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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 209 79 it is the complementary color RGB 45 46 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 209 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 210 209 79: RGB 215 209 74, RGB 232 227 93, RGB 249 245 112, RGB 255 255 131 and RGB 255 255 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 209 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 210 209 79: RGB 210 209 79, RGB 193 191 60, RGB 176 173 41, RGB 159 155 22 and RGB 142 137 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 62 / 18

HEX #D2D14F

RGB 210 209 79

HSL 59.54, 0.59%, 0.57%

LAB 81.77, -15.66, 62.42

 

Complementary color

CMYK 74 / 74 / 0 / 31

HEX #2D2EB0

RGB 45 46 176

HSL 239.54, 0.59%, 0.43%

LAB 28.5, 43.4, -68.45

 

CMYK 0 / 3 / 66 / 16

HEX #D7D14A

RGB 215 209 74

HSL 57.45, 0.64%, 0.57%

LAB 82.13, -13.89, 64.94

 

CMYK 0 / 2 / 60 / 9

HEX #E8E35D

RGB 232 227 93

HSL 57.84, 0.75%, 0.64%

LAB 88.39, -14.66, 64.22

 

CMYK 0 / 2 / 55 / 2

HEX #F9F570

RGB 249 245 112

HSL 58.25, 0.92%, 0.71%

LAB 94.57, -15.31, 63.29

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 62 / 18

HEX #D2D14F

RGB 210 209 79

HSL 59.54, 0.59%, 0.57%

LAB 81.77, -15.66, 62.42

 

CMYK 0 / 1 / 69 / 24

HEX #C1BF3C

RGB 193 191 60

HSL 59.1, 0.53%, 0.5%

LAB 75.4, -14.85, 62.96

 

CMYK 0 / 2 / 77 / 31

HEX #B0AD29

RGB 176 173 41

HSL 58.67, 0.62%, 0.43%

LAB 68.95, -13.87, 62.96

 

CMYK 0 / 3 / 86 / 38

HEX #9F9B16

RGB 159 155 22

HSL 58.25, 0.76%, 0.35%

LAB 62.4, -12.67, 61.97

 

CMYK 0 / 4 / 98 / 44

HEX #8E8903

RGB 142 137 3

HSL 57.84, 0.96%, 0.28%

LAB 55.73, -11.22, 59.54

 

CMYK 0 / 0 / 62 / 18

HEX #D2D14F

RGB 210 209 79

HSL 59.54, 0.59%, 0.57%

LAB 81.77, -15.66, 62.42

 

CMYK 10 / 0 / 62 / 18

HEX #BED250

RGB 190 210 80

HSL 69.23, 0.59%, 0.57%

LAB 80.53, -24.27, 60.23

 

CMYK 20 / 0 / 62 / 18

HEX #A9D250

RGB 169 210 80

HSL 78.92, 0.59%, 0.57%

LAB 79.1, -32.58, 58.27

 

CMYK 30 / 0 / 62 / 18

HEX #93D250

RGB 147 210 80

HSL 89.08, 0.59%, 0.57%

LAB 77.8, -40.8, 56.47

 

CMYK 40 / 0 / 62 / 18

HEX #7DD250

RGB 125 210 80

HSL 99.23, 0.59%, 0.57%

LAB 76.7, -48.31, 54.94

 

CMYK 0 / 0 / 62 / 18

HEX #D2D14F

RGB 210 209 79

HSL 59.54, 0.59%, 0.57%

LAB 81.77, -15.66, 62.42

 

CMYK 0 / 0 / 67 / 98

HEX #060602

RGB 6 6 2

HSL 60, 0.5%, 0.02%

LAB 1.57, -0.56, 1.51

 

CMYK 0 / 0 / 63 / 78

HEX #393915

RGB 57 57 21

HSL 60, 0.46%, 0.15%

LAB 23.17, -5.95, 22.07

 

CMYK 0 / 1 / 62 / 58

HEX #6C6B29

RGB 108 107 41

HSL 59.1, 0.45%, 0.29%

LAB 44.04, -9.05, 36.21

 

CMYK 0 / 1 / 62 / 38

HEX #9F9E3C

RGB 159 158 60

HSL 59.39, 0.45%, 0.43%

LAB 63.47, -12.47, 49.76

 

CMYK 0 / 0 / 62 / 18

HEX #D2D14F

RGB 210 209 79

HSL 59.54, 0.59%, 0.57%

LAB 81.77, -15.66, 62.42

 

CMYK 62 / 0 / 50 / 18

HEX #50D268

RGB 80 210 104

HSL 131.08, 0.59%, 0.57%

LAB 75.33, -57.61, 41.91

 

CMYK 26 / 62 / 0 / 18

HEX #9C50D2

RGB 156 80 210

HSL 275.08, 0.59%, 0.57%

LAB 48.83, 54.08, -54.75

 

CMYK 0 / 0 / 62 / 18

HEX #D2D14F

RGB 210 209 79

HSL 59.54, 0.59%, 0.57%

LAB 81.77, -15.66, 62.42

 

CMYK 62 / 0 / 1 / 18

HEX #50D2CF

RGB 80 210 207

HSL 178.62, 0.59%, 0.57%

LAB 77.46, -35.75, -9.09

 

CMYK 1 / 62 / 0 / 18

HEX #CF50D2

RGB 207 80 210

HSL 298.62, 0.59%, 0.57%

LAB 55.74, 66.19, -43.33

 

CMYK 0 / 0 / 62 / 18

HEX #D2D14F

RGB 210 209 79

HSL 59.54, 0.59%, 0.57%

LAB 81.77, -15.66, 62.42

 

CMYK 62 / 0 / 50 / 18

HEX #50D268

RGB 80 210 104

HSL 131.08, 0.59%, 0.57%

LAB 75.33, -57.61, 41.91

 

CMYK 62 / 61 / 0 / 18

HEX #5052D2

RGB 80 82 210

HSL 239.08, 0.59%, 0.57%

LAB 41.83, 37.62, -66.43

 

CMYK 0 / 62 / 11 / 18

HEX #D250BA

RGB 210 80 186

HSL 311.08, 0.59%, 0.57%

LAB 55.06, 63.07, -30.62

 

CMYK 0 / 0 / 62 / 18

HEX #D2D14F

RGB 210 209 79

HSL 59.54, 0.59%, 0.57%

LAB 81.77, -15.66, 62.42

 

CMYK 62 / 0 / 32 / 18

HEX #50D28F

RGB 80 210 143

HSL 149.08, 0.59%, 0.57%

LAB 75.94, -50.94, 22.9

 

CMYK 62 / 61 / 0 / 18

HEX #5052D2

RGB 80 82 210

HSL 239.08, 0.59%, 0.57%

LAB 41.83, 37.62, -66.43

 

CMYK 0 / 62 / 30 / 18

HEX #D25093

RGB 210 80 147

HSL 329.08, 0.59%, 0.57%

LAB 53.54, 57.65, -10.15

 

Description

Color code: RGB 210 209 79 | qconv.com Color code: RGB 210 209 79 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 209 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 209 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 62 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 62% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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