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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 125 162 it is the complementary color RGB 42 130 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 125 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 213 125 162: RGB 218 125 157, RGB 235 143 176, RGB 252 161 195, RGB 255 179 214 and RGB 255 197 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 125 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 213 125 162: RGB 213 125 162, RGB 196 107 143, RGB 179 89 124, RGB 162 71 105 and RGB 145 53 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 24 / 16

HEX #D57DA2

RGB 213 125 162

HSL 334.77, 0.51%, 0.66%

LAB 62.86, 38.77, -4.93

 

Complementary color

CMYK 68 / 0 / 28 / 49

HEX #2A825D

RGB 42 130 93

HSL 154.77, 0.51%, 0.34%

LAB 48.57, -35.3, 12.57

 

CMYK 0 / 43 / 28 / 15

HEX #DA7D9D

RGB 218 125 157

HSL 339.35, 0.56%, 0.67%

LAB 63.35, 39.82, -1.29

 

CMYK 0 / 39 / 25 / 8

HEX #EB8FB0

RGB 235 143 176

HSL 338.48, 0.7%, 0.74%

LAB 69.78, 38.97, -2.33

 

CMYK 0 / 36 / 23 / 1

HEX #FCA1C3

RGB 252 161 195

HSL 337.58, 0.94%, 0.81%

LAB 76.15, 38.17, -3.25

 

CMYK 0 / 30 / 16 / 0

HEX #FFB3D6

RGB 255 179 214

HSL 332.37, 1%, 0.85%

LAB 80.94, 32.62, -6.48

 

CMYK 0 / 23 / 9 / 0

HEX #FFC5E9

RGB 255 197 233

HSL 322.76, 1%, 0.89%

LAB 85.54, 26.23, -9.83

 

CMYK 0 / 41 / 24 / 16

HEX #D57DA2

RGB 213 125 162

HSL 334.77, 0.51%, 0.66%

LAB 62.86, 38.77, -4.93

 

CMYK 0 / 45 / 27 / 23

HEX #C46B8F

RGB 196 107 143

HSL 335.73, 0.43%, 0.59%

LAB 56.32, 39.62, -3.88

 

CMYK 0 / 50 / 31 / 30

HEX #B3597C

RGB 179 89 124

HSL 336.67, 0.37%, 0.53%

LAB 49.72, 40.48, -2.65

 

CMYK 0 / 56 / 35 / 36

HEX #A24769

RGB 162 71 105

HSL 337.58, 0.39%, 0.46%

LAB 43.07, 41.29, -1.15

 

CMYK 0 / 63 / 41 / 43

HEX #913556

RGB 145 53 86

HSL 338.48, 0.46%, 0.39%

LAB 36.44, 41.93, 0.73

 

CMYK 0 / 41 / 24 / 16

HEX #D57DA2

RGB 213 125 162

HSL 334.77, 0.51%, 0.66%

LAB 62.86, 38.77, -4.93

 

CMYK 0 / 42 / 31 / 17

HEX #D47C93

RGB 212 124 147

HSL 344.32, 0.51%, 0.66%

LAB 62.1, 36.89, 2.51

 

CMYK 0 / 42 / 38 / 17

HEX #D47C84

RGB 212 124 132

HSL 354.55, 0.51%, 0.66%

LAB 61.72, 35.02, 10.55

 

CMYK 0 / 39 / 42 / 17

HEX #D4817C

RGB 212 129 124

HSL 3.41, 0.51%, 0.66%

LAB 62.64, 31.45, 16.39

 

CMYK 0 / 32 / 42 / 17

HEX #D4907C

RGB 212 144 124

HSL 13.64, 0.51%, 0.66%

LAB 66.06, 23.36, 21.08

 

CMYK 0 / 41 / 24 / 16

HEX #D57DA2

RGB 213 125 162

HSL 334.77, 0.51%, 0.66%

LAB 62.86, 38.77, -4.93

 

CMYK 0 / 44 / 22 / 96

HEX #090507

RGB 9 5 7

HSL 330, 0.29%, 0.03%

LAB 1.64, 1.32, -0.39

 

CMYK 0 / 42 / 23 / 76

HEX #3C232E

RGB 60 35 46

HSL 333.6, 0.26%, 0.19%

LAB 17.27, 13.85, -2.25

 

CMYK 0 / 41 / 24 / 56

HEX #6F4154

RGB 111 65 84

HSL 335.22, 0.26%, 0.35%

LAB 33.56, 22.77, -2.83

 

CMYK 0 / 41 / 24 / 36

HEX #A25F7B

RGB 162 95 123

HSL 334.93, 0.26%, 0.5%

LAB 48.63, 31.03, -3.92

 

CMYK 0 / 41 / 24 / 16

HEX #D57DA2

RGB 213 125 162

HSL 334.77, 0.51%, 0.66%

LAB 62.86, 38.77, -4.93

 

CMYK 0 / 10 / 42 / 17

HEX #D4BF7C

RGB 212 191 124

HSL 45.68, 0.51%, 0.66%

LAB 77.71, -1.84, 36.47

 

CMYK 42 / 7 / 0 / 17

HEX #7CC5D4

RGB 124 197 212

HSL 190.23, 0.51%, 0.66%

LAB 75.43, -18.91, -14.66

 

CMYK 0 / 41 / 24 / 16

HEX #D57DA2

RGB 213 125 162

HSL 334.77, 0.51%, 0.66%

LAB 62.86, 38.77, -4.93

 

CMYK 24 / 0 / 42 / 17

HEX #A2D47C

RGB 162 212 124

HSL 94.09, 0.51%, 0.66%

LAB 79.74, -31.59, 38.34

 

CMYK 42 / 24 / 0 / 17

HEX #7CA2D4

RGB 124 162 212

HSL 214.09, 0.51%, 0.66%

LAB 65.65, -0.13, -29.56

 

CMYK 0 / 41 / 24 / 16

HEX #D57DA2

RGB 213 125 162

HSL 334.77, 0.51%, 0.66%

LAB 62.86, 38.77, -4.93

 

CMYK 0 / 10 / 42 / 17

HEX #D4BF7C

RGB 212 191 124

HSL 45.68, 0.51%, 0.66%

LAB 77.71, -1.84, 36.47

 

CMYK 42 / 0 / 18 / 17

HEX #7CD4AE

RGB 124 212 174

HSL 154.09, 0.51%, 0.66%

LAB 78.71, -35.12, 10.59

 

CMYK 42 / 32 / 0 / 17

HEX #7C90D4

RGB 124 144 212

HSL 226.36, 0.51%, 0.66%

LAB 60.77, 10.17, -37.15

 

CMYK 0 / 41 / 24 / 16

HEX #D57DA2

RGB 213 125 162

HSL 334.77, 0.51%, 0.66%

LAB 62.86, 38.77, -4.93

 

CMYK 3 / 0 / 42 / 17

HEX #CED47C

RGB 206 212 124

HSL 64.09, 0.51%, 0.66%

LAB 82.73, -14.98, 42.75

 

CMYK 42 / 0 / 18 / 17

HEX #7CD4AE

RGB 124 212 174

HSL 154.09, 0.51%, 0.66%

LAB 78.71, -35.12, 10.59

 

CMYK 39 / 42 / 0 / 17

HEX #817CD4

RGB 129 124 212

HSL 243.41, 0.51%, 0.66%

LAB 55.92, 23.25, -44.75

 

Description

Color code: RGB 213 125 162 | qconv.com Color code: RGB 213 125 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 125 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 125 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 24 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 24% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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