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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 189 174 it is the complementary color RGB 45 66 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 189 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 210 189 174: RGB 215 189 169, RGB 232 207 188, RGB 249 225 207, RGB 255 243 226 and RGB 255 255 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 189 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 210 189 174: RGB 210 189 174, RGB 193 171 155, RGB 176 153 136, RGB 159 135 117 and RGB 142 117 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 17 / 18

HEX #D2BDAE

RGB 210 189 174

HSL 25, 0.29%, 0.75%

LAB 77.97, 5, 10.28

 

Complementary color

CMYK 44 / 19 / 0 / 68

HEX #2D4251

RGB 45 66 81

HSL 205, 0.29%, 0.25%

LAB 26.87, -3.7, -11.63

 

CMYK 0 / 12 / 21 / 16

HEX #D7BDA9

RGB 215 189 169

HSL 26.09, 0.37%, 0.75%

LAB 78.29, 6.11, 13.5

 

CMYK 0 / 11 / 19 / 9

HEX #E8CFBC

RGB 232 207 188

HSL 25.91, 0.49%, 0.82%

LAB 84.7, 5.73, 12.62

 

CMYK 0 / 10 / 17 / 2

HEX #F9E1CF

RGB 249 225 207

HSL 25.71, 0.78%, 0.89%

LAB 91.01, 5.39, 11.79

 

CMYK 0 / 5 / 11 / 0

HEX #FFF3E2

RGB 255 243 226

HSL 35.17, 1%, 0.94%

LAB 96.35, 1.24, 9.62

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 10 / 17 / 18

HEX #D2BDAE

RGB 210 189 174

HSL 25, 0.29%, 0.75%

LAB 77.97, 5, 10.28

 

CMYK 0 / 11 / 20 / 24

HEX #C1AB9B

RGB 193 171 155

HSL 25.26, 0.23%, 0.68%

LAB 71.44, 5.36, 11.14

 

CMYK 0 / 13 / 23 / 31

HEX #B09988

RGB 176 153 136

HSL 25.5, 0.2%, 0.61%

LAB 64.8, 5.77, 12.06

 

CMYK 0 / 15 / 26 / 38

HEX #9F8775

RGB 159 135 117

HSL 25.71, 0.18%, 0.54%

LAB 58.02, 6.24, 13.06

 

CMYK 0 / 18 / 31 / 44

HEX #8E7562

RGB 142 117 98

HSL 25.91, 0.18%, 0.47%

LAB 51.1, 6.78, 14.14

 

CMYK 0 / 10 / 17 / 18

HEX #D2BDAE

RGB 210 189 174

HSL 25, 0.29%, 0.75%

LAB 77.97, 5, 10.28

 

CMYK 0 / 7 / 18 / 18

HEX #D1C2AC

RGB 209 194 172

HSL 35.68, 0.29%, 0.75%

LAB 79.11, 1.68, 12.97

 

CMYK 0 / 4 / 18 / 18

HEX #D1C8AC

RGB 209 200 172

HSL 45.41, 0.29%, 0.75%

LAB 80.65, -1.48, 15.14

 

CMYK 0 / 1 / 18 / 18

HEX #D1CEAC

RGB 209 206 172

HSL 55.14, 0.29%, 0.75%

LAB 82.2, -4.6, 17.32

 

CMYK 1 / 0 / 18 / 18

HEX #CED1AC

RGB 206 209 172

HSL 64.86, 0.29%, 0.75%

LAB 82.75, -7.25, 18.05

 

CMYK 0 / 10 / 17 / 18

HEX #D2BDAE

RGB 210 189 174

HSL 25, 0.29%, 0.75%

LAB 77.97, 5, 10.28

 

CMYK 0 / 17 / 17 / 98

HEX #060505

RGB 6 5 5

HSL 0, 0.09%, 0.02%

LAB 1.43, 0.26, 0.09

 

CMYK 0 / 11 / 18 / 78

HEX #39332F

RGB 57 51 47

HSL 24, 0.1%, 0.2%

LAB 21.74, 1.84, 3.5

 

CMYK 0 / 10 / 18 / 58

HEX #6C6159

RGB 108 97 89

HSL 25.26, 0.1%, 0.39%

LAB 41.94, 2.92, 6.15

 

CMYK 0 / 10 / 17 / 38

HEX #9F8F84

RGB 159 143 132

HSL 24.44, 0.12%, 0.57%

LAB 60.5, 4.08, 8.02

 

CMYK 0 / 10 / 17 / 18

HEX #D2BDAE

RGB 210 189 174

HSL 25, 0.29%, 0.75%

LAB 77.97, 5, 10.28

 

CMYK 11 / 0 / 18 / 18

HEX #BAD1AC

RGB 186 209 172

HSL 97.3, 0.29%, 0.75%

LAB 81.3, -14.45, 15.8

 

CMYK 17 / 18 / 0 / 18

HEX #ADACD1

RGB 173 172 209

HSL 241.62, 0.29%, 0.75%

LAB 71.55, 7.93, -18.59

 

CMYK 0 / 10 / 17 / 18

HEX #D2BDAE

RGB 210 189 174

HSL 25, 0.29%, 0.75%

LAB 77.97, 5, 10.28

 

CMYK 18 / 0 / 10 / 18

HEX #ACD1BC

RGB 172 209 188

HSL 145.95, 0.29%, 0.75%

LAB 80.74, -16.36, 6.37

 

CMYK 10 / 18 / 0 / 18

HEX #BCACD1

RGB 188 172 209

HSL 265.95, 0.29%, 0.75%

LAB 72.76, 12.8, -16.65

 

CMYK 0 / 10 / 17 / 18

HEX #D2BDAE

RGB 210 189 174

HSL 25, 0.29%, 0.75%

LAB 77.97, 5, 10.28

 

CMYK 11 / 0 / 18 / 18

HEX #BAD1AC

RGB 186 209 172

HSL 97.3, 0.29%, 0.75%

LAB 81.3, -14.45, 15.8

 

CMYK 18 / 7 / 0 / 18

HEX #ACC2D1

RGB 172 194 209

HSL 204.32, 0.29%, 0.75%

LAB 77.26, -4.31, -10.03

 

CMYK 7 / 18 / 0 / 18

HEX #C3ACD1

RGB 195 172 209

HSL 277.3, 0.29%, 0.75%

LAB 73.36, 15.12, -15.69

 

CMYK 0 / 10 / 17 / 18

HEX #D2BDAE

RGB 210 189 174

HSL 25, 0.29%, 0.75%

LAB 77.97, 5, 10.28

 

CMYK 16 / 0 / 18 / 18

HEX #AFD1AC

RGB 175 209 172

HSL 115.14, 0.29%, 0.75%

LAB 80.57, -18.27, 14.66

 

CMYK 18 / 7 / 0 / 18

HEX #ACC2D1

RGB 172 194 209

HSL 204.32, 0.29%, 0.75%

LAB 77.26, -4.31, -10.03

 

CMYK 1 / 18 / 0 / 18

HEX #CEACD1

RGB 206 172 209

HSL 295.14, 0.29%, 0.75%

LAB 74.34, 18.81, -14.11

 

Description

Color code: RGB 210 189 174 | qconv.com Color code: RGB 210 189 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 189 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 189 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 17% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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