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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 117 104 it is the complementary color RGB 44 138 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 117 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 211 117 104: RGB 216 117 99, RGB 233 135 118, RGB 250 153 137, RGB 255 171 156 and RGB 255 189 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 117 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 211 117 104: RGB 211 117 104, RGB 194 99 85, RGB 177 81 66, RGB 160 63 47 and RGB 143 45 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 51 / 17

HEX #D37568

RGB 211 117 104

HSL 7.29, 0.55%, 0.62%

LAB 59.5, 35.41, 23.47

 

Complementary color

CMYK 71 / 9 / 0 / 41

HEX #2C8A97

RGB 44 138 151

HSL 187.29, 0.55%, 0.38%

LAB 52.89, -22.53, -14.87

 

CMYK 0 / 46 / 54 / 15

HEX #D87563

RGB 216 117 99

HSL 9.23, 0.6%, 0.62%

LAB 60.09, 36.89, 27.2

 

CMYK 0 / 42 / 49 / 9

HEX #E98776

RGB 233 135 118

HSL 8.87, 0.72%, 0.69%

LAB 66.49, 35.69, 25.43

 

CMYK 0 / 39 / 45 / 2

HEX #FA9989

RGB 250 153 137

HSL 8.5, 0.92%, 0.76%

LAB 72.83, 34.58, 23.87

 

CMYK 0 / 33 / 39 / 0

HEX #FFAB9C

RGB 255 171 156

HSL 9.09, 1%, 0.81%

LAB 77.75, 29.08, 20.35

 

CMYK 0 / 26 / 31 / 0

HEX #FFBDAF

RGB 255 189 175

HSL 10.5, 1%, 0.84%

LAB 82.24, 21.91, 16.39

 

CMYK 0 / 45 / 51 / 17

HEX #D37568

RGB 211 117 104

HSL 7.29, 0.55%, 0.62%

LAB 59.5, 35.41, 23.47

 

CMYK 0 / 49 / 56 / 24

HEX #C26355

RGB 194 99 85

HSL 7.71, 0.47%, 0.55%

LAB 53, 36.65, 25.36

 

CMYK 0 / 54 / 63 / 31

HEX #B15142

RGB 177 81 66

HSL 8.11, 0.46%, 0.48%

LAB 46.48, 37.96, 27.57

 

CMYK 0 / 61 / 71 / 37

HEX #A03F2F

RGB 160 63 47

HSL 8.5, 0.55%, 0.41%

LAB 39.97, 39.28, 30.17

 

CMYK 0 / 69 / 80 / 44

HEX #8F2D1C

RGB 143 45 28

HSL 8.87, 0.67%, 0.34%

LAB 33.56, 40.47, 33.16

 

CMYK 0 / 45 / 51 / 17

HEX #D37568

RGB 211 117 104

HSL 7.29, 0.55%, 0.62%

LAB 59.5, 35.41, 23.47

 

CMYK 0 / 36 / 51 / 17

HEX #D38768

RGB 211 135 104

HSL 17.38, 0.55%, 0.62%

LAB 63.49, 25.81, 28.72

 

CMYK 0 / 28 / 51 / 17

HEX #D39868

RGB 211 152 104

HSL 26.92, 0.55%, 0.62%

LAB 67.51, 16.59, 33.89

 

CMYK 0 / 19 / 51 / 17

HEX #D3AA68

RGB 211 170 104

HSL 37.01, 0.55%, 0.62%

LAB 71.96, 6.89, 39.49

 

CMYK 0 / 11 / 51 / 17

HEX #D3BC68

RGB 211 188 104

HSL 47.1, 0.55%, 0.62%

LAB 76.57, -2.64, 45.14

 

CMYK 0 / 45 / 51 / 17

HEX #D37568

RGB 211 117 104

HSL 7.29, 0.55%, 0.62%

LAB 59.5, 35.41, 23.47

 

CMYK 0 / 43 / 57 / 97

HEX #070403

RGB 7 4 3

HSL 15, 0.4%, 0.02%

LAB 1.25, 0.65, 0.65

 

CMYK 0 / 45 / 50 / 77

HEX #3A201D

RGB 58 32 29

HSL 6.21, 0.33%, 0.17%

LAB 15.6, 12.16, 7.39

 

CMYK 0 / 45 / 50 / 57

HEX #6D3C36

RGB 109 60 54

HSL 6.55, 0.34%, 0.32%

LAB 31.23, 20.79, 13.11

 

CMYK 0 / 44 / 51 / 37

HEX #A0594F

RGB 160 89 79

HSL 7.41, 0.34%, 0.47%

LAB 45.88, 28.06, 18.61

 

CMYK 0 / 45 / 51 / 17

HEX #D37568

RGB 211 117 104

HSL 7.29, 0.55%, 0.62%

LAB 59.5, 35.41, 23.47

 

CMYK 16 / 0 / 51 / 17

HEX #B1D368

RGB 177 211 104

HSL 79.07, 0.55%, 0.62%

LAB 80.14, -27.84, 48.81

 

CMYK 51 / 36 / 0 / 17

HEX #6887D3

RGB 104 135 211

HSL 222.62, 0.55%, 0.62%

LAB 57.05, 10.25, -42.52

 

CMYK 0 / 45 / 51 / 17

HEX #D37568

RGB 211 117 104

HSL 7.29, 0.55%, 0.62%

LAB 59.5, 35.41, 23.47

 

CMYK 51 / 0 / 45 / 17

HEX #68D375

RGB 104 211 117

HSL 127.29, 0.55%, 0.62%

LAB 76.57, -50.39, 37.23

 

CMYK 45 / 51 / 0 / 17

HEX #7568D3

RGB 117 104 211

HSL 247.29, 0.55%, 0.62%

LAB 49.96, 31.91, -53.73

 

CMYK 0 / 45 / 51 / 17

HEX #D37568

RGB 211 117 104

HSL 7.29, 0.55%, 0.62%

LAB 59.5, 35.41, 23.47

 

CMYK 16 / 0 / 51 / 17

HEX #B1D368

RGB 177 211 104

HSL 79.07, 0.55%, 0.62%

LAB 80.14, -27.84, 48.81

 

CMYK 51 / 6 / 0 / 17

HEX #68C6D3

RGB 104 198 211

HSL 187.29, 0.55%, 0.62%

LAB 74.85, -24.34, -15.09

 

CMYK 35 / 51 / 0 / 17

HEX #8A68D3

RGB 138 104 211

HSL 259.07, 0.55%, 0.62%

LAB 51.85, 37.01, -50.61

 

CMYK 0 / 45 / 51 / 17

HEX #D37568

RGB 211 117 104

HSL 7.29, 0.55%, 0.62%

LAB 59.5, 35.41, 23.47

 

CMYK 31 / 0 / 51 / 17

HEX #91D368

RGB 145 211 104

HSL 97.01, 0.55%, 0.62%

LAB 78.23, -39.55, 46.06

 

CMYK 51 / 6 / 0 / 17

HEX #68C6D3

RGB 104 198 211

HSL 187.29, 0.55%, 0.62%

LAB 74.85, -24.34, -15.09

 

CMYK 19 / 51 / 0 / 17

HEX #AA68D3

RGB 170 104 211

HSL 277.01, 0.55%, 0.62%

LAB 55.23, 45.42, -45.03

 

Description

Color code: RGB 211 117 104 | qconv.com Color code: RGB 211 117 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 117 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 117 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 51 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 51% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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