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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 220 239 it is the complementary color RGB 45 35 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 220 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 210 220 239: RGB 215 220 234, RGB 232 238 253, RGB 249 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 220 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 210 220 239: RGB 210 220 239, RGB 193 202 220, RGB 176 184 201, RGB 159 166 182 and RGB 142 148 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 8 / 0 / 6

HEX #D2DCEF

RGB 210 220 239

HSL 219.31, 0.48%, 0.88%

LAB 87.54, 0.34, -10.43

 

Complementary color

CMYK 0 / 22 / 64 / 82

HEX #2D2310

RGB 45 35 16

HSL 39.31, 0.48%, 0.12%

LAB 14.39, 1.73, 14.17

 

CMYK 8 / 6 / 0 / 8

HEX #D7DCEA

RGB 215 220 234

HSL 224.21, 0.31%, 0.88%

LAB 87.76, 0.96, -7.43

 

CMYK 8 / 6 / 0 / 1

HEX #E8EEFD

RGB 232 238 253

HSL 222.86, 0.84%, 0.95%

LAB 94.05, 0.81, -7.92

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 12 / 8 / 0 / 6

HEX #D2DCEF

RGB 210 220 239

HSL 219.31, 0.48%, 0.88%

LAB 87.54, 0.34, -10.43

 

CMYK 12 / 8 / 0 / 14

HEX #C1CADC

RGB 193 202 220

HSL 220, 0.28%, 0.81%

LAB 81.15, 0.49, -9.98

 

CMYK 12 / 8 / 0 / 21

HEX #B0B8C9

RGB 176 184 201

HSL 220.8, 0.19%, 0.74%

LAB 74.65, 0.64, -9.53

 

CMYK 13 / 9 / 0 / 29

HEX #9FA6B6

RGB 159 166 182

HSL 221.74, 0.14%, 0.67%

LAB 68.04, 0.8, -9.08

 

CMYK 13 / 9 / 0 / 36

HEX #8E94A3

RGB 142 148 163

HSL 222.86, 0.1%, 0.6%

LAB 61.29, 0.97, -8.62

 

CMYK 12 / 8 / 0 / 6

HEX #D2DCEF

RGB 210 220 239

HSL 219.31, 0.48%, 0.88%

LAB 87.54, 0.34, -10.43

 

CMYK 13 / 10 / 0 / 6

HEX #D1D7EF

RGB 209 215 239

HSL 228, 0.48%, 0.88%

LAB 86.2, 2.64, -12.44

 

CMYK 13 / 12 / 0 / 6

HEX #D1D2EF

RGB 209 210 239

HSL 238, 0.48%, 0.88%

LAB 84.94, 5.27, -14.33

 

CMYK 10 / 13 / 0 / 6

HEX #D6D1EF

RGB 214 209 239

HSL 250, 0.48%, 0.88%

LAB 85.06, 7.4, -14.1

 

CMYK 8 / 13 / 0 / 6

HEX #DBD1EF

RGB 219 209 239

HSL 260, 0.48%, 0.88%

LAB 85.45, 9.02, -13.48

 

CMYK 12 / 8 / 0 / 6

HEX #D2DCEF

RGB 210 220 239

HSL 219.31, 0.48%, 0.88%

LAB 87.54, 0.34, -10.43

 

CMYK 11 / 9 / 0 / 86

HEX #1F2023

RGB 31 32 35

HSL 225, 0.06%, 0.13%

LAB 12.26, 0.32, -2.19

 

CMYK 12 / 8 / 0 / 66

HEX #4C4F56

RGB 76 79 86

HSL 222, 0.06%, 0.32%

LAB 33.56, 0.4, -4.53

 

CMYK 12 / 8 / 0 / 46

HEX #787E89

RGB 120 126 137

HSL 218.82, 0.07%, 0.5%

LAB 52.64, 0.14, -6.72

 

CMYK 12 / 8 / 0 / 26

HEX #A5ADBC

RGB 165 173 188

HSL 219.13, 0.15%, 0.69%

LAB 70.54, 0.24, -8.62

 

CMYK 12 / 8 / 0 / 6

HEX #D2DCEF

RGB 210 220 239

HSL 219.31, 0.48%, 0.88%

LAB 87.54, 0.34, -10.43

 

CMYK 2 / 13 / 0 / 6

HEX #EAD1EF

RGB 234 209 239

HSL 290, 0.48%, 0.88%

LAB 86.66, 13.93, -11.54

 

CMYK 3 / 0 / 13 / 6

HEX #E7EFD1

RGB 231 239 209

HSL 76, 0.48%, 0.88%

LAB 93.16, -7.79, 13.61

 

CMYK 12 / 8 / 0 / 6

HEX #D2DCEF

RGB 210 220 239

HSL 219.31, 0.48%, 0.88%

LAB 87.54, 0.34, -10.43

 

CMYK 0 / 13 / 8 / 6

HEX #EFD1DB

RGB 239 209 219

HSL 340, 0.48%, 0.88%

LAB 86.54, 12.09, -1.09

 

CMYK 8 / 0 / 13 / 6

HEX #DBEFD1

RGB 219 239 209

HSL 100, 0.48%, 0.88%

LAB 92.31, -11.92, 12.29

 

CMYK 12 / 8 / 0 / 6

HEX #D2DCEF

RGB 210 220 239

HSL 219.31, 0.48%, 0.88%

LAB 87.54, 0.34, -10.43

 

CMYK 2 / 13 / 0 / 6

HEX #EAD1EF

RGB 234 209 239

HSL 290, 0.48%, 0.88%

LAB 86.66, 13.93, -11.54

 

CMYK 0 / 5 / 13 / 6

HEX #EFE4D1

RGB 239 228 209

HSL 38, 0.48%, 0.88%

LAB 90.98, 0.6, 10.6

 

CMYK 10 / 0 / 13 / 6

HEX #D6EFD1

RGB 214 239 209

HSL 110, 0.48%, 0.88%

LAB 91.97, -13.62, 11.76

 

CMYK 12 / 8 / 0 / 6

HEX #D2DCEF

RGB 210 220 239

HSL 219.31, 0.48%, 0.88%

LAB 87.54, 0.34, -10.43

 

CMYK 0 / 13 / 2 / 6

HEX #EFD1EA

RGB 239 209 234

HSL 310, 0.48%, 0.88%

LAB 86.94, 14.69, -8.43

 

CMYK 0 / 5 / 13 / 6

HEX #EFE4D1

RGB 239 228 209

HSL 38, 0.48%, 0.88%

LAB 90.98, 0.6, 10.6

 

CMYK 13 / 0 / 10 / 6

HEX #D1EFD6

RGB 209 239 214

HSL 130, 0.48%, 0.88%

LAB 91.75, -14.42, 8.8

 

Description

Color code: RGB 210 220 239 | qconv.com Color code: RGB 210 220 239 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 220 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 220 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 8 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 8% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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