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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 84 137 it is the complementary color RGB 44 171 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 84 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 211 84 137: RGB 216 84 132, RGB 233 102 151, RGB 250 120 170, RGB 255 138 189 and RGB 255 156 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 84 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 211 84 137: RGB 211 84 137, RGB 194 66 118, RGB 177 48 99, RGB 160 30 80 and RGB 143 12 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 35 / 17

HEX #D35489

RGB 211 84 137

HSL 334.96, 0.59%, 0.58%

LAB 54.02, 55.02, -3.5

 

Complementary color

CMYK 74 / 0 / 31 / 33

HEX #2CAB76

RGB 44 171 118

HSL 154.96, 0.59%, 0.42%

LAB 62.48, -46.59, 17.74

 

CMYK 0 / 61 / 39 / 15

HEX #D85484

RGB 216 84 132

HSL 338.18, 0.63%, 0.59%

LAB 54.66, 56.02, 0.5

 

CMYK 0 / 56 / 35 / 9

HEX #E96697

RGB 233 102 151

HSL 337.56, 0.75%, 0.66%

LAB 60.84, 55.43, -1.28

 

CMYK 0 / 52 / 32 / 2

HEX #FA78AA

RGB 250 120 170

HSL 336.92, 0.93%, 0.73%

LAB 67.02, 54.72, -2.79

 

CMYK 0 / 46 / 26 / 0

HEX #FF8ABD

RGB 255 138 189

HSL 333.85, 1%, 0.77%

LAB 71.63, 50.04, -6.56

 

CMYK 0 / 39 / 18 / 0

HEX #FF9CD0

RGB 255 156 208

HSL 328.48, 1%, 0.81%

LAB 75.82, 43.65, -10.82

 

CMYK 0 / 60 / 35 / 17

HEX #D35489

RGB 211 84 137

HSL 334.96, 0.59%, 0.58%

LAB 54.02, 55.02, -3.5

 

CMYK 0 / 66 / 39 / 24

HEX #C24276

RGB 194 66 118

HSL 335.63, 0.51%, 0.51%

LAB 47.85, 55.37, -1.51

 

CMYK 0 / 73 / 44 / 31

HEX #B13063

RGB 177 48 99

HSL 336.28, 0.57%, 0.44%

LAB 41.79, 55.29, 1

 

CMYK 0 / 81 / 50 / 37

HEX #A01E50

RGB 160 30 80

HSL 336.92, 0.68%, 0.37%

LAB 35.95, 54.5, 4.23

 

CMYK 0 / 92 / 57 / 44

HEX #8F0C3D

RGB 143 12 61

HSL 337.56, 0.85%, 0.3%

LAB 30.5, 52.51, 8.5

 

CMYK 0 / 60 / 35 / 17

HEX #D35489

RGB 211 84 137

HSL 334.96, 0.59%, 0.58%

LAB 54.02, 55.02, -3.5

 

CMYK 0 / 60 / 44 / 17

HEX #D35476

RGB 211 84 118

HSL 343.94, 0.59%, 0.58%

LAB 53.49, 52.97, 7.01

 

CMYK 0 / 60 / 54 / 17

HEX #D35461

RGB 211 84 97

HSL 353.86, 0.59%, 0.58%

LAB 53.01, 51.09, 18.82

 

CMYK 0 / 56 / 60 / 17

HEX #D35D54

RGB 211 93 84

HSL 4.25, 0.59%, 0.58%

LAB 54.36, 45.92, 28.2

 

CMYK 0 / 46 / 60 / 17

HEX #D37254

RGB 211 114 84

HSL 14.17, 0.59%, 0.58%

LAB 58.53, 35.35, 33.45

 

CMYK 0 / 60 / 35 / 17

HEX #D35489

RGB 211 84 137

HSL 334.96, 0.59%, 0.58%

LAB 54.02, 55.02, -3.5

 

CMYK 0 / 57 / 29 / 97

HEX #070305

RGB 7 3 5

HSL 330, 0.4%, 0.02%

LAB 1.1, 1.32, -0.39

 

CMYK 0 / 60 / 34 / 77

HEX #3A1726

RGB 58 23 38

HSL 334.29, 0.43%, 0.16%

LAB 13.55, 19.36, -2.06

 

CMYK 0 / 61 / 35 / 57

HEX #6D2B47

RGB 109 43 71

HSL 334.55, 0.43%, 0.3%

LAB 27.94, 32.52, -2.7

 

CMYK 0 / 60 / 35 / 37

HEX #A04068

RGB 160 64 104

HSL 335, 0.43%, 0.44%

LAB 41.44, 43.9, -2.98

 

CMYK 0 / 60 / 35 / 17

HEX #D35489

RGB 211 84 137

HSL 334.96, 0.59%, 0.58%

LAB 54.02, 55.02, -3.5

 

CMYK 0 / 14 / 60 / 17

HEX #D3B554

RGB 211 181 84

HSL 45.83, 0.59%, 0.58%

LAB 74.53, -0.56, 52.36

 

CMYK 60 / 10 / 0 / 17

HEX #54BED3

RGB 84 190 211

HSL 189.92, 0.59%, 0.58%

LAB 71.84, -24.27, -19.7

 

CMYK 0 / 60 / 35 / 17

HEX #D35489

RGB 211 84 137

HSL 334.96, 0.59%, 0.58%

LAB 54.02, 55.02, -3.5

 

CMYK 34 / 0 / 60 / 17

HEX #8BD354

RGB 139 211 84

HSL 94.02, 0.59%, 0.58%

LAB 77.71, -43.69, 54.53

 

CMYK 60 / 34 / 0 / 17

HEX #548BD3

RGB 84 139 211

HSL 214.02, 0.59%, 0.58%

LAB 57.13, 3.64, -42.46

 

CMYK 0 / 60 / 35 / 17

HEX #D35489

RGB 211 84 137

HSL 334.96, 0.59%, 0.58%

LAB 54.02, 55.02, -3.5

 

CMYK 0 / 14 / 60 / 17

HEX #D3B554

RGB 211 181 84

HSL 45.83, 0.59%, 0.58%

LAB 74.53, -0.56, 52.36

 

CMYK 60 / 0 / 26 / 17

HEX #54D39C

RGB 84 211 156

HSL 154.02, 0.59%, 0.58%

LAB 76.6, -47.9, 16.98

 

CMYK 60 / 46 / 0 / 17

HEX #5472D3

RGB 84 114 211

HSL 225.83, 0.59%, 0.58%

LAB 50.24, 18.8, -53.4

 

CMYK 0 / 60 / 35 / 17

HEX #D35489

RGB 211 84 137

HSL 334.96, 0.59%, 0.58%

LAB 54.02, 55.02, -3.5

 

CMYK 4 / 0 / 60 / 17

HEX #CAD354

RGB 202 211 84

HSL 64.25, 0.59%, 0.58%

LAB 81.72, -19.61, 60.1

 

CMYK 60 / 0 / 26 / 17

HEX #54D39C

RGB 84 211 156

HSL 154.02, 0.59%, 0.58%

LAB 76.6, -47.9, 16.98

 

CMYK 56 / 60 / 0 / 17

HEX #5D54D3

RGB 93 84 211

HSL 244.25, 0.59%, 0.58%

LAB 43.32, 38.93, -64.55

 

Description

Color code: RGB 211 84 137 | qconv.com Color code: RGB 211 84 137 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 84 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 84 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 35 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 35% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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