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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 231 235 it is the complementary color RGB 44 24 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 231 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 211 231 235: RGB 216 231 230, RGB 233 249 249, RGB 250 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 231 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 211 231 235: RGB 211 231 235, RGB 194 213 216, RGB 177 195 197, RGB 160 177 178 and RGB 143 159 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 2 / 0 / 8

HEX #D3E7EB

RGB 211 231 235

HSL 190, 0.38%, 0.87%

LAB 90.32, -5.81, -4.21

 

Complementary color

CMYK 0 / 45 / 55 / 83

HEX #2C1814

RGB 44 24 20

HSL 10, 0.38%, 0.13%

LAB 10.84, 9.48, 6.93

 

CMYK 6 / 0 / 0 / 9

HEX #D8E7E6

RGB 216 231 230

HSL 176, 0.24%, 0.88%

LAB 90.53, -5.15, -1.24

SW® 6497

CMYK 6 / 0 / 0 / 2

HEX #E9F9F9

RGB 233 249 249

HSL 180, 0.57%, 0.95%

LAB 96.79, -5.22, -1.81

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 10 / 2 / 0 / 8

HEX #D3E7EB

RGB 211 231 235

HSL 190, 0.38%, 0.87%

LAB 90.32, -5.81, -4.21

 

CMYK 10 / 1 / 0 / 15

HEX #C2D5D8

RGB 194 213 216

HSL 188.18, 0.22%, 0.8%

LAB 83.97, -5.76, -3.66

 

CMYK 10 / 1 / 0 / 23

HEX #B1C3C5

RGB 177 195 197

HSL 186, 0.15%, 0.73%

LAB 77.52, -5.71, -3.1

 

CMYK 10 / 1 / 0 / 30

HEX #A0B1B2

RGB 160 177 178

HSL 183.33, 0.1%, 0.66%

LAB 70.96, -5.67, -2.53

 

CMYK 10 / 0 / 0 / 38

HEX #8F9F9F

RGB 143 159 159

HSL 180, 0.08%, 0.59%

LAB 64.27, -5.63, -1.93

 

CMYK 10 / 2 / 0 / 8

HEX #D3E7EB

RGB 211 231 235

HSL 190, 0.38%, 0.87%

LAB 90.32, -5.81, -4.21

 

CMYK 11 / 3 / 0 / 8

HEX #D1E2EA

RGB 209 226 234

HSL 199.2, 0.37%, 0.87%

LAB 88.87, -4.08, -5.84

 

CMYK 11 / 6 / 0 / 8

HEX #D1DDEA

RGB 209 221 234

HSL 211.2, 0.37%, 0.87%

LAB 87.59, -1.5, -7.74

 

CMYK 11 / 7 / 0 / 8

HEX #D1D9EA

RGB 209 217 234

HSL 220.8, 0.37%, 0.87%

LAB 86.56, 0.58, -9.25

 

CMYK 11 / 9 / 0 / 8

HEX #D1D5EA

RGB 209 213 234

HSL 230.4, 0.37%, 0.87%

LAB 85.55, 2.68, -10.77

 

CMYK 10 / 2 / 0 / 8

HEX #D3E7EB

RGB 211 231 235

HSL 190, 0.38%, 0.87%

LAB 90.32, -5.81, -4.21

 

CMYK 10 / 3 / 0 / 88

HEX #1C1E1F

RGB 28 30 31

HSL 200, 0.05%, 0.12%

LAB 11.09, -0.67, -1.01

 

CMYK 10 / 1 / 0 / 68

HEX #4A5152

RGB 74 81 82

HSL 187.5, 0.05%, 0.31%

LAB 33.88, -2.56, -1.55

 

CMYK 11 / 2 / 0 / 48

HEX #778385

RGB 119 131 133

HSL 188.57, 0.06%, 0.49%

LAB 53.87, -3.96, -2.59

 

CMYK 10 / 2 / 0 / 28

HEX #A5B5B8

RGB 165 181 184

HSL 189.47, 0.12%, 0.68%

LAB 72.57, -4.91, -3.42

 

CMYK 10 / 2 / 0 / 8

HEX #D3E7EB

RGB 211 231 235

HSL 190, 0.38%, 0.87%

LAB 90.32, -5.81, -4.21

 

CMYK 7 / 11 / 0 / 8

HEX #DAD1EA

RGB 218 209 234

HSL 261.6, 0.37%, 0.87%

LAB 85.22, 7.71, -11.18

 

CMYK 0 / 3 / 11 / 8

HEX #EAE4D1

RGB 234 228 209

HSL 45.6, 0.37%, 0.87%

LAB 90.59, -1.16, 9.99

 

CMYK 10 / 2 / 0 / 8

HEX #D3E7EB

RGB 211 231 235

HSL 190, 0.38%, 0.87%

LAB 90.32, -5.81, -4.21

 

CMYK 0 / 11 / 2 / 8

HEX #EAD1E6

RGB 234 209 230

HSL 309.6, 0.37%, 0.87%

LAB 86.41, 12.29, -7.16

 

CMYK 2 / 0 / 11 / 8

HEX #E6EAD1

RGB 230 234 209

HSL 69.6, 0.37%, 0.87%

LAB 91.81, -5.61, 11.68

 

CMYK 10 / 2 / 0 / 8

HEX #D3E7EB

RGB 211 231 235

HSL 190, 0.38%, 0.87%

LAB 90.32, -5.81, -4.21

 

CMYK 7 / 11 / 0 / 8

HEX #DAD1EA

RGB 218 209 234

HSL 261.6, 0.37%, 0.87%

LAB 85.22, 7.71, -11.18

 

CMYK 0 / 9 / 11 / 8

HEX #EAD5D1

RGB 234 213 209

HSL 9.6, 0.37%, 0.87%

LAB 86.84, 6.6, 4.6

 

CMYK 4 / 0 / 11 / 8

HEX #E1EAD1

RGB 225 234 209

HSL 81.6, 0.37%, 0.87%

LAB 91.44, -7.35, 11.11

 

CMYK 10 / 2 / 0 / 8

HEX #D3E7EB

RGB 211 231 235

HSL 190, 0.38%, 0.87%

LAB 90.32, -5.81, -4.21

 

CMYK 3 / 11 / 0 / 8

HEX #E2D1EA

RGB 226 209 234

HSL 280.8, 0.37%, 0.87%

LAB 85.86, 10.35, -10.16

 

CMYK 0 / 9 / 11 / 8

HEX #EAD5D1

RGB 234 213 209

HSL 9.6, 0.37%, 0.87%

LAB 86.84, 6.6, 4.6

 

CMYK 7 / 0 / 11 / 8

HEX #D9EAD1

RGB 217 234 209

HSL 100.8, 0.37%, 0.87%

LAB 90.87, -10.1, 10.22

 

Description

Color code: RGB 211 231 235 | qconv.com Color code: RGB 211 231 235 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 231 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 231 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 2 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 2% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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