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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 239 149 it is the complementary color RGB 44 16 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 239 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 211 239 149: RGB 216 239 144, RGB 233 255 163, RGB 250 255 182, RGB 255 255 201 and RGB 255 255 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 239 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 211 239 149: RGB 211 239 149, RGB 194 221 130, RGB 177 203 111, RGB 160 185 92 and RGB 143 167 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 38 / 6

HEX #D3EF95

RGB 211 239 149

HSL 78.67, 0.74%, 0.76%

LAB 90.67, -23.46, 40.53

 

Complementary color

CMYK 58 / 85 / 0 / 58

HEX #2C106A

RGB 44 16 106

HSL 258.67, 0.74%, 0.24%

LAB 15.2, 36.85, -46.68

 

CMYK 10 / 0 / 40 / 6

HEX #D8EF90

RGB 216 239 144

HSL 74.53, 0.75%, 0.75%

LAB 90.94, -22.19, 43.41

 

CMYK 9 / 0 / 36 / 0

HEX #E9FFA3

RGB 233 255 163

HSL 74.35, 1%, 0.82%

LAB 96.61, -21.36, 41.62

 

CMYK 2 / 0 / 29 / 0

HEX #FAFFB6

RGB 250 255 182

HSL 64.11, 1%, 0.86%

LAB 98.12, -12.79, 34.42

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 12 / 0 / 38 / 6

HEX #D3EF95

RGB 211 239 149

HSL 78.67, 0.74%, 0.76%

LAB 90.67, -23.46, 40.53

 

CMYK 12 / 0 / 41 / 13

HEX #C2DD82

RGB 194 221 130

HSL 77.8, 0.57%, 0.69%

LAB 84.38, -23.37, 41.67

 

CMYK 13 / 0 / 45 / 20

HEX #B1CB6F

RGB 177 203 111

HSL 76.96, 0.47%, 0.62%

LAB 78, -23.25, 42.82

 

CMYK 14 / 0 / 50 / 27

HEX #A0B95C

RGB 160 185 92

HSL 76.13, 0.4%, 0.54%

LAB 71.52, -23.07, 43.98

 

CMYK 14 / 0 / 56 / 35

HEX #8FA749

RGB 143 167 73

HSL 75.32, 0.39%, 0.47%

LAB 64.93, -22.81, 45.08

 

CMYK 12 / 0 / 38 / 6

HEX #D3EF95

RGB 211 239 149

HSL 78.67, 0.74%, 0.76%

LAB 90.67, -23.46, 40.53

 

CMYK 18 / 0 / 38 / 6

HEX #C4EF94

RGB 196 239 148

HSL 88.35, 0.74%, 0.76%

LAB 89.68, -29.04, 39.56

 

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

CMYK 31 / 0 / 38 / 6

HEX #A6EF94

RGB 166 239 148

HSL 108.13, 0.74%, 0.76%

LAB 87.96, -39.32, 36.99

 

CMYK 37 / 0 / 38 / 6

HEX #97EF94

RGB 151 239 148

HSL 118.02, 0.74%, 0.76%

LAB 87.22, -44.05, 35.88

 

CMYK 12 / 0 / 38 / 6

HEX #D3EF95

RGB 211 239 149

HSL 78.67, 0.74%, 0.76%

LAB 90.67, -23.46, 40.53

 

CMYK 11 / 0 / 37 / 86

HEX #1F2316

RGB 31 35 22

HSL 78.46, 0.23%, 0.11%

LAB 12.93, -4.79, 8.15

 

CMYK 12 / 0 / 37 / 66

HEX #4C5636

RGB 76 86 54

HSL 78.75, 0.23%, 0.27%

LAB 34.92, -10.16, 17.36

 

CMYK 12 / 0 / 38 / 46

HEX #798955

RGB 121 137 85

HSL 78.46, 0.23%, 0.44%

LAB 54.67, -15, 26

 

CMYK 12 / 0 / 38 / 26

HEX #A6BC75

RGB 166 188 117

HSL 78.59, 0.35%, 0.6%

LAB 73.13, -19.35, 33.46

 

CMYK 12 / 0 / 38 / 6

HEX #D3EF95

RGB 211 239 149

HSL 78.67, 0.74%, 0.76%

LAB 90.67, -23.46, 40.53

 

CMYK 38 / 0 / 19 / 6

HEX #94EFC1

RGB 148 239 193

HSL 149.67, 0.74%, 0.76%

LAB 87.91, -37.11, 13.79

 

CMYK 4 / 38 / 0 / 6

HEX #E694EF

RGB 230 148 239

HSL 294.07, 0.74%, 0.76%

LAB 72.39, 45.08, -33.27

 

CMYK 12 / 0 / 38 / 6

HEX #D3EF95

RGB 211 239 149

HSL 78.67, 0.74%, 0.76%

LAB 90.67, -23.46, 40.53

 

CMYK 38 / 12 / 0 / 6

HEX #94D3EF

RGB 148 211 239

HSL 198.46, 0.74%, 0.76%

LAB 81.36, -13.1, -20.11

 

CMYK 0 / 38 / 12 / 6

HEX #EF94D3

RGB 239 148 211

HSL 318.46, 0.74%, 0.76%

LAB 72.38, 43, -17.82

 

CMYK 12 / 0 / 38 / 6

HEX #D3EF95

RGB 211 239 149

HSL 78.67, 0.74%, 0.76%

LAB 90.67, -23.46, 40.53

 

CMYK 38 / 0 / 19 / 6

HEX #94EFC1

RGB 148 239 193

HSL 149.67, 0.74%, 0.76%

LAB 87.91, -37.11, 13.79

 

CMYK 27 / 38 / 0 / 6

HEX #AF94EF

RGB 175 148 239

HSL 257.8, 0.74%, 0.76%

LAB 66.92, 28.93, -42.2

 

CMYK 0 / 38 / 19 / 6

HEX #EF94C1

RGB 239 148 193

HSL 330.33, 0.74%, 0.76%

LAB 71.81, 40.19, -8.73

 

CMYK 12 / 0 / 38 / 6

HEX #D3EF95

RGB 211 239 149

HSL 78.67, 0.74%, 0.76%

LAB 90.67, -23.46, 40.53

 

CMYK 38 / 0 / 8 / 6

HEX #94EFDC

RGB 148 239 220

HSL 167.47, 0.74%, 0.76%

LAB 88.54, -31.45, 0.61

 

CMYK 27 / 38 / 0 / 6

HEX #AF94EF

RGB 175 148 239

HSL 257.8, 0.74%, 0.76%

LAB 66.92, 28.93, -42.2

 

CMYK 0 / 38 / 31 / 6

HEX #EF94A6

RGB 239 148 166

HSL 348.13, 0.74%, 0.76%

LAB 71.07, 36.44, 5.17

 

Description

Color code: RGB 211 239 149 | qconv.com Color code: RGB 211 239 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 239 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 239 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 38 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 38% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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