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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 169 100 it is the complementary color RGB 44 86 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 169 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 211 169 100: RGB 216 169 95, RGB 233 187 114, RGB 250 205 133, RGB 255 223 152 and RGB 255 241 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 169 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 211 169 100: RGB 211 169 100, RGB 194 151 81, RGB 177 133 62, RGB 160 115 43 and RGB 143 97 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 53 / 17

HEX #D3A964

RGB 211 169 100

HSL 37.3, 0.56%, 0.61%

LAB 71.65, 7.07, 41.16

 

Complementary color

CMYK 72 / 45 / 0 / 39

HEX #2C569B

RGB 44 86 155

HSL 217.3, 0.56%, 0.39%

LAB 37.04, 9.64, -41.96

 

CMYK 0 / 22 / 56 / 15

HEX #D8A95F

RGB 216 169 95

HSL 36.69, 0.61%, 0.61%

LAB 72.1, 8.74, 44.34

 

CMYK 0 / 20 / 51 / 9

HEX #E9BB72

RGB 233 187 114

HSL 36.81, 0.73%, 0.68%

LAB 78.51, 7.8, 42.99

 

CMYK 0 / 18 / 47 / 2

HEX #FACD85

RGB 250 205 133

HSL 36.92, 0.92%, 0.75%

LAB 84.83, 6.99, 41.69

 

CMYK 0 / 13 / 40 / 0

HEX #FFDF98

RGB 255 223 152

HSL 41.36, 1%, 0.8%

LAB 90, 1.62, 38.84

 

CMYK 0 / 5 / 33 / 0

HEX #FFF1AB

RGB 255 241 171

HSL 50, 1%, 0.84%

LAB 94.79, -5.35, 35.56

 

CMYK 0 / 20 / 53 / 17

HEX #D3A964

RGB 211 169 100

HSL 37.3, 0.56%, 0.61%

LAB 71.65, 7.07, 41.16

 

CMYK 0 / 22 / 58 / 24

HEX #C29751

RGB 194 151 81

HSL 37.17, 0.48%, 0.54%

LAB 65.12, 8.05, 42.52

 

CMYK 0 / 25 / 65 / 31

HEX #B1853E

RGB 177 133 62

HSL 37.04, 0.48%, 0.47%

LAB 58.48, 9.22, 43.88

 

CMYK 0 / 28 / 73 / 37

HEX #A0732B

RGB 160 115 43

HSL 36.92, 0.58%, 0.4%

LAB 51.73, 10.62, 45.08

 

CMYK 0 / 32 / 83 / 44

HEX #8F6118

RGB 143 97 24

HSL 36.81, 0.71%, 0.33%

LAB 44.88, 12.32, 45.77

 

CMYK 0 / 20 / 53 / 17

HEX #D3A964

RGB 211 169 100

HSL 37.3, 0.56%, 0.61%

LAB 71.65, 7.07, 41.16

 

CMYK 0 / 11 / 53 / 17

HEX #D3BB63

RGB 211 187 99

HSL 47.14, 0.56%, 0.61%

LAB 76.25, -2.55, 47.21

 

CMYK 0 / 3 / 53 / 17

HEX #D3CD63

RGB 211 205 99

HSL 56.79, 0.56%, 0.61%

LAB 80.97, -11.8, 52.75

 

CMYK 6 / 0 / 53 / 17

HEX #C6D363

RGB 198 211 99

HSL 66.96, 0.56%, 0.61%

LAB 81.56, -20.06, 53.19

 

CMYK 15 / 0 / 53 / 17

HEX #B3D363

RGB 179 211 99

HSL 77.14, 0.56%, 0.61%

LAB 80.22, -27.55, 51.28

 

CMYK 0 / 20 / 53 / 17

HEX #D3A964

RGB 211 169 100

HSL 37.3, 0.56%, 0.61%

LAB 71.65, 7.07, 41.16

 

CMYK 0 / 14 / 57 / 97

HEX #070603

RGB 7 6 3

HSL 45, 0.4%, 0.02%

LAB 1.64, -0.16, 1.23

 

CMYK 0 / 21 / 53 / 77

HEX #3A2E1B

RGB 58 46 27

HSL 36.77, 0.36%, 0.17%

LAB 19.77, 2.4, 14.28

 

CMYK 0 / 20 / 52 / 57

HEX #6D5734

RGB 109 87 52

HSL 36.84, 0.35%, 0.32%

LAB 38.4, 4.15, 23.66

 

CMYK 0 / 20 / 53 / 37

HEX #A0804C

RGB 160 128 76

HSL 37.14, 0.36%, 0.46%

LAB 55.52, 5.65, 32.71

 

CMYK 0 / 20 / 53 / 17

HEX #D3A964

RGB 211 169 100

HSL 37.3, 0.56%, 0.61%

LAB 71.65, 7.07, 41.16

 

CMYK 43 / 0 / 53 / 17

HEX #78D363

RGB 120 211 99

HSL 108.75, 0.56%, 0.61%

LAB 76.97, -48.28, 46.63

 

CMYK 42 / 53 / 0 / 17

HEX #7B63D3

RGB 123 99 211

HSL 252.86, 0.56%, 0.61%

LAB 49.3, 36.26, -54.76

 

CMYK 0 / 20 / 53 / 17

HEX #D3A964

RGB 211 169 100

HSL 37.3, 0.56%, 0.61%

LAB 71.65, 7.07, 41.16

 

CMYK 53 / 0 / 20 / 17

HEX #63D3A8

RGB 99 211 168

HSL 156.96, 0.56%, 0.61%

LAB 77.32, -42.14, 11.68

 

CMYK 20 / 53 / 0 / 17

HEX #A863D3

RGB 168 99 211

HSL 276.96, 0.56%, 0.61%

LAB 53.98, 47.55, -47.03

 

CMYK 0 / 20 / 53 / 17

HEX #D3A964

RGB 211 169 100

HSL 37.3, 0.56%, 0.61%

LAB 71.65, 7.07, 41.16

 

CMYK 43 / 0 / 53 / 17

HEX #78D363

RGB 120 211 99

HSL 108.75, 0.56%, 0.61%

LAB 76.97, -48.28, 46.63

 

CMYK 53 / 33 / 0 / 17

HEX #638ED3

RGB 99 142 211

HSL 216.96, 0.56%, 0.61%

LAB 58.7, 4.99, -39.94

 

CMYK 10 / 53 / 0 / 17

HEX #BE63D3

RGB 190 99 211

HSL 288.75, 0.56%, 0.61%

LAB 56.66, 53.39, -42.61

 

CMYK 0 / 20 / 53 / 17

HEX #D3A964

RGB 211 169 100

HSL 37.3, 0.56%, 0.61%

LAB 71.65, 7.07, 41.16

 

CMYK 53 / 0 / 47 / 17

HEX #63D370

RGB 99 211 112

HSL 126.96, 0.56%, 0.61%

LAB 76.32, -52.42, 39.37

 

CMYK 53 / 33 / 0 / 17

HEX #638ED3

RGB 99 142 211

HSL 216.96, 0.56%, 0.61%

LAB 58.7, 4.99, -39.94

 

CMYK 0 / 53 / 6 / 17

HEX #D363C6

RGB 211 99 198

HSL 306.96, 0.56%, 0.61%

LAB 58.84, 56.81, -31.61

 

Description

Color code: RGB 211 169 100 | qconv.com Color code: RGB 211 169 100 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 169 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 169 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 53 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 53% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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