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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 31 86 it is the complementary color RGB 43 224 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 31 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 212 31 86: RGB 217 31 81, RGB 234 49 100, RGB 251 67 119, RGB 255 85 138 and RGB 255 103 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 31 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 212 31 86: RGB 212 31 86, RGB 195 13 67, RGB 178 0 48, RGB 161 0 29 and RGB 144 0 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 59 / 17

HEX #D41F56

RGB 212 31 86

HSL 341.77, 0.74%, 0.48%

LAB 46.51, 68.4, 16.71

 

Complementary color

CMYK 81 / 0 / 25 / 12

HEX #2BE0A9

RGB 43 224 169

HSL 161.77, 0.74%, 0.52%

LAB 80, -56.07, 14.76

 

CMYK 0 / 86 / 63 / 15

HEX #D91F51

RGB 217 31 81

HSL 343.87, 0.75%, 0.49%

LAB 47.4, 69.38, 21.16

 

CMYK 0 / 79 / 57 / 8

HEX #EA3164

RGB 234 49 100

HSL 343.46, 0.81%, 0.55%

LAB 52.52, 70.82, 17.03

 

CMYK 0 / 73 / 53 / 2

HEX #FB4377

RGB 251 67 119

HSL 343.04, 0.96%, 0.62%

LAB 57.9, 71.51, 13.6

 

CMYK 0 / 67 / 46 / 0

HEX #FF558A

RGB 255 85 138

HSL 341.29, 1%, 0.67%

LAB 61.3, 67.93, 7.36

 

CMYK 0 / 60 / 38 / 0

HEX #FF679D

RGB 255 103 157

HSL 338.68, 1%, 0.7%

LAB 64.48, 62.51, 0.98

 

CMYK 0 / 85 / 59 / 17

HEX #D41F56

RGB 212 31 86

HSL 341.77, 0.74%, 0.48%

LAB 46.51, 68.4, 16.71

 

CMYK 0 / 93 / 66 / 24

HEX #C30D43

RGB 195 13 67

HSL 342.2, 0.88%, 0.41%

LAB 41.68, 65.91, 21.54

 

CMYK 0 / 100 / 73 / 30

HEX #B20030

RGB 178 0 48

HSL 343.82, 1%, 0.35%

LAB 37.26, 62.24, 27.23

 

CMYK 0 / 100 / 82 / 37

HEX #A1001D

RGB 161 0 29

HSL 349.19, 1%, 0.32%

LAB 33.28, 57.32, 33.49

 

CMYK 0 / 100 / 93 / 44

HEX #90000A

RGB 144 0 10

HSL 355.83, 1%, 0.28%

LAB 29.29, 52.49, 38.67

 

CMYK 0 / 85 / 59 / 17

HEX #D41F56

RGB 212 31 86

HSL 341.77, 0.74%, 0.48%

LAB 46.51, 68.4, 16.71

 

CMYK 0 / 85 / 73 / 17

HEX #D41F3A

RGB 212 31 58

HSL 351.05, 0.74%, 0.48%

LAB 46.02, 66.97, 33.2

 

CMYK 0 / 84 / 85 / 17

HEX #D4221F

RGB 212 34 31

HSL 0.99, 0.74%, 0.48%

LAB 45.96, 65.5, 48.05

 

CMYK 0 / 69 / 85 / 17

HEX #D4411F

RGB 212 65 31

HSL 11.27, 0.74%, 0.48%

LAB 49.35, 56.06, 50.93

 

CMYK 0 / 55 / 85 / 17

HEX #D45F1F

RGB 212 95 31

HSL 21.22, 0.74%, 0.48%

LAB 54.32, 42.86, 55.11

 

CMYK 0 / 85 / 59 / 17

HEX #D41F56

RGB 212 31 86

HSL 341.77, 0.74%, 0.48%

LAB 46.51, 68.4, 16.71

 

CMYK 0 / 88 / 63 / 97

HEX #080103

RGB 8 1 3

HSL 342.86, 0.78%, 0.02%

LAB 0.72, 2.11, -0.11

 

CMYK 0 / 85 / 59 / 77

HEX #3B0918

RGB 59 9 24

HSL 342, 0.74%, 0.13%

LAB 10.49, 25.36, 4

 

CMYK 0 / 85 / 59 / 57

HEX #6E102D

RGB 110 16 45

HSL 341.49, 0.75%, 0.25%

LAB 23.25, 41.27, 8.25

 

CMYK 0 / 85 / 60 / 37

HEX #A11841

RGB 161 24 65

HSL 342.04, 0.74%, 0.36%

LAB 35.23, 55.15, 12.98

 

CMYK 0 / 85 / 59 / 17

HEX #D41F56

RGB 212 31 86

HSL 341.77, 0.74%, 0.48%

LAB 46.51, 68.4, 16.71

 

CMYK 0 / 10 / 85 / 17

HEX #D4BF1F

RGB 212 191 31

HSL 53.04, 0.74%, 0.48%

LAB 76.9, -7.76, 73.75

 

CMYK 85 / 24 / 0 / 17

HEX #1FA1D4

RGB 31 161 212

HSL 196.91, 0.74%, 0.48%

LAB 62.11, -15.51, -35.31

 

CMYK 0 / 85 / 59 / 17

HEX #D41F56

RGB 212 31 86

HSL 341.77, 0.74%, 0.48%

LAB 46.51, 68.4, 16.71

 

CMYK 58 / 0 / 85 / 17

HEX #59D41F

RGB 89 212 31

HSL 100.77, 0.74%, 0.48%

LAB 75.64, -62.68, 69.79

 

CMYK 85 / 58 / 0 / 17

HEX #1F59D4

RGB 31 89 212

HSL 220.77, 0.74%, 0.48%

LAB 41.52, 28.29, -68.19

 

CMYK 0 / 85 / 59 / 17

HEX #D41F56

RGB 212 31 86

HSL 341.77, 0.74%, 0.48%

LAB 46.51, 68.4, 16.71

 

CMYK 0 / 10 / 85 / 17

HEX #D4BF1F

RGB 212 191 31

HSL 53.04, 0.74%, 0.48%

LAB 76.9, -7.76, 73.75

 

CMYK 85 / 0 / 27 / 17

HEX #1FD49B

RGB 31 212 155

HSL 161.1, 0.74%, 0.48%

LAB 75.91, -55.65, 16.4

 

CMYK 85 / 75 / 0 / 17

HEX #1F34D4

RGB 31 52 212

HSL 233.04, 0.74%, 0.48%

LAB 32.92, 51.14, -82.32

 

CMYK 0 / 85 / 59 / 17

HEX #D41F56

RGB 212 31 86

HSL 341.77, 0.74%, 0.48%

LAB 46.51, 68.4, 16.71

 

CMYK 16 / 0 / 85 / 17

HEX #B3D41F

RGB 179 212 31

HSL 70.94, 0.74%, 0.48%

LAB 80.05, -32.02, 75.31

 

CMYK 85 / 0 / 27 / 17

HEX #1FD49B

RGB 31 212 155

HSL 161.1, 0.74%, 0.48%

LAB 75.91, -55.65, 16.4

 

CMYK 69 / 85 / 0 / 17

HEX #411FD4

RGB 65 31 212

HSL 251.27, 0.74%, 0.48%

LAB 31.48, 62.84, -84.66

 

Description

Color code: RGB 212 31 86 | qconv.com Color code: RGB 212 31 86 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 31 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 31 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 59 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 59% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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