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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 183 152 it is the complementary color RGB 45 72 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 183 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 210 183 152: RGB 215 183 147, RGB 232 201 166, RGB 249 219 185, RGB 255 237 204 and RGB 255 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 183 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 210 183 152: RGB 210 183 152, RGB 193 165 133, RGB 176 147 114, RGB 159 129 95 and RGB 142 111 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 28 / 18

HEX #D2B798

RGB 210 183 152

HSL 32.07, 0.39%, 0.71%

LAB 75.97, 4.99, 19.34

 

Complementary color

CMYK 56 / 30 / 0 / 60

HEX #2D4867

RGB 45 72 103

HSL 212.07, 0.39%, 0.29%

LAB 29.84, -0.21, -21.22

 

CMYK 0 / 15 / 32 / 16

HEX #D7B793

RGB 215 183 147

HSL 31.76, 0.46%, 0.71%

LAB 76.33, 6.27, 22.59

 

CMYK 0 / 13 / 28 / 9

HEX #E8C9A6

RGB 232 201 166

HSL 31.82, 0.59%, 0.78%

LAB 82.74, 5.78, 21.53

 

CMYK 0 / 12 / 26 / 2

HEX #F9DBB9

RGB 249 219 185

HSL 31.88, 0.84%, 0.85%

LAB 89.07, 5.34, 20.54

 

CMYK 0 / 7 / 20 / 0

HEX #FFEDCC

RGB 255 237 204

HSL 38.82, 1%, 0.9%

LAB 94.39, 0.97, 18.2

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 13 / 28 / 18

HEX #D2B798

RGB 210 183 152

HSL 32.07, 0.39%, 0.71%

LAB 75.97, 4.99, 19.34

 

CMYK 0 / 15 / 31 / 24

HEX #C1A585

RGB 193 165 133

HSL 32, 0.33%, 0.64%

LAB 69.43, 5.47, 20.4

 

CMYK 0 / 16 / 35 / 31

HEX #B09372

RGB 176 147 114

HSL 31.94, 0.28%, 0.57%

LAB 62.77, 6.03, 21.54

 

CMYK 0 / 19 / 40 / 38

HEX #9F815F

RGB 159 129 95

HSL 31.88, 0.25%, 0.5%

LAB 55.99, 6.68, 22.78

 

CMYK 0 / 22 / 46 / 44

HEX #8E6F4C

RGB 142 111 76

HSL 31.82, 0.3%, 0.43%

LAB 49.06, 7.47, 24.13

 

CMYK 0 / 13 / 28 / 18

HEX #D2B798

RGB 210 183 152

HSL 32.07, 0.39%, 0.71%

LAB 75.97, 4.99, 19.34

 

CMYK 0 / 8 / 27 / 18

HEX #D1C098

RGB 209 192 152

HSL 42.11, 0.38%, 0.71%

LAB 78.18, -0.16, 22.37

 

CMYK 0 / 3 / 27 / 18

HEX #D1CA98

RGB 209 202 152

HSL 52.63, 0.38%, 0.71%

LAB 80.77, -5.37, 25.9

 

CMYK 1 / 0 / 27 / 18

HEX #CFD198

RGB 207 209 152

HSL 62.11, 0.38%, 0.71%

LAB 82.45, -9.73, 28.13

 

CMYK 5 / 0 / 27 / 18

HEX #C6D198

RGB 198 209 152

HSL 71.58, 0.38%, 0.71%

LAB 81.77, -13.12, 27.1

 

CMYK 0 / 13 / 28 / 18

HEX #D2B798

RGB 210 183 152

HSL 32.07, 0.39%, 0.71%

LAB 75.97, 4.99, 19.34

 

CMYK 0 / 17 / 33 / 98

HEX #060504

RGB 6 5 4

HSL 30, 0.2%, 0.02%

LAB 1.41, 0.12, 0.47

 

CMYK 0 / 12 / 28 / 78

HEX #393229

RGB 57 50 41

HSL 33.75, 0.16%, 0.19%

LAB 21.25, 1.37, 6.88

 

CMYK 0 / 13 / 28 / 58

HEX #6C5E4E

RGB 108 94 78

HSL 32, 0.16%, 0.36%

LAB 40.81, 2.89, 11.26

 

CMYK 0 / 13 / 28 / 38

HEX #9F8B73

RGB 159 139 115

HSL 32.73, 0.19%, 0.54%

LAB 59.04, 3.7, 15.61

 

CMYK 0 / 13 / 28 / 18

HEX #D2B798

RGB 210 183 152

HSL 32.07, 0.39%, 0.71%

LAB 75.97, 4.99, 19.34

 

CMYK 20 / 0 / 27 / 18

HEX #A7D198

RGB 167 209 152

HSL 104.21, 0.38%, 0.71%

LAB 79.66, -24.36, 23.89

 

CMYK 24 / 27 / 0 / 18

HEX #9F98D1

RGB 159 152 209

HSL 247.37, 0.38%, 0.71%

LAB 65.3, 14.75, -28.24

 

CMYK 0 / 13 / 28 / 18

HEX #D2B798

RGB 210 183 152

HSL 32.07, 0.39%, 0.71%

LAB 75.97, 4.99, 19.34

 

CMYK 27 / 0 / 13 / 18

HEX #98D1B6

RGB 152 209 182

HSL 151.58, 0.38%, 0.71%

LAB 79.42, -23.92, 7.51

 

CMYK 13 / 27 / 0 / 18

HEX #B698D1

RGB 182 152 209

HSL 271.58, 0.38%, 0.71%

LAB 67.28, 21.95, -25.03

 

CMYK 0 / 13 / 28 / 18

HEX #D2B798

RGB 210 183 152

HSL 32.07, 0.39%, 0.71%

LAB 75.97, 4.99, 19.34

 

CMYK 20 / 0 / 27 / 18

HEX #A7D198

RGB 167 209 152

HSL 104.21, 0.38%, 0.71%

LAB 79.66, -24.36, 23.89

 

CMYK 27 / 14 / 0 / 18

HEX #98B3D1

RGB 152 179 209

HSL 211.58, 0.38%, 0.71%

LAB 71.91, -2.42, -18.2

 

CMYK 7 / 27 / 0 / 18

HEX #C298D1

RGB 194 152 209

HSL 284.21, 0.38%, 0.71%

LAB 68.41, 25.82, -23.2

 

CMYK 0 / 13 / 28 / 18

HEX #D2B798

RGB 210 183 152

HSL 32.07, 0.39%, 0.71%

LAB 75.97, 4.99, 19.34

 

CMYK 27 / 0 / 26 / 18

HEX #98D19A

RGB 152 209 154

HSL 122.11, 0.38%, 0.71%

LAB 78.82, -29.12, 21.54

 

CMYK 27 / 14 / 0 / 18

HEX #98B3D1

RGB 152 179 209

HSL 211.58, 0.38%, 0.71%

LAB 71.91, -2.42, -18.2

 

CMYK 0 / 27 / 1 / 18

HEX #D198CF

RGB 209 152 207

HSL 302.11, 0.38%, 0.71%

LAB 69.84, 30.35, -19.79

 

Description

Color code: RGB 210 183 152 | qconv.com Color code: RGB 210 183 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 183 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 183 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 28 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 28% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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