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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212.5 219 182 it is the complementary color RGB 42.5 36 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212.5 219 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212.5 219 182 shade: RGB 217.5 219 177, RGB 234.5 237 196, RGB 251.5 255 215, RGB 255 255 234 and RGB 255 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212.5 219 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212.5 219 182 shade: RGB 212.5 219 182, RGB 195.5 201 163, RGB 178.5 183 144, RGB 161.5 165 125 and RGB 144.5 147 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212.5 219 182 shade: RGB 213 220 183, RGB 220 216 183, RGB 220 206 183, RGB 220 197 183 and RGB 220 187 183

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212.5 219 182 shade: RGB 213 220 183, RGB 203 220 183, RGB 194 220 183, RGB 184 220 183 and RGB 183 220 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212.5 219 182 shade matches the following richer shades: RGB 213 220 183, RGB 219 228 175, RGB 225 237 166, RGB 230 246 157 and RGB 236 254 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212.5 219 182 shade: RGB 213 220 183, RGB 208 211 192, RGB 202 202 201, RGB 196 194 209 and RGB 191 185 218

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212.5 219 182 shade: RGB 220 206 183, RGB 220 216 183, RGB 214 220 183, RGB 204 220 183 and RGB 194 220 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212.5 219 182 shade: RGB 181 192 128, RGB 197 206 156, RGB 213 220 183, RGB 229 233 211 and RGB 245 247 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212.5 219 182 shade: RGB 212.5 219 182, RGB 183 220 197 and RGB 211 183 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212.5 219 182 shade: RGB 212.5 219 182, RGB 183 214 220 and RGB 220 183 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212.5 219 182 shade: RGB 212.5 219 182, RGB 183 220 197, RGB 189 183 220 and RGB 220 183 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212.5 219 182 shade: RGB 212.5 219 182, RGB 183 220 208, RGB 189 183 220 and RGB 220 183 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 17 / 14

HEX #D4DBB6

RGB 212.5 219 182

HSL 70.54, 0.34%, 0.79%

LAB 86.06, -8.47, 17.48

 

Complementary color

CMYK 42 / 51 / 0 / 71

HEX #2A2449

RGB 42.5 36 73

HSL 250.54, 0.34%, 0.21%

LAB 16.73, 13.52, -22.09

 

CMYK 1 / 0 / 19 / 14

HEX #D9DBB1

RGB 217.5 219 177

HSL 62.14, 0.37%, 0.78%

LAB 86.34, -7.41, 20.54

 

CMYK 1 / 0 / 17 / 7

HEX #EAEDC4

RGB 234.5 237 196

HSL 63.66, 0.53%, 0.85%

LAB 92.63, -7.56, 19.62

 

CMYK 1 / 0 / 16 / 0

HEX #FBFFD7

RGB 251.5 255 215

HSL 65.25, 1%, 0.92%

LAB 98.84, -7.69, 18.75

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 3 / 0 / 17 / 14

HEX #D4DBB6

RGB 212.5 219 182

HSL 70.54, 0.34%, 0.79%

LAB 86.06, -8.47, 17.48

 

CMYK 3 / 0 / 19 / 21

HEX #C3C9A3

RGB 195.5 201 163

HSL 68.68, 0.26%, 0.71%

LAB 79.66, -8.36, 18.39

 

CMYK 2 / 0 / 21 / 28

HEX #B2B790

RGB 178.5 183 144

HSL 66.92, 0.21%, 0.64%

LAB 73.16, -8.23, 19.35

 

CMYK 2 / 0 / 24 / 35

HEX #A1A57D

RGB 161.5 165 125

HSL 65.25, 0.18%, 0.57%

LAB 66.54, -8.08, 20.37

 

CMYK 2 / 0 / 28 / 42

HEX #90936A

RGB 144.5 147 106

HSL 63.66, 0.16%, 0.5%

LAB 59.78, -7.9, 21.47

 

CMYK 3 / 0 / 17 / 14

HEX #D5DCB7

RGB 213 220 183

HSL 71.35, 0.35%, 0.79%

LAB 86.38, -8.64, 17.41

 

CMYK 0 / 2 / 17 / 14

HEX #DCD8B7

RGB 220 216 183

HSL 53.51, 0.35%, 0.79%

LAB 85.88, -4.07, 16.78

 

CMYK 0 / 6 / 17 / 14

HEX #DCCEB7

RGB 220 206 183

HSL 37.3, 0.35%, 0.79%

LAB 83.32, 1.11, 13.19

 

CMYK 0 / 10 / 17 / 14

HEX #DCC5B7

RGB 220 197 183

HSL 22.7, 0.35%, 0.79%

LAB 81.05, 5.84, 9.96

 

CMYK 0 / 15 / 17 / 14

HEX #DCBBB7

RGB 220 187 183

HSL 6.49, 0.35%, 0.79%

LAB 78.56, 11.15, 6.4

 

CMYK 3 / 0 / 17 / 14

HEX #D5DCB7

RGB 213 220 183

HSL 71.35, 0.35%, 0.79%

LAB 86.38, -8.64, 17.41

 

CMYK 8 / 0 / 17 / 14

HEX #CBDCB7

RGB 203 220 183

HSL 87.57, 0.35%, 0.79%

LAB 85.66, -12.21, 16.29

 

CMYK 12 / 0 / 17 / 14

HEX #C2DCB7

RGB 194 220 183

HSL 102.16, 0.35%, 0.79%

LAB 85.03, -15.36, 15.32

 

CMYK 16 / 0 / 17 / 14

HEX #B8DCB7

RGB 184 220 183

HSL 118.38, 0.35%, 0.79%

LAB 84.38, -18.79, 14.3

 

CMYK 17 / 0 / 12 / 14

HEX #B7DCC1

RGB 183 220 193

HSL 136.22, 0.35%, 0.79%

LAB 84.54, -17.33, 9.25

 

CMYK 3 / 0 / 17 / 14

HEX #D5DCB7

RGB 213 220 183

HSL 71.35, 0.35%, 0.79%

LAB 86.38, -8.64, 17.41

 

CMYK 4 / 0 / 23 / 11

HEX #DBE4AF

RGB 219 228 175

HSL 70.19, 0.5%, 0.79%

LAB 88.75, -11.7, 24.92

 

CMYK 5 / 0 / 30 / 7

HEX #E1EDA6

RGB 225 237 166

HSL 70.14, 0.66%, 0.79%

LAB 91.38, -15.19, 33.15

 

CMYK 7 / 0 / 36 / 4

HEX #E6F69D

RGB 230 246 157

HSL 70.79, 0.83%, 0.79%

LAB 93.96, -18.84, 41.09

 

CMYK 7 / 0 / 41 / 0

HEX #ECFE95

RGB 236 254 149

HSL 70.29, 0.98%, 0.79%

LAB 96.36, -21.35, 48.14

 

CMYK 3 / 0 / 17 / 14

HEX #D5DCB7

RGB 213 220 183

HSL 71.35, 0.35%, 0.79%

LAB 86.38, -8.64, 17.41

 

CMYK 1 / 0 / 9 / 17

HEX #D0D3C0

RGB 208 211 192

HSL 69.47, 0.18%, 0.79%

LAB 83.86, -4.36, 9.05

 

CMYK 0 / 0 / 0 / 21

HEX #CACAC9

RGB 202 202 201

HSL 60, 0.01%, 0.79%

LAB 81.3, -0.18, 0.49

 

CMYK 6 / 7 / 0 / 18

HEX #C4C2D1

RGB 196 194 209

HSL 248, 0.14%, 0.79%

LAB 79, 3.53, -7.25

 

CMYK 12 / 15 / 0 / 15

HEX #BFB9DA

RGB 191 185 218

HSL 250.91, 0.31%, 0.79%

LAB 76.58, 8.55, -15.77

 

CMYK 0 / 6 / 17 / 14

HEX #DCCEB7

RGB 220 206 183

HSL 37.3, 0.35%, 0.79%

LAB 83.32, 1.11, 13.19

 

CMYK 0 / 2 / 17 / 14

HEX #DCD8B7

RGB 220 216 183

HSL 53.51, 0.35%, 0.79%

LAB 85.88, -4.07, 16.78

 

CMYK 3 / 0 / 17 / 14

HEX #D6DCB7

RGB 214 220 183

HSL 69.73, 0.35%, 0.79%

LAB 86.46, -8.28, 17.52

 

CMYK 7 / 0 / 17 / 14

HEX #CCDCB7

RGB 204 220 183

HSL 85.95, 0.35%, 0.79%

LAB 85.73, -11.85, 16.39

 

CMYK 12 / 0 / 17 / 14

HEX #C2DCB7

RGB 194 220 183

HSL 102.16, 0.35%, 0.79%

LAB 85.03, -15.36, 15.32

 

CMYK 6 / 0 / 33 / 25

HEX #B5C080

RGB 181 192 128

HSL 70.31, 0.34%, 0.63%

LAB 75.5, -14.17, 31.05

 

CMYK 4 / 0 / 24 / 19

HEX #C5CE9C

RGB 197 206 156

HSL 70.8, 0.34%, 0.71%

LAB 80.97, -11.4, 23.91

 

CMYK 3 / 0 / 17 / 14

HEX #D5DCB7

RGB 213 220 183

HSL 71.35, 0.35%, 0.79%

LAB 86.38, -8.64, 17.41

 

CMYK 2 / 0 / 9 / 9

HEX #E5E9D3

RGB 229 233 211

HSL 70.91, 0.33%, 0.87%

LAB 91.52, -5.13, 10.23

 

CMYK 1 / 0 / 3 / 3

HEX #F5F7EF

RGB 245 247 239

HSL 75, 0.33%, 0.95%

LAB 96.89, -2.05, 3.6

 

CMYK 3 / 0 / 17 / 14

HEX #D4DBB6

RGB 212.5 219 182

HSL 70.54, 0.34%, 0.79%

LAB 86.06, -8.47, 17.48

 

CMYK 17 / 0 / 10 / 14

HEX #B7DCC5

RGB 183 220 197

HSL 142.7, 0.35%, 0.79%

LAB 84.63, -16.59, 7.27

 

CMYK 4 / 17 / 0 / 14

HEX #D3B7DC

RGB 211 183 220

HSL 285.41, 0.35%, 0.79%

LAB 77.81, 16.61, -14.84

 

CMYK 3 / 0 / 17 / 14

HEX #D4DBB6

RGB 212.5 219 182

HSL 70.54, 0.34%, 0.79%

LAB 86.06, -8.47, 17.48

 

CMYK 17 / 3 / 0 / 14

HEX #B7D6DC

RGB 183 214 220

HSL 189.73, 0.35%, 0.79%

LAB 83.61, -8.98, -6.4

 

CMYK 0 / 17 / 3 / 14

HEX #DCB7D6

RGB 220 183 214

HSL 309.73, 0.35%, 0.79%

LAB 78.43, 18.52, -10.58

 

CMYK 3 / 0 / 17 / 14

HEX #D4DBB6

RGB 212.5 219 182

HSL 70.54, 0.34%, 0.79%

LAB 86.06, -8.47, 17.48

 

CMYK 17 / 0 / 10 / 14

HEX #B7DCC5

RGB 183 220 197

HSL 142.7, 0.35%, 0.79%

LAB 84.63, -16.59, 7.27

 

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

CMYK 0 / 17 / 6 / 14

HEX #DCB7CE

RGB 220 183 206

HSL 322.7, 0.35%, 0.79%

LAB 78.19, 17.09, -6.6

 

CMYK 3 / 0 / 17 / 14

HEX #D4DBB6

RGB 212.5 219 182

HSL 70.54, 0.34%, 0.79%

LAB 86.06, -8.47, 17.48

 

CMYK 17 / 0 / 5 / 14

HEX #B7DCD0

RGB 183 220 208

HSL 160.54, 0.35%, 0.79%

LAB 84.9, -14.48, 1.84

 

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

CMYK 0 / 17 / 11 / 14

HEX #DCB7C3

RGB 220 183 195

HSL 340.54, 0.35%, 0.79%

LAB 77.89, 15.22, -1.08

 

Description

Color code: RGB 212.5 219 182 | qconv.com Color code: RGB 212.5 219 182 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212.5 red, 219 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212.5 219 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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