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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 14 62 it is the complementary color RGB 45 241 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 14 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 210 14 62: RGB 215 14 57, RGB 232 32 76, RGB 249 50 95, RGB 255 68 114 and RGB 255 86 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 14 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 210 14 62: RGB 210 14 62, RGB 193 0 43, RGB 176 0 24, RGB 159 0 5 and RGB 142 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 70 / 18

HEX #D20E3E

RGB 210 14 62

HSL 345.31, 0.88%, 0.44%

LAB 44.75, 69.27, 29.17

 

Complementary color

CMYK 81 / 0 / 20 / 5

HEX #2DF1C1

RGB 45 241 193

HSL 165.31, 0.88%, 0.56%

LAB 85.66, -56.88, 10.21

 

CMYK 0 / 93 / 73 / 16

HEX #D70E39

RGB 215 14 57

HSL 347.16, 0.88%, 0.45%

LAB 45.71, 70.3, 33.59

 

CMYK 0 / 86 / 67 / 9

HEX #E8204C

RGB 232 32 76

HSL 346.8, 0.81%, 0.52%

LAB 50.35, 72.74, 28.58

 

CMYK 0 / 80 / 62 / 2

HEX #F9325F

RGB 249 50 95

HSL 346.43, 0.94%, 0.59%

LAB 55.33, 74.22, 24.28

 

CMYK 0 / 73 / 55 / 0

HEX #FF4472

RGB 255 68 114

HSL 345.24, 1%, 0.63%

LAB 58.61, 71.94, 17.64

 

CMYK 0 / 66 / 48 / 0

HEX #FF5685

RGB 255 86 133

HSL 343.31, 1%, 0.67%

LAB 61.32, 67.12, 10.29

 

CMYK 0 / 93 / 70 / 18

HEX #D20E3E

RGB 210 14 62

HSL 345.31, 0.88%, 0.44%

LAB 44.75, 69.27, 29.17

 

CMYK 0 / 100 / 78 / 24

HEX #C1002B

RGB 193 0 43

HSL 346.63, 1%, 0.38%

LAB 40.43, 65.74, 34.78

 

CMYK 0 / 100 / 86 / 31

HEX #B00018

RGB 176 0 24

HSL 351.82, 1%, 0.35%

LAB 36.55, 61, 40.55

 

CMYK 0 / 100 / 97 / 38

HEX #9F0005

RGB 159 0 5

HSL 358.11, 1%, 0.31%

LAB 32.66, 56.34, 44.68

 

CMYK 0 / 100 / 100 / 44

HEX #8E0000

RGB 142 0 0

HSL 0, 1%, 0.28%

LAB 28.77, 51.81, 42.14

 

CMYK 0 / 93 / 70 / 18

HEX #D20E3E

RGB 210 14 62

HSL 345.31, 0.88%, 0.44%

LAB 44.75, 69.27, 29.17

 

CMYK 0 / 94 / 86 / 18

HEX #D20D1D

RGB 210 13 29

HSL 355.13, 0.88%, 0.44%

LAB 44.34, 68.35, 47.51

 

CMYK 0 / 86 / 94 / 18

HEX #D21D0D

RGB 210 29 13

HSL 4.87, 0.88%, 0.44%

LAB 45.09, 65.71, 54.64

 

CMYK 0 / 70 / 94 / 18

HEX #D23E0D

RGB 210 62 13

HSL 14.92, 0.88%, 0.44%

LAB 48.48, 56.23, 56.7

 

CMYK 0 / 55 / 94 / 18

HEX #D25F0D

RGB 210 95 13

HSL 24.97, 0.88%, 0.44%

LAB 53.94, 41.77, 60.24

 

CMYK 0 / 93 / 70 / 18

HEX #D20E3E

RGB 210 14 62

HSL 345.31, 0.88%, 0.44%

LAB 44.75, 69.27, 29.17

 

CMYK 0 / 100 / 67 / 98

HEX #060002

RGB 6 0 2

HSL 340, 1%, 0.01%

LAB 0.39, 1.85, -0.2

 

CMYK 0 / 93 / 70 / 78

HEX #390411

RGB 57 4 17

HSL 345.28, 0.87%, 0.12%

LAB 8.97, 26.44, 6.5

 

CMYK 0 / 94 / 70 / 58

HEX #6C0720

RGB 108 7 32

HSL 345.15, 0.88%, 0.23%

LAB 21.74, 42.01, 15.21

 

CMYK 0 / 93 / 70 / 38

HEX #9F0B2F

RGB 159 11 47

HSL 345.41, 0.87%, 0.33%

LAB 33.6, 56.01, 22.46

 

CMYK 0 / 93 / 70 / 18

HEX #D20E3E

RGB 210 14 62

HSL 345.31, 0.88%, 0.44%

LAB 44.75, 69.27, 29.17

 

CMYK 0 / 4 / 94 / 18

HEX #D2C90D

RGB 210 201 13

HSL 57.26, 0.88%, 0.44%

LAB 79.33, -14.02, 78.59

 

CMYK 94 / 33 / 0 / 18

HEX #0D8DD2

RGB 13 141 210

HSL 201.02, 0.88%, 0.44%

LAB 55.88, -5.99, -43.99

 

CMYK 0 / 93 / 70 / 18

HEX #D20E3E

RGB 210 14 62

HSL 345.31, 0.88%, 0.44%

LAB 44.75, 69.27, 29.17

 

CMYK 70 / 0 / 94 / 18

HEX #3ED20D

RGB 62 210 13

HSL 105.08, 0.88%, 0.44%

LAB 74.28, -68.34, 71.35

 

CMYK 94 / 70 / 0 / 18

HEX #0D3ED2

RGB 13 62 210

HSL 225.08, 0.88%, 0.44%

LAB 34.36, 43.93, -78.79

 

CMYK 0 / 93 / 70 / 18

HEX #D20E3E

RGB 210 14 62

HSL 345.31, 0.88%, 0.44%

LAB 44.75, 69.27, 29.17

 

CMYK 0 / 4 / 94 / 18

HEX #D2C90D

RGB 210 201 13

HSL 57.26, 0.88%, 0.44%

LAB 79.33, -14.02, 78.59

 

CMYK 94 / 0 / 23 / 18

HEX #0DD2A1

RGB 13 210 161

HSL 165.08, 0.88%, 0.44%

LAB 75.3, -54.43, 12.32

 

CMYK 94 / 89 / 0 / 18

HEX #0D17D2

RGB 13 23 210

HSL 236.95, 0.88%, 0.44%

LAB 27.71, 63.14, -89.84

 

CMYK 0 / 93 / 70 / 18

HEX #D20E3E

RGB 210 14 62

HSL 345.31, 0.88%, 0.44%

LAB 44.75, 69.27, 29.17

 

CMYK 23 / 0 / 94 / 18

HEX #A1D20D

RGB 161 210 13

HSL 74.92, 0.88%, 0.44%

LAB 78.29, -38.65, 76.25

 

CMYK 94 / 0 / 23 / 18

HEX #0DD2A1

RGB 13 210 161

HSL 165.08, 0.88%, 0.44%

LAB 75.3, -54.43, 12.32

 

CMYK 70 / 94 / 0 / 18

HEX #3E0DD2

RGB 62 13 210

HSL 254.92, 0.88%, 0.44%

LAB 29.32, 67.2, -87.09

 

Description

Color code: RGB 210 14 62 | qconv.com Color code: RGB 210 14 62 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 14 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 14 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 70 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 70% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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