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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 205 79 it is the complementary color RGB 44 50 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 205 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 211 205 79: RGB 216 205 74, RGB 233 223 93, RGB 250 241 112, RGB 255 255 131 and RGB 255 255 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 205 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 211 205 79: RGB 211 205 79, RGB 194 187 60, RGB 177 169 41, RGB 160 151 22 and RGB 143 133 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 63 / 17

HEX #D3CD4F

RGB 211 205 79

HSL 57.27, 0.6%, 0.57%

LAB 80.78, -13.25, 61.4

 

Complementary color

CMYK 75 / 72 / 0 / 31

HEX #2C32B0

RGB 44 50 176

HSL 237.27, 0.6%, 0.43%

LAB 29.29, 40.95, -67.15

 

CMYK 0 / 5 / 66 / 15

HEX #D8CD4A

RGB 216 205 74

HSL 55.35, 0.65%, 0.57%

LAB 81.16, -11.46, 63.96

 

CMYK 0 / 4 / 60 / 9

HEX #E9DF5D

RGB 233 223 93

HSL 55.71, 0.76%, 0.64%

LAB 87.43, -12.27, 63.19

 

CMYK 0 / 4 / 55 / 2

HEX #FAF170

RGB 250 241 112

HSL 56.09, 0.93%, 0.71%

LAB 93.63, -12.96, 62.24

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 3 / 63 / 17

HEX #D3CD4F

RGB 211 205 79

HSL 57.27, 0.6%, 0.57%

LAB 80.78, -13.25, 61.4

 

CMYK 0 / 4 / 69 / 24

HEX #C2BB3C

RGB 194 187 60

HSL 56.87, 0.53%, 0.5%

LAB 74.4, -12.39, 61.99

 

CMYK 0 / 5 / 77 / 31

HEX #B1A929

RGB 177 169 41

HSL 56.47, 0.62%, 0.43%

LAB 67.93, -11.36, 62.06

 

CMYK 0 / 6 / 86 / 37

HEX #A09716

RGB 160 151 22

HSL 56.09, 0.76%, 0.36%

LAB 61.36, -10.11, 61.15

 

CMYK 0 / 7 / 98 / 44

HEX #8F8503

RGB 143 133 3

HSL 55.71, 0.96%, 0.29%

LAB 54.68, -8.6, 58.8

 

CMYK 0 / 3 / 63 / 17

HEX #D3CD4F

RGB 211 205 79

HSL 57.27, 0.6%, 0.57%

LAB 80.78, -13.25, 61.4

 

CMYK 8 / 0 / 63 / 17

HEX #C3D34F

RGB 195 211 79

HSL 67.27, 0.6%, 0.57%

LAB 81.16, -22.8, 61.43

 

CMYK 18 / 0 / 63 / 17

HEX #ADD34F

RGB 173 211 79

HSL 77.27, 0.6%, 0.57%

LAB 79.64, -31.57, 59.34

 

CMYK 28 / 0 / 63 / 17

HEX #97D34F

RGB 151 211 79

HSL 87.27, 0.6%, 0.57%

LAB 78.31, -39.87, 57.51

 

CMYK 39 / 0 / 63 / 17

HEX #81D34F

RGB 129 211 79

HSL 97.27, 0.6%, 0.57%

LAB 77.17, -47.51, 55.95

 

CMYK 0 / 3 / 63 / 17

HEX #D3CD4F

RGB 211 205 79

HSL 57.27, 0.6%, 0.57%

LAB 80.78, -13.25, 61.4

 

CMYK 0 / 0 / 57 / 97

HEX #070703

RGB 7 7 3

HSL 60, 0.4%, 0.02%

LAB 1.84, -0.56, 1.51

 

CMYK 0 / 3 / 62 / 77

HEX #3A3816

RGB 58 56 22

HSL 56.67, 0.45%, 0.16%

LAB 22.95, -4.71, 21.26

 

CMYK 0 / 3 / 62 / 57

HEX #6D6A29

RGB 109 106 41

HSL 57.35, 0.45%, 0.29%

LAB 43.83, -8.02, 36

 

CMYK 0 / 3 / 63 / 37

HEX #A09B3C

RGB 160 155 60

HSL 57, 0.45%, 0.43%

LAB 62.71, -10.45, 48.98

 

CMYK 0 / 3 / 63 / 17

HEX #D3CD4F

RGB 211 205 79

HSL 57.27, 0.6%, 0.57%

LAB 80.78, -13.25, 61.4

 

CMYK 63 / 0 / 53 / 17

HEX #4FD363

RGB 79 211 99

HSL 129.09, 0.6%, 0.57%

LAB 75.55, -58.87, 44.58

 

CMYK 28 / 63 / 0 / 17

HEX #974FD3

RGB 151 79 211

HSL 272.73, 0.6%, 0.57%

LAB 48.1, 53.66, -56.53

 

CMYK 0 / 3 / 63 / 17

HEX #D3CD4F

RGB 211 205 79

HSL 57.27, 0.6%, 0.57%

LAB 80.78, -13.25, 61.4

 

CMYK 63 / 0 / 3 / 17

HEX #4FD3CC

RGB 79 211 204

HSL 176.82, 0.6%, 0.57%

LAB 77.64, -37.19, -7.21

 

CMYK 3 / 63 / 0 / 17

HEX #CC4FD3

RGB 204 79 211

HSL 296.82, 0.6%, 0.57%

LAB 55.21, 66.05, -44.77

 

CMYK 0 / 3 / 63 / 17

HEX #D3CD4F

RGB 211 205 79

HSL 57.27, 0.6%, 0.57%

LAB 80.78, -13.25, 61.4

 

CMYK 63 / 0 / 53 / 17

HEX #4FD363

RGB 79 211 99

HSL 129.09, 0.6%, 0.57%

LAB 75.55, -58.87, 44.58

 

CMYK 63 / 59 / 0 / 17

HEX #4F56D3

RGB 79 86 211

HSL 236.82, 0.6%, 0.57%

LAB 42.79, 35.35, -65.44

 

CMYK 0 / 63 / 9 / 17

HEX #D34FBF

RGB 211 79 191

HSL 309.09, 0.6%, 0.57%

LAB 55.28, 64.51, -33.14

 

CMYK 0 / 3 / 63 / 17

HEX #D3CD4F

RGB 211 205 79

HSL 57.27, 0.6%, 0.57%

LAB 80.78, -13.25, 61.4

 

CMYK 63 / 0 / 35 / 17

HEX #4FD38A

RGB 79 211 138

HSL 146.82, 0.6%, 0.57%

LAB 76.12, -52.51, 25.76

 

CMYK 63 / 59 / 0 / 17

HEX #4F56D3

RGB 79 86 211

HSL 236.82, 0.6%, 0.57%

LAB 42.79, 35.35, -65.44

 

CMYK 0 / 63 / 28 / 17

HEX #D34F97

RGB 211 79 151

HSL 327.27, 0.6%, 0.57%

LAB 53.68, 58.87, -12.28

 

Description

Color code: RGB 211 205 79 | qconv.com Color code: RGB 211 205 79 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 205 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 205 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 63 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 63% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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