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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 166 150 it is the complementary color RGB 45 89 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 166 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 210 166 150: RGB 215 166 145, RGB 232 184 164, RGB 249 202 183, RGB 255 220 202 and RGB 255 238 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 166 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 210 166 150: RGB 210 166 150, RGB 193 148 131, RGB 176 130 112, RGB 159 112 93 and RGB 142 94 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 29 / 18

HEX #D2A696

RGB 210 166 150

HSL 16, 0.4%, 0.71%

LAB 71.67, 13.86, 14.45

 

Complementary color

CMYK 57 / 15 / 0 / 59

HEX #2D5969

RGB 45 89 105

HSL 196, 0.4%, 0.29%

LAB 35.44, -10.14, -13.83

 

CMYK 0 / 23 / 33 / 16

HEX #D7A691

RGB 215 166 145

HSL 18, 0.47%, 0.71%

LAB 72.07, 15.13, 17.82

 

CMYK 0 / 21 / 29 / 9

HEX #E8B8A4

RGB 232 184 164

HSL 17.65, 0.6%, 0.78%

LAB 78.53, 14.49, 16.75

 

CMYK 0 / 19 / 27 / 2

HEX #F9CAB7

RGB 249 202 183

HSL 17.27, 0.85%, 0.85%

LAB 84.89, 13.91, 15.77

 

CMYK 0 / 14 / 21 / 0

HEX #FFDCCA

RGB 255 220 202

HSL 20.38, 1%, 0.9%

LAB 90.19, 9.4, 13.31

 

CMYK 0 / 7 / 13 / 0

HEX #FFEEDD

RGB 255 238 221

HSL 30, 1%, 0.93%

LAB 95, 3, 10.28

 

CMYK 0 / 21 / 29 / 18

HEX #D2A696

RGB 210 166 150

HSL 16, 0.4%, 0.71%

LAB 71.67, 13.86, 14.45

 

CMYK 0 / 23 / 32 / 24

HEX #C19483

RGB 193 148 131

HSL 16.45, 0.33%, 0.64%

LAB 65.09, 14.51, 15.51

 

CMYK 0 / 26 / 36 / 31

HEX #B08270

RGB 176 130 112

HSL 16.88, 0.29%, 0.56%

LAB 58.38, 15.26, 16.68

 

CMYK 0 / 30 / 42 / 38

HEX #9F705D

RGB 159 112 93

HSL 17.27, 0.26%, 0.49%

LAB 51.55, 16.13, 17.98

 

CMYK 0 / 34 / 48 / 44

HEX #8E5E4A

RGB 142 94 74

HSL 17.65, 0.31%, 0.42%

LAB 44.59, 17.16, 19.44

 

CMYK 0 / 21 / 29 / 18

HEX #D2A696

RGB 210 166 150

HSL 16, 0.4%, 0.71%

LAB 71.67, 13.86, 14.45

 

CMYK 0 / 16 / 28 / 18

HEX #D2B197

RGB 210 177 151

HSL 26.44, 0.4%, 0.71%

LAB 74.43, 8.06, 17.75

 

CMYK 0 / 11 / 28 / 18

HEX #D2BA97

RGB 210 186 151

HSL 35.59, 0.4%, 0.71%

LAB 76.71, 3.26, 20.9

 

CMYK 0 / 7 / 28 / 18

HEX #D2C497

RGB 210 196 151

HSL 45.76, 0.4%, 0.71%

LAB 79.28, -2, 24.41

 

CMYK 0 / 2 / 28 / 18

HEX #D2CE97

RGB 210 206 151

HSL 55.93, 0.4%, 0.71%

LAB 81.88, -7.18, 27.93

 

CMYK 0 / 21 / 29 / 18

HEX #D2A696

RGB 210 166 150

HSL 16, 0.4%, 0.71%

LAB 71.67, 13.86, 14.45

 

CMYK 0 / 17 / 33 / 98

HEX #060504

RGB 6 5 4

HSL 30, 0.2%, 0.02%

LAB 1.41, 0.12, 0.47

 

CMYK 0 / 21 / 28 / 78

HEX #392D29

RGB 57 45 41

HSL 15, 0.16%, 0.19%

LAB 19.67, 4.73, 4.65

 

CMYK 0 / 21 / 29 / 58

HEX #6C554D

RGB 108 85 77

HSL 15.48, 0.17%, 0.36%

LAB 38.24, 8.19, 8.28

 

CMYK 0 / 21 / 28 / 38

HEX #9F7E72

RGB 159 126 114

HSL 16, 0.19%, 0.54%

LAB 55.59, 10.9, 11.38

 

CMYK 0 / 21 / 29 / 18

HEX #D2A696

RGB 210 166 150

HSL 16, 0.4%, 0.71%

LAB 71.67, 13.86, 14.45

 

CMYK 13 / 0 / 28 / 18

HEX #B7D297

RGB 183 210 151

HSL 87.46, 0.4%, 0.71%

LAB 80.96, -19.3, 26.34

 

CMYK 28 / 24 / 0 / 18

HEX #979FD2

RGB 151 159 210

HSL 231.86, 0.4%, 0.71%

LAB 66.54, 8.62, -26.94

 

CMYK 0 / 21 / 29 / 18

HEX #D2A696

RGB 210 166 150

HSL 16, 0.4%, 0.71%

LAB 71.67, 13.86, 14.45

 

CMYK 28 / 0 / 20 / 18

HEX #97D2A7

RGB 151 210 167

HSL 136.27, 0.4%, 0.71%

LAB 79.31, -27.61, 15.34

 

CMYK 20 / 28 / 0 / 18

HEX #A797D2

RGB 167 151 210

HSL 256.27, 0.4%, 0.71%

LAB 65.75, 18.01, -28.05

 

CMYK 0 / 21 / 29 / 18

HEX #D2A696

RGB 210 166 150

HSL 16, 0.4%, 0.71%

LAB 71.67, 13.86, 14.45

 

CMYK 13 / 0 / 28 / 18

HEX #B7D297

RGB 183 210 151

HSL 87.46, 0.4%, 0.71%

LAB 80.96, -19.3, 26.34

 

CMYK 28 / 8 / 0 / 18

HEX #97C2D2

RGB 151 194 210

HSL 196.27, 0.4%, 0.71%

LAB 75.96, -10.49, -12.65

 

CMYK 15 / 28 / 0 / 18

HEX #B397D2

RGB 179 151 210

HSL 268.47, 0.4%, 0.71%

LAB 66.8, 21.78, -26.34

 

CMYK 0 / 21 / 29 / 18

HEX #D2A696

RGB 210 166 150

HSL 16, 0.4%, 0.71%

LAB 71.67, 13.86, 14.45

 

CMYK 21 / 0 / 28 / 18

HEX #A5D297

RGB 165 210 151

HSL 105.76, 0.4%, 0.71%

LAB 79.8, -25.7, 24.58

 

CMYK 28 / 8 / 0 / 18

HEX #97C2D2

RGB 151 194 210

HSL 196.27, 0.4%, 0.71%

LAB 75.96, -10.49, -12.65

 

CMYK 7 / 28 / 0 / 18

HEX #C497D2

RGB 196 151 210

HSL 285.76, 0.4%, 0.71%

LAB 68.4, 27.22, -23.75

 

Description

Color code: RGB 210 166 150 | qconv.com Color code: RGB 210 166 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 166 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 166 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 29 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 29% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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