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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDB7DC it is the complementary color #424823. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDB7DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDB7DC shade: #C2B7D7, #D3C9EA, #E4DBFD, #F5EDFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDB7DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDB7DC shade: #BDB7DC, #ACA5C9, #9B93B6, #8A81A3 and #796F90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDB7DC shade: #BDB7DC, #C7B7DC, #D1B7DC, #DBB7DC and #DCB7D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDB7DC shade: #BDB7DC and #B7B7DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDB7DC shade matches the following richer shades: #BDB7DC, #B7AEE5, #B1A5EE, #AB9DF6 and #A594FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDB7DC shade: #BDB7DC, #C3BFD4, #C8C8CB, #CED1C2 and #D4D9BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDB7DC shade: #B7C5DC, #B7BBDC, #BCB7DC, #C6B7DC and #D0B7DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDB7DC shade: #8A7FC1, #A39BCF, #BDB7DC, #D6D3EA and #F0EEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDB7DC shade: #BDB7DC, #DCB7CF and #C0DCB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDB7DC shade: #BDB7DC, #DCBCB7 and #B7DCBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDB7DC shade: #BDB7DC, #DCB7CF, #D7DCB7 and #B7DCC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDB7DC shade: #BDB7DC, #DCB7C4, #D7DCB7 and #B7DCCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

Complementary color

CMYK 8 / 0 / 51 / 72

HEX #424823

RGB 66 72 35

HSL 69.73, 0.35%, 0.21%

LAB 29.2, -9.13, 21.27

 

CMYK 10 / 15 / 0 / 16

HEX #C2B7D7

RGB 194 183 215

HSL 260.63, 0.29%, 0.78%

LAB 76.22, 9.99, -14.66

 

CMYK 10 / 14 / 0 / 8

HEX #D3C9EA

RGB 211 201 234

HSL 258.18, 0.44%, 0.85%

LAB 82.68, 9.68, -15.04

 

CMYK 10 / 13 / 0 / 1

HEX #E4DBFD

RGB 228 219 253

HSL 255.88, 0.89%, 0.93%

LAB 89.04, 9.39, -15.42

 

CMYK 4 / 7 / 0 / 0

HEX #F5EDFF

RGB 245 237 255

HSL 266.67, 1%, 0.96%

LAB 94.82, 5.9, -7.71

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

CMYK 14 / 18 / 0 / 21

HEX #ACA5C9

RGB 172 165 201

HSL 251.67, 0.25%, 0.72%

LAB 69.4, 9.74, -17.46

 

CMYK 15 / 19 / 0 / 29

HEX #9B93B6

RGB 155 147 182

HSL 253.71, 0.19%, 0.65%

LAB 62.69, 10.09, -17.15

 

CMYK 15 / 21 / 0 / 36

HEX #8A81A3

RGB 138 129 163

HSL 255.88, 0.16%, 0.57%

LAB 55.83, 10.48, -16.86

 

CMYK 16 / 23 / 0 / 44

HEX #796F90

RGB 121 111 144

HSL 258.18, 0.13%, 0.5%

LAB 48.82, 10.91, -16.59

 

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

CMYK 10 / 17 / 0 / 14

HEX #C7B7DC

RGB 199 183 220

HSL 265.95, 0.35%, 0.79%

LAB 76.79, 12.65, -16.48

 

CMYK 5 / 17 / 0 / 14

HEX #D1B7DC

RGB 209 183 220

HSL 282.16, 0.35%, 0.79%

LAB 77.63, 15.94, -15.12

 

CMYK 0 / 17 / 0 / 14

HEX #DBB7DC

RGB 219 183 220

HSL 298.38, 0.35%, 0.79%

LAB 78.52, 19.28, -13.7

 

CMYK 0 / 17 / 4 / 14

HEX #DCB7D3

RGB 220 183 211

HSL 314.59, 0.35%, 0.79%

LAB 78.34, 17.98, -9.09

 

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

CMYK 17 / 17 / 0 / 14

HEX #B7B7DC

RGB 183 183 220

HSL 240, 0.35%, 0.79%

LAB 75.51, 7.49, -18.52

 

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

CMYK 20 / 24 / 0 / 10

HEX #B7AEE5

RGB 183 174 229

HSL 249.82, 0.51%, 0.79%

LAB 73.54, 14.43, -26.41

 

CMYK 26 / 31 / 0 / 7

HEX #B1A5EE

RGB 177 165 238

HSL 249.86, 0.68%, 0.79%

LAB 71.17, 19.72, -35.02

 

CMYK 30 / 36 / 0 / 4

HEX #AB9DF6

RGB 171 157 246

HSL 249.44, 0.83%, 0.79%

LAB 69.06, 24.46, -42.7

 

CMYK 35 / 42 / 0 / 0

HEX #A594FF

RGB 165 148 255

HSL 249.53, 1%, 0.79%

LAB 66.82, 30.25, -51.16

 

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

CMYK 8 / 10 / 0 / 17

HEX #C3BFD4

RGB 195 191 212

HSL 251.43, 0.2%, 0.79%

LAB 78.24, 5.4, -10

 

CMYK 1 / 1 / 0 / 20

HEX #C8C8CB

RGB 200 200 203

HSL 240, 0.03%, 0.79%

LAB 80.68, 0.56, -1.5

 

CMYK 1 / 0 / 7 / 18

HEX #CED1C2

RGB 206 209 194

HSL 72, 0.14%, 0.79%

LAB 83.24, -3.68, 7.07

 

CMYK 2 / 0 / 14 / 15

HEX #D4D9BA

RGB 212 217 186

HSL 69.68, 0.29%, 0.79%

LAB 85.59, -7, 14.71

 

CMYK 17 / 10 / 0 / 14

HEX #B7C5DC

RGB 183 197 220

HSL 217.3, 0.35%, 0.79%

LAB 79.14, -0.06, -13.07

 

CMYK 17 / 15 / 0 / 14

HEX #B7BBDC

RGB 183 187 220

HSL 233.51, 0.35%, 0.79%

LAB 76.54, 5.32, -16.97

 

CMYK 15 / 17 / 0 / 14

HEX #BCB7DC

RGB 188 183 220

HSL 248.11, 0.35%, 0.79%

LAB 75.9, 9.09, -17.9

 

CMYK 10 / 17 / 0 / 14

HEX #C6B7DC

RGB 198 183 220

HSL 264.32, 0.35%, 0.79%

LAB 76.7, 12.32, -16.61

 

CMYK 5 / 17 / 0 / 14

HEX #D0B7DC

RGB 208 183 220

HSL 280.54, 0.35%, 0.79%

LAB 77.55, 15.61, -15.26

 

CMYK 28 / 34 / 0 / 24

HEX #8A7FC1

RGB 138 127 193

HSL 250, 0.35%, 0.63%

LAB 56.52, 18.91, -32.99

 

CMYK 21 / 25 / 0 / 19

HEX #A39BCF

RGB 163 155 207

HSL 249.23, 0.35%, 0.71%

LAB 66.32, 13.81, -25.54

 

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

CMYK 9 / 10 / 0 / 8

HEX #D6D3EA

RGB 214 211 234

HSL 247.83, 0.35%, 0.87%

LAB 85.42, 5.35, -10.92

 

CMYK 3 / 4 / 0 / 3

HEX #F0EEF7

RGB 240 238 247

HSL 253.33, 0.36%, 0.95%

LAB 94.48, 2.28, -4.11

 

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

CMYK 0 / 17 / 6 / 14

HEX #DCB7CF

RGB 220 183 207

HSL 321.08, 0.35%, 0.79%

LAB 78.22, 17.27, -7.1

 

CMYK 13 / 0 / 17 / 14

HEX #C0DCB7

RGB 192 220 183

HSL 105.41, 0.35%, 0.79%

LAB 84.9, -16.05, 15.11

 

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

CMYK 0 / 15 / 17 / 14

HEX #DCBCB7

RGB 220 188 183

HSL 8.11, 0.35%, 0.79%

LAB 78.81, 10.61, 6.75

 

CMYK 17 / 0 / 15 / 14

HEX #B7DCBC

RGB 183 220 188

HSL 128.11, 0.35%, 0.79%

LAB 84.42, -18.24, 11.73

 

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

CMYK 0 / 17 / 6 / 14

HEX #DCB7CF

RGB 220 183 207

HSL 321.08, 0.35%, 0.79%

LAB 78.22, 17.27, -7.1

 

CMYK 2 / 0 / 17 / 14

HEX #D7DCB7

RGB 215 220 183

HSL 68.11, 0.35%, 0.79%

LAB 86.53, -7.92, 17.64

 

CMYK 17 / 0 / 11 / 14

HEX #B7DCC4

RGB 183 220 196

HSL 141.08, 0.35%, 0.79%

LAB 84.61, -16.78, 7.77

 

CMYK 14 / 17 / 0 / 14

HEX #BDB7DC

RGB 189 183 220

HSL 249.73, 0.35%, 0.79%

LAB 75.98, 9.41, -17.77

 

CMYK 0 / 17 / 11 / 14

HEX #DCB7C4

RGB 220 183 196

HSL 338.92, 0.35%, 0.79%

LAB 77.92, 15.39, -1.58

 

CMYK 2 / 0 / 17 / 14

HEX #D7DCB7

RGB 215 220 183

HSL 68.11, 0.35%, 0.79%

LAB 86.53, -7.92, 17.64

 

CMYK 17 / 0 / 6 / 14

HEX #B7DCCF

RGB 183 220 207

HSL 158.92, 0.35%, 0.79%

LAB 84.87, -14.68, 2.34

 

Description

Color code: HEX #BDB7DC | qconv.com Color code: HEX #BDB7DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 183 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 183 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 17 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 17% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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