 / 0

HEX #FFDEA2

RGB 255 222 162

HSL 38.71, 1%, 0.82%

LAB 89.91, 3.22, 33.65

 

CMYK 0 / 30 / 57 / 16

HEX #D5965B

RGB 213 150 91

HSL 29.02, 0.59%, 0.6%

LAB 67.06, 17.4, 40.23

 

CMYK 0 / 33 / 63 / 23

HEX #C48448

RGB 196 132 72

HSL 29.03, 0.51%, 0.53%

LAB 60.52, 18.67, 41.77

 

CMYK 0 / 36 / 70 / 30

HEX #B37235

RGB 179 114 53

HSL 29.05, 0.54%, 0.45%

LAB 53.89, 20.16, 43.32

 

CMYK 0 / 41 / 79 / 36

HEX #A26022

RGB 162 96 34

HSL 29.06, 0.65%, 0.38%

LAB 47.19, 21.89, 44.68

 

CMYK 0 / 46 / 90 / 43

HEX #914E0F

RGB 145 78 15

HSL 29.08, 0.81%, 0.31%

LAB 40.42, 23.92, 45.31

 

CMYK 0 / 30 / 57 / 16

HEX #D5965B

RGB 213 150 91

HSL 29.02, 0.59%, 0.6%

LAB 67.06, 17.4, 40.23

 

CMYK 0 / 20 / 57 / 16

HEX #D5AB5C

RGB 213 171 92

HSL 39.17, 0.59%, 0.6%

LAB 72.26, 6.18, 45.95

 

CMYK 0 / 10 / 57 / 16

HEX #D5BF5C

RGB 213 191 92

HSL 49.09, 0.59%, 0.6%

LAB 77.39, -4.36, 51.93

 

CMYK 0 / 1 / 57 / 16

HEX #D5D35C

RGB 213 211 92

HSL 59.01, 0.59%, 0.6%

LAB 82.65, -14.54, 57.89

 

CMYK 8 / 0 / 57 / 16

HEX #C3D55C

RGB 195 213 92

HSL 68.93, 0.59%, 0.6%

LAB 81.82, -22.82, 56.58

 

CMYK 0 / 30 / 57 / 16

HEX #D5965B

RGB 213 150 91

HSL 29.02, 0.59%, 0.6%

LAB 67.06, 17.4, 40.23

 

CMYK 0 / 33 / 56 / 96

HEX #090604

RGB 9 6 4

HSL 24, 0.38%, 0.03%

LAB 1.78, 0.51, 1.03

 

CMYK 0 / 30 / 57 / 76

HEX #3C2A1A

RGB 60 42 26

HSL 28.24, 0.4%, 0.17%

LAB 18.76, 6, 13.7

 

CMYK 0 / 30 / 58 / 56

HEX #6F4E2F

RGB 111 78 47

HSL 29.06, 0.41%, 0.31%

LAB 36.05, 10.05, 23.72

 

CMYK 0 / 30 / 57 / 36

HEX #A27245

RGB 162 114 69

HSL 29.03, 0.4%, 0.45%

LAB 52, 13.85, 32.24

 

CMYK 0 / 30 / 57 / 16

HEX #D5965B

RGB 213 150 91

HSL 29.02, 0.59%, 0.6%

LAB 67.06, 17.4, 40.23

 

CMYK 39 / 0 / 57 / 16

HEX #82D55C

RGB 130 213 92

HSL 101.16, 0.59%, 0.6%

LAB 77.94, -46.76, 51.12

 

CMYK 52 / 57 / 0 / 16

HEX #665CD5

RGB 102 92 213

HSL 244.96, 0.59%, 0.6%

LAB 46.02, 36.46, -61.28

 

CMYK 0 / 30 / 57 / 16

HEX #D5965B

RGB 213 150 91

HSL 29.02, 0.59%, 0.6%

LAB 67.06, 17.4, 40.23

 

CMYK 57 / 0 / 30 / 16

HEX #5CD596

RGB 92 213 150

HSL 148.76, 0.59%, 0.6%

LAB 77.32, -48.31, 21.17

 

CMYK 30 / 57 / 0 / 16

HEX #965CD5

RGB 150 92 213

HSL 268.76, 0.59%, 0.6%

LAB 50.62, 47.17, -53.63

 

CMYK 0 / 30 / 57 / 16

HEX #D5965B

RGB 213 150 91

HSL 29.02, 0.59%, 0.6%

LAB 67.06, 17.4, 40.23

 

CMYK 39 / 0 / 57 / 16

HEX #82D55C

RGB 130 213 92

HSL 101.16, 0.59%, 0.6%

LAB 77.94, -46.76, 51.12

 

CMYK 57 / 27 / 0 / 16

HEX #5C9BD5

RGB 92 155 213

HSL 208.76, 0.59%, 0.6%

LAB 62.1, -3.38, -35.76

 

CMYK 18 / 57 / 0 / 16

HEX #AF5CD5

RGB 175 92 213

HSL 281.16, 0.59%, 0.6%

LAB 53.57, 53.37, -48.75

 

CMYK 0 / 30 / 57 / 16

HEX #D5965B

RGB 213 150 91

HSL 29.02, 0.59%, 0.6%

LAB 67.06, 17.4, 40.23

 

CMYK 56 / 0 / 57 / 16

HEX #5ED55C

RGB 94 213 92

HSL 119.01, 0.59%, 0.6%

LAB 76.52, -57.08, 49.11

 

CMYK 57 / 27 / 0 / 16

HEX #5C9BD5

RGB 92 155 213

HSL 208.76, 0.59%, 0.6%

LAB 62.1, -3.38, -35.76

 

CMYK 1 / 57 / 0 / 16

HEX #D35CD5

RGB 211 92 213

HSL 299.01, 0.59%, 0.6%

LAB 58.33, 62.57, -40.92

 

Description

Color code: RGB 213 150 91 | qconv.com Color code: RGB 213 150 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 150 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 150 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 57% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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