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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 135 89 it is the complementary color RGB 42 120 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 135 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 213 135 89: RGB 218 135 84, RGB 235 153 103, RGB 252 171 122, RGB 255 189 141 and RGB 255 207 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 135 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 213 135 89: RGB 213 135 89, RGB 196 117 70, RGB 179 99 51, RGB 162 81 32 and RGB 145 63 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 58 / 16

HEX #D58759

RGB 213 135 89

HSL 22.26, 0.6%, 0.59%

LAB 63.5, 25.35, 36.94

 

Complementary color

CMYK 75 / 28 / 0 / 35

HEX #2A78A6

RGB 42 120 166

HSL 202.26, 0.6%, 0.41%

LAB 47.85, -7.73, -31.37

 

CMYK 0 / 38 / 61 / 15

HEX #DA8754

RGB 218 135 84

HSL 22.84, 0.64%, 0.59%

LAB 64.06, 27.03, 40.4

 

CMYK 0 / 35 / 56 / 8

HEX #EB9967

RGB 235 153 103

HSL 22.73, 0.77%, 0.66%

LAB 70.47, 25.73, 38.73

 

CMYK 0 / 32 / 52 / 1

HEX #FCAB7A

RGB 252 171 122

HSL 22.62, 0.96%, 0.73%

LAB 76.82, 24.57, 37.18

 

CMYK 0 / 26 / 45 / 0

HEX #FFBD8D

RGB 255 189 141

HSL 25.26, 1%, 0.78%

LAB 81.61, 18.08, 33.52

 

CMYK 0 / 19 / 37 / 0

HEX #FFCFA0

RGB 255 207 160

HSL 29.68, 1%, 0.81%

LAB 86.22, 10.72, 29.75

 

CMYK 0 / 37 / 58 / 16

HEX #D58759

RGB 213 135 89

HSL 22.26, 0.6%, 0.59%

LAB 63.5, 25.35, 36.94

 

CMYK 0 / 40 / 64 / 23

HEX #C47546

RGB 196 117 70

HSL 22.38, 0.52%, 0.52%

LAB 56.98, 26.74, 38.68

 

CMYK 0 / 45 / 72 / 30

HEX #B36333

RGB 179 99 51

HSL 22.5, 0.56%, 0.45%

LAB 50.39, 28.32, 40.51

 

CMYK 0 / 50 / 80 / 36

HEX #A25120

RGB 162 81 32

HSL 22.62, 0.67%, 0.38%

LAB 43.76, 30.11, 42.28

 

CMYK 0 / 57 / 91 / 43

HEX #913F0D

RGB 145 63 13

HSL 22.73, 0.84%, 0.31%

LAB 37.12, 32.08, 43.42

 

CMYK 0 / 37 / 58 / 16

HEX #D58759

RGB 213 135 89

HSL 22.26, 0.6%, 0.59%

LAB 63.5, 25.35, 36.94

 

CMYK 0 / 28 / 59 / 16

HEX #D59A57

RGB 213 154 87

HSL 31.9, 0.6%, 0.59%

LAB 67.98, 14.93, 43.38

 

CMYK 0 / 18 / 59 / 16

HEX #D5AF57

RGB 213 175 87

HSL 41.9, 0.6%, 0.59%

LAB 73.22, 3.67, 49.5

 

CMYK 0 / 8 / 59 / 16

HEX #D5C457

RGB 213 196 87

HSL 51.9, 0.6%, 0.59%

LAB 78.64, -7.3, 55.65

 

CMYK 2 / 0 / 59 / 16

HEX #D0D557

RGB 208 213 87

HSL 62.38, 0.6%, 0.59%

LAB 82.75, -17.94, 60.07

 

CMYK 0 / 37 / 58 / 16

HEX #D58759

RGB 213 135 89

HSL 22.26, 0.6%, 0.59%

LAB 63.5, 25.35, 36.94

 

CMYK 0 / 33 / 56 / 96

HEX #090604

RGB 9 6 4

HSL 24, 0.38%, 0.03%

LAB 1.78, 0.51, 1.03

 

CMYK 0 / 37 / 58 / 76

HEX #3C2619

RGB 60 38 25

HSL 22.29, 0.41%, 0.17%

LAB 17.54, 8.6, 12.8

 

CMYK 0 / 37 / 59 / 56

HEX #6F462E

RGB 111 70 46

HSL 22.15, 0.41%, 0.31%

LAB 33.89, 14.84, 21.63

 

CMYK 0 / 36 / 58 / 36

HEX #A26744

RGB 162 103 68

HSL 22.34, 0.41%, 0.45%

LAB 49.25, 20.02, 29.41

 

CMYK 0 / 37 / 58 / 16

HEX #D58759

RGB 213 135 89

HSL 22.26, 0.6%, 0.59%

LAB 63.5, 25.35, 36.94

 

CMYK 33 / 0 / 59 / 16

HEX #8ED557

RGB 142 213 87

HSL 93.81, 0.6%, 0.59%

LAB 78.48, -43.24, 54.13

 

CMYK 59 / 57 / 0 / 16

HEX #575BD5

RGB 87 91 213

HSL 238.1, 0.6%, 0.59%

LAB 44.68, 34.27, -63.51

 

CMYK 0 / 37 / 58 / 16

HEX #D58759

RGB 213 135 89

HSL 22.26, 0.6%, 0.59%

LAB 63.5, 25.35, 36.94

 

CMYK 59 / 0 / 38 / 16

HEX #57D585

RGB 87 213 133

HSL 141.9, 0.6%, 0.59%

LAB 76.87, -52.6, 29.38

 

CMYK 38 / 59 / 0 / 16

HEX #8557D5

RGB 133 87 213

HSL 261.9, 0.6%, 0.59%

LAB 47.76, 45.92, -58.33

 

CMYK 0 / 37 / 58 / 16

HEX #D58759

RGB 213 135 89

HSL 22.26, 0.6%, 0.59%

LAB 63.5, 25.35, 36.94

 

CMYK 33 / 0 / 59 / 16

HEX #8ED557

RGB 142 213 87

HSL 93.81, 0.6%, 0.59%

LAB 78.48, -43.24, 54.13

 

CMYK 59 / 22 / 0 / 16

HEX #57A7D5

RGB 87 167 213

HSL 201.9, 0.6%, 0.59%

LAB 65.33, -11.05, -30.76

 

CMYK 26 / 59 / 0 / 16

HEX #9E57D5

RGB 158 87 213

HSL 273.81, 0.6%, 0.59%

LAB 50.56, 51.72, -53.68

 

CMYK 0 / 37 / 58 / 16

HEX #D58759

RGB 213 135 89

HSL 22.26, 0.6%, 0.59%

LAB 63.5, 25.35, 36.94

 

CMYK 51 / 0 / 59 / 16

HEX #68D557

RGB 104 213 87

HSL 111.9, 0.6%, 0.59%

LAB 76.81, -55.05, 51.78

 

CMYK 59 / 22 / 0 / 16

HEX #57A7D5

RGB 87 167 213

HSL 201.9, 0.6%, 0.59%

LAB 65.33, -11.05, -30.76

 

CMYK 8 / 59 / 0 / 16

HEX #C457D5

RGB 196 87 213

HSL 291.9, 0.6%, 0.59%

LAB 55.44, 61.01, -45.62

 

Description

Color code: RGB 213 135 89 | qconv.com Color code: RGB 213 135 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 135 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 135 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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