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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 67 212 it is the complementary color RGB 45 188 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 67 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 210 67 212: RGB 215 67 207, RGB 232 85 226, RGB 249 103 245, RGB 255 121 255 and RGB 255 139 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 67 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 210 67 212: RGB 210 67 212, RGB 193 49 193, RGB 176 31 174, RGB 159 13 155 and RGB 142 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 68 / 0 / 17

HEX #D243D4

RGB 210 67 212

HSL 299.17, 0.63%, 0.55%

LAB 54.52, 72.18, -46.37

 

Complementary color

CMYK 76 / 0 / 77 / 26

HEX #2DBC2B

RGB 45 188 43

HSL 119.17, 0.63%, 0.45%

LAB 67.05, -63.07, 58.25

 

CMYK 0 / 69 / 4 / 16

HEX #D743CF

RGB 215 67 207

HSL 303.24, 0.65%, 0.55%

LAB 55.04, 72.5, -42.65

 

CMYK 0 / 63 / 3 / 9

HEX #E855E2

RGB 232 85 226

HSL 302.45, 0.76%, 0.62%

LAB 60.91, 72.81, -43.97

 

CMYK 0 / 59 / 2 / 2

HEX #F967F5

RGB 249 103 245

HSL 301.64, 0.92%, 0.69%

LAB 66.85, 72.76, -45.02

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 1 / 68 / 0 / 17

HEX #D243D4

RGB 210 67 212

HSL 299.17, 0.63%, 0.55%

LAB 54.52, 72.18, -46.37

 

CMYK 0 / 75 / 0 / 24

HEX #C131C1

RGB 193 49 193

HSL 300, 0.6%, 0.47%

LAB 48.74, 71.36, -44.79

 

CMYK 0 / 82 / 1 / 31

HEX #B01FAE

RGB 176 31 174

HSL 300.83, 0.7%, 0.41%

LAB 43.16, 69.71, -42.69

 

CMYK 0 / 92 / 3 / 38

HEX #9F0D9B

RGB 159 13 155

HSL 301.64, 0.85%, 0.34%

LAB 37.89, 66.89, -39.88

 

CMYK 0 / 100 / 4 / 44

HEX #8E0088

RGB 142 0 136

HSL 302.54, 1%, 0.28%

LAB 32.98, 62.63, -36.24

 

CMYK 1 / 68 / 0 / 17

HEX #D243D4

RGB 210 67 212

HSL 299.17, 0.63%, 0.55%

LAB 54.52, 72.18, -46.37

 

CMYK 0 / 68 / 10 / 17

HEX #D443BE

RGB 212 67 190

HSL 309.1, 0.63%, 0.55%

LAB 53.74, 69.2, -34.96

 

CMYK 0 / 68 / 22 / 17

HEX #D443A6

RGB 212 67 166

HSL 319.03, 0.63%, 0.55%

LAB 52.69, 65.82, -22.61

 

CMYK 0 / 68 / 33 / 17

HEX #D4438E

RGB 212 67 142

HSL 328.97, 0.63%, 0.55%

LAB 51.8, 62.85, -9.76

 

CMYK 0 / 68 / 44 / 17

HEX #D44376

RGB 212 67 118

HSL 338.9, 0.63%, 0.55%

LAB 51.06, 60.33, 3.54

 

CMYK 1 / 68 / 0 / 17

HEX #D243D4

RGB 210 67 212

HSL 299.17, 0.63%, 0.55%

LAB 54.52, 72.18, -46.37

 

CMYK 0 / 63 / 0 / 97

HEX #080308

RGB 8 3 8

HSL 300, 0.45%, 0.02%

LAB 1.21, 2, -1.43

 

CMYK 2 / 68 / 0 / 77

HEX #3A133B

RGB 58 19 59

HSL 298.5, 0.51%, 0.15%

LAB 13.72, 25.73, -16.96

 

CMYK 1 / 68 / 0 / 57

HEX #6D236E

RGB 109 35 110

HSL 299.2, 0.52%, 0.28%

LAB 28.32, 42.78, -27.59

 

CMYK 1 / 68 / 0 / 37

HEX #9F33A1

RGB 159 51 161

HSL 298.91, 0.52%, 0.42%

LAB 41.71, 57.86, -37.43

 

CMYK 1 / 68 / 0 / 17

HEX #D243D4

RGB 210 67 212

HSL 299.17, 0.63%, 0.55%

LAB 54.52, 72.18, -46.37

 

CMYK 0 / 56 / 68 / 17

HEX #D45E43

RGB 212 94 67

HSL 11.17, 0.63%, 0.55%

LAB 54.46, 44.75, 37.92

 

CMYK 68 / 0 / 28 / 17

HEX #43D498

RGB 67 212 152

HSL 155.17, 0.63%, 0.55%

LAB 76.4, -52.18, 18.75

 

CMYK 1 / 68 / 0 / 17

HEX #D243D4

RGB 210 67 212

HSL 299.17, 0.63%, 0.55%

LAB 54.52, 72.18, -46.37

 

CMYK 0 / 1 / 68 / 17

HEX #D4D243

RGB 212 210 67

HSL 59.17, 0.63%, 0.55%

LAB 82.11, -16.01, 67.52

 

CMYK 68 / 0 / 1 / 17

HEX #43D4D2

RGB 67 212 210

HSL 179.17, 0.63%, 0.55%

LAB 77.84, -37.77, -10.18

 

CMYK 1 / 68 / 0 / 17

HEX #D243D4

RGB 210 67 212

HSL 299.17, 0.63%, 0.55%

LAB 54.52, 72.18, -46.37

 

CMYK 0 / 56 / 68 / 17

HEX #D45E43

RGB 212 94 67

HSL 11.17, 0.63%, 0.55%

LAB 54.46, 44.75, 37.92

 

CMYK 67 / 0 / 68 / 17

HEX #46D443

RGB 70 212 67

HSL 118.76, 0.63%, 0.55%

LAB 75.32, -64.62, 58.22

 

CMYK 68 / 12 / 0 / 17

HEX #43BAD4

RGB 67 186 212

HSL 190.76, 0.63%, 0.55%

LAB 70.22, -24.69, -22.75

 

CMYK 1 / 68 / 0 / 17

HEX #D243D4

RGB 210 67 212

HSL 299.17, 0.63%, 0.55%

LAB 54.52, 72.18, -46.37

 

CMYK 0 / 35 / 68 / 17

HEX #D48943

RGB 212 137 67

HSL 28.97, 0.63%, 0.55%

LAB 63.58, 22.41, 48.24

 

CMYK 67 / 0 / 68 / 17

HEX #46D443

RGB 70 212 67

HSL 118.76, 0.63%, 0.55%

LAB 75.32, -64.62, 58.22

 

CMYK 68 / 33 / 0 / 17

HEX #438ED4

RGB 67 142 212

HSL 208.97, 0.63%, 0.55%

LAB 57.36, -0.74, -42.7

 

Description

Color code: RGB 210 67 212 | qconv.com Color code: RGB 210 67 212 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 67 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 67 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 68 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 68% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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