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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 193 240 it is the complementary color RGB 44 62 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 193 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 211 193 240: RGB 216 193 235, RGB 233 211 254, RGB 250 229 255, RGB 255 247 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 193 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 211 193 240: RGB 211 193 240, RGB 194 175 221, RGB 177 157 202, RGB 160 139 183 and RGB 143 121 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 20 / 0 / 6

HEX #D3C1F0

RGB 211 193 240

HSL 262.98, 0.61%, 0.85%

LAB 80.89, 15.19, -20.94

 

Complementary color

CMYK 29 / 0 / 76 / 76

HEX #2C3E0F

RGB 44 62 15

HSL 82.98, 0.61%, 0.15%

LAB 23.72, -15.92, 25.56

 

CMYK 8 / 18 / 0 / 8

HEX #D8C1EB

RGB 216 193 235

HSL 272.86, 0.51%, 0.84%

LAB 81.15, 15.79, -17.84

 

CMYK 8 / 17 / 0 / 0

HEX #E9D3FE

RGB 233 211 254

HSL 270.7, 0.96%, 0.91%

LAB 87.52, 15.4, -18.2

 

CMYK 2 / 10 / 0 / 0

HEX #FAE5FF

RGB 250 229 255

HSL 288.46, 1%, 0.95%

LAB 93.27, 11.67, -9.97

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 12 / 20 / 0 / 6

HEX #D3C1F0

RGB 211 193 240

HSL 262.98, 0.61%, 0.85%

LAB 80.89, 15.19, -20.94

 

CMYK 12 / 21 / 0 / 13

HEX #C2AFDD

RGB 194 175 221

HSL 264.78, 0.4%, 0.78%

LAB 74.41, 15.6, -20.65

 

CMYK 12 / 22 / 0 / 21

HEX #B19DCA

RGB 177 157 202

HSL 266.67, 0.3%, 0.7%

LAB 67.82, 16.04, -20.37

 

CMYK 13 / 24 / 0 / 28

HEX #A08BB7

RGB 160 139 183

HSL 268.64, 0.23%, 0.63%

LAB 61.1, 16.53, -20.1

 

CMYK 13 / 26 / 0 / 36

HEX #8F79A4

RGB 143 121 164

HSL 270.7, 0.19%, 0.56%

LAB 54.23, 17.06, -19.84

 

CMYK 12 / 20 / 0 / 6

HEX #D3C1F0

RGB 211 193 240

HSL 262.98, 0.61%, 0.85%

LAB 80.89, 15.19, -20.94

 

CMYK 9 / 20 / 0 / 6

HEX #DAC1F0

RGB 218 193 240

HSL 271.91, 0.61%, 0.85%

LAB 81.48, 17.43, -20

 

CMYK 6 / 20 / 0 / 6

HEX #E2C1F0

RGB 226 193 240

HSL 282.13, 0.61%, 0.85%

LAB 82.16, 20.01, -18.9

 

CMYK 3 / 20 / 0 / 6

HEX #E9C1F0

RGB 233 193 240

HSL 291.06, 0.61%, 0.85%

LAB 82.78, 22.28, -17.9

 

CMYK 0 / 20 / 1 / 6

HEX #F0C1EE

RGB 240 193 238

HSL 302.55, 0.61%, 0.85%

LAB 83.36, 24.21, -15.91

 

CMYK 12 / 20 / 0 / 6

HEX #D3C1F0

RGB 211 193 240

HSL 262.98, 0.61%, 0.85%

LAB 80.89, 15.19, -20.94

 

CMYK 11 / 19 / 0 / 86

HEX #201D24

RGB 32 29 36

HSL 265.71, 0.11%, 0.13%

LAB 11.37, 3.23, -4.24

 

CMYK 13 / 20 / 0 / 66

HEX #4C4657

RGB 76 70 87

HSL 261.18, 0.11%, 0.31%

LAB 30.89, 6.38, -9.17

 

CMYK 12 / 20 / 0 / 46

HEX #796F8A

RGB 121 111 138

HSL 262.22, 0.11%, 0.49%

LAB 48.6, 9.53, -13.37

 

CMYK 12 / 20 / 0 / 26

HEX #A698BD

RGB 166 152 189

HSL 262.7, 0.22%, 0.67%

LAB 65.15, 12.44, -17.26

 

CMYK 12 / 20 / 0 / 6

HEX #D3C1F0

RGB 211 193 240

HSL 262.98, 0.61%, 0.85%

LAB 80.89, 15.19, -20.94

 

CMYK 0 / 20 / 11 / 6

HEX #F0C1D5

RGB 240 193 213

HSL 334.47, 0.61%, 0.85%

LAB 82.63, 19.89, -3.61

 

CMYK 19 / 0 / 20 / 6

HEX #C2F0C1

RGB 194 240 193

HSL 118.72, 0.61%, 0.85%

LAB 90.62, -23.52, 17.95

 

CMYK 12 / 20 / 0 / 6

HEX #D3C1F0

RGB 211 193 240

HSL 262.98, 0.61%, 0.85%

LAB 80.89, 15.19, -20.94

 

CMYK 0 / 13 / 20 / 6

HEX #F0D2C1

RGB 240 210 193

HSL 21.7, 0.61%, 0.85%

LAB 86.24, 7.83, 12.26

 

CMYK 20 / 0 / 13 / 6

HEX #C1F0D2

RGB 193 240 210

HSL 141.7, 0.61%, 0.85%

LAB 90.92, -20.84, 9.56

 

CMYK 12 / 20 / 0 / 6

HEX #D3C1F0

RGB 211 193 240

HSL 262.98, 0.61%, 0.85%

LAB 80.89, 15.19, -20.94

 

CMYK 0 / 20 / 11 / 6

HEX #F0C1D5

RGB 240 193 213

HSL 334.47, 0.61%, 0.85%

LAB 82.63, 19.89, -3.61

 

CMYK 8 / 0 / 20 / 6

HEX #DEF0C1

RGB 222 240 193

HSL 82.98, 0.61%, 0.85%

LAB 92.44, -13.94, 20.77

 

CMYK 20 / 0 / 9 / 6

HEX #C1F0DB

RGB 193 240 219

HSL 153.19, 0.61%, 0.85%

LAB 91.13, -19.15, 5.19

 

CMYK 12 / 20 / 0 / 6

HEX #D3C1F0

RGB 211 193 240

HSL 262.98, 0.61%, 0.85%

LAB 80.89, 15.19, -20.94

 

CMYK 0 / 20 / 17 / 6

HEX #F0C1C7

RGB 240 193 199

HSL 352.34, 0.61%, 0.85%

LAB 82.27, 17.67, 3.36

 

CMYK 8 / 0 / 20 / 6

HEX #DEF0C1

RGB 222 240 193

HSL 82.98, 0.61%, 0.85%

LAB 92.44, -13.94, 20.77

 

CMYK 20 / 0 / 3 / 6

HEX #C1F0E9

RGB 193 240 233

HSL 171.06, 0.61%, 0.85%

LAB 91.48, -16.38, -1.6

 

Description

Color code: RGB 211 193 240 | qconv.com Color code: RGB 211 193 240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 193 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 193 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 20 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 20% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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