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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 229 221 it is the complementary color RGB 43 26 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 229 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 212 229 221: RGB 217 229 216, RGB 234 247 235, RGB 251 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 229 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 212 229 221: RGB 212 229 221, RGB 195 211 202, RGB 178 193 183, RGB 161 175 164 and RGB 144 157 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 3 / 10

HEX #D4E5DD

RGB 212 229 221

HSL 151.76, 0.25%, 0.86%

LAB 89.51, -7.12, 1.95

 

Complementary color

CMYK 0 / 40 / 21 / 83

HEX #2B1A22

RGB 43 26 34

HSL 331.76, 0.25%, 0.14%

LAB 11.74, 10, -2.06

 

CMYK 5 / 0 / 6 / 10

HEX #D9E5D8

RGB 217 229 216

HSL 115.38, 0.2%, 0.87%

LAB 89.74, -6.35, 4.94

 

CMYK 5 / 0 / 5 / 3

HEX #EAF7EB

RGB 234 247 235

HSL 124.62, 0.45%, 0.94%

LAB 96, -6.42, 4.28

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFE

RGB 251 255 254

HSL 165, 1%, 0.99%

LAB 99.68, -1.48, 0.01

 

CMYK 7 / 0 / 3 / 10

HEX #D4E5DD

RGB 212 229 221

HSL 151.76, 0.25%, 0.86%

LAB 89.51, -7.12, 1.95

 

CMYK 8 / 0 / 4 / 17

HEX #C3D3CA

RGB 195 211 202

HSL 146.25, 0.15%, 0.8%

LAB 83.15, -7.08, 2.59

 

CMYK 8 / 0 / 5 / 24

HEX #B2C1B7

RGB 178 193 183

HSL 140, 0.11%, 0.73%

LAB 76.69, -7.04, 3.26

 

CMYK 8 / 0 / 6 / 31

HEX #A1AFA4

RGB 161 175 164

HSL 132.86, 0.08%, 0.66%

LAB 70.12, -7.01, 3.96

 

CMYK 8 / 0 / 8 / 38

HEX #909D91

RGB 144 157 145

HSL 124.62, 0.06%, 0.59%

LAB 63.42, -6.98, 4.69

 

CMYK 7 / 0 / 3 / 10

HEX #D4E5DD

RGB 212 229 221

HSL 151.76, 0.25%, 0.86%

LAB 89.51, -7.12, 1.95

 

CMYK 8 / 0 / 3 / 11

HEX #D2E4DE

RGB 210 228 222

HSL 160, 0.25%, 0.86%

LAB 89.14, -7.08, 0.86

 

CMYK 8 / 0 / 1 / 11

HEX #D2E4E1

RGB 210 228 225

HSL 170, 0.25%, 0.86%

LAB 89.22, -6.52, -0.6

 

CMYK 8 / 0 / 0 / 11

HEX #D2E3E4

RGB 210 227 228

HSL 183.33, 0.25%, 0.86%

LAB 89.04, -5.44, -2.44

 

CMYK 8 / 2 / 0 / 11

HEX #D2E0E4

RGB 210 224 228

HSL 193.33, 0.25%, 0.86%

LAB 88.26, -3.9, -3.57

 

CMYK 7 / 0 / 3 / 10

HEX #D4E5DD

RGB 212 229 221

HSL 151.76, 0.25%, 0.86%

LAB 89.51, -7.12, 1.95

 

CMYK 8 / 0 / 4 / 90

HEX #171918

RGB 23 25 24

HSL 150, 0.04%, 0.09%

LAB 8.51, -1.22, 0.37

 

CMYK 8 / 0 / 4 / 70

HEX #464C49

RGB 70 76 73

HSL 150, 0.04%, 0.29%

LAB 31.7, -3.1, 0.94

 

CMYK 7 / 0 / 3 / 50

HEX #767F7B

RGB 118 127 123

HSL 153.33, 0.04%, 0.48%

LAB 52.35, -4.16, 1.02

 

CMYK 7 / 0 / 3 / 30

HEX #A5B2AC

RGB 165 178 172

HSL 152.31, 0.08%, 0.67%

LAB 71.43, -5.68, 1.5

 

CMYK 7 / 0 / 3 / 10

HEX #D4E5DD

RGB 212 229 221

HSL 151.76, 0.25%, 0.86%

LAB 89.51, -7.12, 1.95

 

CMYK 8 / 6 / 0 / 11

HEX #D2D7E4

RGB 210 215 228

HSL 223.33, 0.25%, 0.86%

LAB 85.96, 0.77, -6.97

 

CMYK 0 / 7 / 8 / 11

HEX #E4D4D2

RGB 228 212 210

HSL 6.67, 0.25%, 0.86%

LAB 86.12, 5.18, 2.97

 

CMYK 7 / 0 / 3 / 10

HEX #D4E5DD

RGB 212 229 221

HSL 151.76, 0.25%, 0.86%

LAB 89.51, -7.12, 1.95

 

CMYK 4 / 8 / 0 / 11

HEX #DBD2E4

RGB 219 210 228

HSL 270, 0.25%, 0.86%

LAB 85.38, 6.37, -7.75

 

CMYK 0 / 4 / 8 / 11

HEX #E4DBD2

RGB 228 219 210

HSL 30, 0.25%, 0.86%

LAB 87.88, 1.54, 5.5

 

CMYK 7 / 0 / 3 / 10

HEX #D4E5DD

RGB 212 229 221

HSL 151.76, 0.25%, 0.86%

LAB 89.51, -7.12, 1.95

 

CMYK 8 / 6 / 0 / 11

HEX #D2D7E4

RGB 210 215 228

HSL 223.33, 0.25%, 0.86%

LAB 85.96, 0.77, -6.97

 

CMYK 0 / 8 / 4 / 11

HEX #E4D2DB

RGB 228 210 219

HSL 330, 0.25%, 0.86%

LAB 85.86, 7.77, -2.19

 

CMYK 0 / 2 / 8 / 11

HEX #E4DFD2

RGB 228 223 210

HSL 43.33, 0.25%, 0.86%

LAB 88.89, -0.53, 6.96

 

CMYK 7 / 0 / 3 / 10

HEX #D4E5DD

RGB 212 229 221

HSL 151.76, 0.25%, 0.86%

LAB 89.51, -7.12, 1.95

 

CMYK 8 / 8 / 0 / 11

HEX #D2D2E4

RGB 210 210 228

HSL 240, 0.25%, 0.86%

LAB 84.69, 3.4, -8.86

 

CMYK 0 / 8 / 4 / 11

HEX #E4D2DB

RGB 228 210 219

HSL 330, 0.25%, 0.86%

LAB 85.86, 7.77, -2.19

 

CMYK 0 / 0 / 8 / 11

HEX #E3E4D2

RGB 227 228 210

HSL 63.33, 0.25%, 0.86%

LAB 90.08, -3.44, 8.66

 

Description

Color code: RGB 212 229 221 | qconv.com Color code: RGB 212 229 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 229 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 229 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 3 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 3% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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