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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 76 155 it is the complementary color RGB 45 179 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 76 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 210 76 155: RGB 215 76 150, RGB 232 94 169, RGB 249 112 188, RGB 255 130 207 and RGB 255 148 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 76 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 210 76 155: RGB 210 76 155, RGB 193 58 136, RGB 176 40 117, RGB 159 22 98 and RGB 142 4 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 26 / 18

HEX #D24C9B

RGB 210 76 155

HSL 324.63, 0.6%, 0.56%

LAB 53.21, 60.34, -15.37

 

Complementary color

CMYK 75 / 0 / 44 / 30

HEX #2DB364

RGB 45 179 100

HSL 144.63, 0.6%, 0.44%

LAB 64.74, -53.1, 30.39

 

CMYK 0 / 65 / 30 / 16

HEX #D74C96

RGB 215 76 150

HSL 328.06, 0.63%, 0.57%

LAB 53.83, 61.14, -11.4

 

CMYK 0 / 59 / 27 / 9

HEX #E85EA9

RGB 232 94 169

HSL 327.39, 0.75%, 0.64%

LAB 59.91, 60.88, -13.07

 

CMYK 0 / 55 / 24 / 2

HEX #F970BC

RGB 249 112 188

HSL 326.72, 0.92%, 0.71%

LAB 66.03, 60.39, -14.46

 

CMYK 0 / 49 / 19 / 0

HEX #FF82CF

RGB 255 130 207

HSL 323.04, 1%, 0.75%

LAB 70.68, 56.43, -17.99

 

CMYK 0 / 42 / 11 / 0

HEX #FF94E2

RGB 255 148 226

HSL 316.26, 1%, 0.79%

LAB 74.78, 50.47, -22.24

 

CMYK 0 / 64 / 26 / 18

HEX #D24C9B

RGB 210 76 155

HSL 324.63, 0.6%, 0.56%

LAB 53.21, 60.34, -15.37

 

CMYK 0 / 70 / 30 / 24

HEX #C13A88

RGB 193 58 136

HSL 325.33, 0.54%, 0.49%

LAB 47.16, 60.25, -13.47

 

CMYK 0 / 77 / 34 / 31

HEX #B02875

RGB 176 40 117

HSL 326.03, 0.63%, 0.42%

LAB 41.27, 59.57, -11.03

 

CMYK 0 / 86 / 38 / 38

HEX #9F1662

RGB 159 22 98

HSL 326.72, 0.76%, 0.35%

LAB 35.65, 57.92, -7.83

 

CMYK 0 / 97 / 44 / 44

HEX #8E044F

RGB 142 4 79

HSL 327.39, 0.95%, 0.29%

LAB 30.41, 54.99, -3.65

 

CMYK 0 / 64 / 26 / 18

HEX #D24C9B

RGB 210 76 155

HSL 324.63, 0.6%, 0.56%

LAB 53.21, 60.34, -15.37

 

CMYK 0 / 64 / 37 / 18

HEX #D24B85

RGB 210 75 133

HSL 334.22, 0.6%, 0.56%

LAB 52.32, 58.11, -3.65

 

CMYK 0 / 64 / 47 / 18

HEX #D24B6F

RGB 210 75 111

HSL 344, 0.6%, 0.56%

LAB 51.7, 55.88, 8.63

 

CMYK 0 / 64 / 58 / 18

HEX #D24B58

RGB 210 75 88

HSL 354.22, 0.6%, 0.56%

LAB 51.2, 54, 21.71

 

CMYK 0 / 60 / 64 / 18

HEX #D2544B

RGB 210 84 75

HSL 4, 0.6%, 0.56%

LAB 52.45, 49.18, 30.94

 

CMYK 0 / 64 / 26 / 18

HEX #D24C9B

RGB 210 76 155

HSL 324.63, 0.6%, 0.56%

LAB 53.21, 60.34, -15.37

 

CMYK 0 / 67 / 33 / 98

HEX #060204

RGB 6 2 4

HSL 330, 0.5%, 0.02%

LAB 0.82, 1.32, -0.39

 

CMYK 0 / 63 / 26 / 78

HEX #39152A

RGB 57 21 42

HSL 325, 0.46%, 0.15%

LAB 13.07, 20.86, -5.72

 

CMYK 0 / 64 / 26 / 58

HEX #6C2750

RGB 108 39 80

HSL 324.35, 0.47%, 0.29%

LAB 27.35, 35.5, -9.57

 

CMYK 0 / 64 / 26 / 38

HEX #9F3A75

RGB 159 58 117

HSL 324.95, 0.47%, 0.43%

LAB 40.71, 48.05, -12.16

 

CMYK 0 / 64 / 26 / 18

HEX #D24C9B

RGB 210 76 155

HSL 324.63, 0.6%, 0.56%

LAB 53.21, 60.34, -15.37

 

CMYK 0 / 26 / 64 / 18

HEX #D29C4B

RGB 210 156 75

HSL 36, 0.6%, 0.56%

LAB 68.01, 11.76, 49.24

 

CMYK 64 / 0 / 0 / 18

HEX #4BD2D2

RGB 75 210 210

HSL 180, 0.6%, 0.56%

LAB 77.43, -35.71, -10.77

 

CMYK 0 / 64 / 26 / 18

HEX #D24C9B

RGB 210 76 155

HSL 324.63, 0.6%, 0.56%

LAB 53.21, 60.34, -15.37

 

CMYK 26 / 0 / 64 / 18

HEX #9CD24B

RGB 156 210 75

HSL 84, 0.6%, 0.56%

LAB 78.27, -37.9, 59.21

 

CMYK 64 / 26 / 0 / 18

HEX #4B9CD2

RGB 75 156 210

HSL 204, 0.6%, 0.56%

LAB 61.59, -8.12, -34.93

 

CMYK 0 / 64 / 26 / 18

HEX #D24C9B

RGB 210 76 155

HSL 324.63, 0.6%, 0.56%

LAB 53.21, 60.34, -15.37

 

CMYK 0 / 26 / 64 / 18

HEX #D29C4B

RGB 210 156 75

HSL 36, 0.6%, 0.56%

LAB 68.01, 11.76, 49.24

 

CMYK 64 / 0 / 39 / 18

HEX #4BD281

RGB 75 210 129

HSL 144, 0.6%, 0.56%

LAB 75.56, -54.56, 29.65

 

CMYK 64 / 39 / 0 / 18

HEX #4B81D2

RGB 75 129 210

HSL 216, 0.6%, 0.56%

LAB 53.87, 7.62, -47.08

 

CMYK 0 / 64 / 26 / 18

HEX #D24C9B

RGB 210 76 155

HSL 324.63, 0.6%, 0.56%

LAB 53.21, 60.34, -15.37

 

CMYK 0 / 7 / 64 / 18

HEX #D2C44B

RGB 210 196 75

HSL 53.78, 0.6%, 0.56%

LAB 78.28, -9.35, 60.39

 

CMYK 64 / 0 / 39 / 18

HEX #4BD281

RGB 75 210 129

HSL 144, 0.6%, 0.56%

LAB 75.56, -54.56, 29.65

 

CMYK 64 / 58 / 0 / 18

HEX #4B58D2

RGB 75 88 210

HSL 234.22, 0.6%, 0.56%

LAB 42.96, 33.14, -64.62

 

Description

Color code: RGB 210 76 155 | qconv.com Color code: RGB 210 76 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 76 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 76 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 26 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 26% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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