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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 130 53 it is the complementary color RGB 44 125 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 130 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 211 130 53: RGB 216 130 48, RGB 233 148 67, RGB 250 166 86, RGB 255 184 105 and RGB 255 202 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 130 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 211 130 53: RGB 211 130 53, RGB 194 112 34, RGB 177 94 15, RGB 160 76 0 and RGB 143 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 75 / 17

HEX #D38235

RGB 211 130 53

HSL 29.24, 0.64%, 0.52%

LAB 61.72, 25.06, 52.74

 

Complementary color

CMYK 78 / 38 / 0 / 21

HEX #2C7DCA

RGB 44 125 202

HSL 209.24, 0.64%, 0.48%

LAB 51.23, 2.74, -46.8

 

CMYK 0 / 40 / 78 / 15

HEX #D88230

RGB 216 130 48

HSL 29.29, 0.68%, 0.52%

LAB 62.32, 26.96, 55.7

 

CMYK 0 / 36 / 71 / 9

HEX #E99443

RGB 233 148 67

HSL 29.28, 0.79%, 0.59%

LAB 68.69, 25.27, 54.48

 

CMYK 0 / 34 / 66 / 2

HEX #FAA656

RGB 250 166 86

HSL 29.27, 0.94%, 0.66%

LAB 74.99, 23.78, 53.05

 

CMYK 0 / 28 / 59 / 0

HEX #FFB869

RGB 255 184 105

HSL 31.6, 1%, 0.71%

LAB 79.93, 17.62, 49.72

 

CMYK 0 / 21 / 51 / 0

HEX #FFCA7C

RGB 255 202 124

HSL 35.73, 1%, 0.74%

LAB 84.46, 9.74, 45.83

 

CMYK 0 / 38 / 75 / 17

HEX #D38235

RGB 211 130 53

HSL 29.24, 0.64%, 0.52%

LAB 61.72, 25.06, 52.74

Pantone® 7412 C

CMYK 0 / 42 / 82 / 24

HEX #C27022

RGB 194 112 34

HSL 29.25, 0.7%, 0.45%

LAB 55.25, 26.89, 53.73

 

CMYK 0 / 47 / 92 / 31

HEX #B15E0F

RGB 177 94 15

HSL 29.26, 0.84%, 0.38%

LAB 48.74, 28.95, 53.76

 

CMYK 0 / 53 / 100 / 37

HEX #A04C00

RGB 160 76 0

HSL 28.5, 1%, 0.31%

LAB 42.22, 31.22, 52.01

 

CMYK 0 / 59 / 100 / 44

HEX #8F3A00

RGB 143 58 0

HSL 24.34, 1%, 0.28%

LAB 35.72, 33.61, 46.82

 

CMYK 0 / 38 / 75 / 17

HEX #D38235

RGB 211 130 53

HSL 29.24, 0.64%, 0.52%

LAB 61.72, 25.06, 52.74

Pantone® 7412 C

CMYK 0 / 26 / 74 / 18

HEX #D29C36

RGB 210 156 54

HSL 39.23, 0.63%, 0.52%

LAB 67.83, 10.62, 58.35

 

CMYK 0 / 13 / 74 / 18

HEX #D2B636

RGB 210 182 54

HSL 49.23, 0.63%, 0.52%

LAB 74.46, -3.21, 64.76

 

CMYK 0 / 1 / 74 / 18

HEX #D2D036

RGB 210 208 54

HSL 59.23, 0.63%, 0.52%

LAB 81.34, -16.46, 71.22

 

CMYK 11 / 0 / 74 / 18

HEX #BBD236

RGB 187 210 54

HSL 68.85, 0.63%, 0.52%

LAB 80.14, -26.99, 69.47

 

CMYK 0 / 38 / 75 / 17

HEX #D38235

RGB 211 130 53

HSL 29.24, 0.64%, 0.52%

LAB 61.72, 25.06, 52.74

Pantone® 7412 C

CMYK 0 / 43 / 71 / 97

HEX #070402

RGB 7 4 2

HSL 24, 0.56%, 0.02%

LAB 1.23, 0.51, 1.03

 

CMYK 0 / 38 / 74 / 77

HEX #3A240F

RGB 58 36 15

HSL 29.3, 0.59%, 0.14%

LAB 16.48, 7.93, 17.75

 

CMYK 0 / 39 / 75 / 57

HEX #6D431B

RGB 109 67 27

HSL 29.27, 0.6%, 0.27%

LAB 32.58, 14.31, 30.93

 

CMYK 0 / 38 / 75 / 37

HEX #A06328

RGB 160 99 40

HSL 29.5, 0.6%, 0.39%

LAB 47.69, 19.58, 42.33

 

CMYK 0 / 38 / 75 / 17

HEX #D38235

RGB 211 130 53

HSL 29.24, 0.64%, 0.52%

LAB 61.72, 25.06, 52.74

Pantone® 7412 C

CMYK 51 / 0 / 74 / 18

HEX #67D236

RGB 103 210 54

HSL 101.15, 0.63%, 0.52%

LAB 75.6, -57.05, 63.53

 

CMYK 68 / 74 / 0 / 18

HEX #4336D2

RGB 67 54 210

HSL 245, 0.63%, 0.52%

LAB 34.97, 52.08, -77.71

 

CMYK 0 / 38 / 75 / 17

HEX #D38235

RGB 211 130 53

HSL 29.24, 0.64%, 0.52%

LAB 61.72, 25.06, 52.74

Pantone® 7412 C

CMYK 74 / 0 / 39 / 18

HEX #36D281

RGB 54 210 129

HSL 148.85, 0.63%, 0.52%

LAB 75.12, -57.96, 28.98

 

CMYK 39 / 74 / 0 / 18

HEX #8136D2

RGB 129 54 210

HSL 268.85, 0.63%, 0.52%

LAB 41.15, 60.68, -67.34

 

CMYK 0 / 38 / 75 / 17

HEX #D38235

RGB 211 130 53

HSL 29.24, 0.64%, 0.52%

LAB 61.72, 25.06, 52.74

Pantone® 7412 C

CMYK 51 / 0 / 74 / 18

HEX #67D236

RGB 103 210 54

HSL 101.15, 0.63%, 0.52%

LAB 75.6, -57.05, 63.53

 

CMYK 74 / 36 / 0 / 18

HEX #3687D2

RGB 54 135 210

HSL 208.85, 0.63%, 0.52%

LAB 54.83, 0.85, -45.6

 

CMYK 23 / 74 / 0 / 18

HEX #A136D2

RGB 161 54 210

HSL 281.15, 0.63%, 0.52%

LAB 45.45, 66.41, -60.16

 

CMYK 0 / 38 / 75 / 17

HEX #D38235

RGB 211 130 53

HSL 29.24, 0.64%, 0.52%

LAB 61.72, 25.06, 52.74

Pantone® 7412 C

CMYK 73 / 0 / 74 / 18

HEX #38D236

RGB 56 210 54

HSL 119.23, 0.63%, 0.52%

LAB 74.32, -67.48, 61.83

 

CMYK 74 / 36 / 0 / 18

HEX #3687D2

RGB 54 135 210

HSL 208.85, 0.63%, 0.52%

LAB 54.83, 0.85, -45.6

 

CMYK 1 / 74 / 0 / 18

HEX #D036D2

RGB 208 54 210

HSL 299.23, 0.63%, 0.52%

LAB 52.62, 75.65, -48.27

 

Description

Color code: RGB 211 130 53 | qconv.com Color code: RGB 211 130 53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 130 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 130 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 75 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 75% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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