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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 122 123 it is the complementary color RGB 45 133 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 122 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 210 122 123: RGB 215 122 118, RGB 232 140 137, RGB 249 158 156, RGB 255 176 175 and RGB 255 194 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 122 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 210 122 123: RGB 210 122 123, RGB 193 104 104, RGB 176 86 85, RGB 159 68 66 and RGB 142 50 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 41 / 18

HEX #D27A7B

RGB 210 122 123

HSL 359.32, 0.49%, 0.65%

LAB 60.83, 34.31, 14.41

 

Complementary color

CMYK 66 / 0 / 1 / 48

HEX #2D8584

RGB 45 133 132

HSL 179.32, 0.49%, 0.35%

LAB 50.69, -25.7, -7.13

 

CMYK 0 / 43 / 45 / 16

HEX #D77A76

RGB 215 122 118

HSL 2.47, 0.55%, 0.65%

LAB 61.37, 35.66, 18.12

 

CMYK 0 / 40 / 41 / 9

HEX #E88C89

RGB 232 140 137

HSL 1.89, 0.67%, 0.72%

LAB 67.81, 34.61, 16.63

 

CMYK 0 / 37 / 37 / 2

HEX #F99E9C

RGB 249 158 156

HSL 1.29, 0.89%, 0.79%

LAB 74.19, 33.64, 15.3

 

CMYK 0 / 31 / 31 / 0

HEX #FFB0AF

RGB 255 176 175

HSL 0.75, 1%, 0.84%

LAB 79.27, 28.73, 12.21

 

CMYK 0 / 24 / 24 / 0

HEX #FFC2C2

RGB 255 194 194

HSL 0, 1%, 0.88%

LAB 83.83, 21.81, 8.48

 

CMYK 0 / 42 / 41 / 18

HEX #D27A7B

RGB 210 122 123

HSL 359.32, 0.49%, 0.65%

LAB 60.83, 34.31, 14.41

 

CMYK 0 / 46 / 46 / 24

HEX #C16868

RGB 193 104 104

HSL 0, 0.42%, 0.58%

LAB 54.28, 35.38, 15.99

 

CMYK 0 / 51 / 52 / 31

HEX #B05655

RGB 176 86 85

HSL 0.66, 0.37%, 0.51%

LAB 47.68, 36.53, 17.84

 

CMYK 0 / 57 / 58 / 38

HEX #9F4442

RGB 159 68 66

HSL 1.29, 0.41%, 0.44%

LAB 41.05, 37.7, 20.06

SW® 7587

CMYK 0 / 65 / 67 / 44

HEX #8E322F

RGB 142 50 47

HSL 1.89, 0.5%, 0.37%

LAB 34.47, 38.8, 22.8

 

CMYK 0 / 42 / 41 / 18

HEX #D27A7B

RGB 210 122 123

HSL 359.32, 0.49%, 0.65%

LAB 60.83, 34.31, 14.41

 

CMYK 0 / 35 / 42 / 18

HEX #D1877A

RGB 209 135 122

HSL 8.97, 0.49%, 0.65%

LAB 63.58, 26.84, 18.76

 

CMYK 0 / 29 / 42 / 18

HEX #D1957A

RGB 209 149 122

HSL 18.62, 0.49%, 0.65%

LAB 66.87, 19.24, 23.23

 

CMYK 0 / 22 / 42 / 18

HEX #D1A47A

RGB 209 164 122

HSL 28.97, 0.49%, 0.65%

LAB 70.53, 11.1, 28.12

 

CMYK 0 / 15 / 42 / 18

HEX #D1B27A

RGB 209 178 122

HSL 38.62, 0.49%, 0.65%

LAB 74.06, 3.59, 32.75

 

CMYK 0 / 42 / 41 / 18

HEX #D27A7B

RGB 210 122 123

HSL 359.32, 0.49%, 0.65%

LAB 60.83, 34.31, 14.41

 

CMYK 0 / 50 / 33 / 98

HEX #060304

RGB 6 3 4

HSL 340, 0.33%, 0.02%

LAB 1.02, 0.92, -0.1

 

CMYK 0 / 42 / 42 / 78

HEX #392121

RGB 57 33 33

HSL 0, 0.27%, 0.18%

LAB 15.84, 11.58, 4.85

 

CMYK 0 / 42 / 42 / 58

HEX #6C3F3F

RGB 108 63 63

HSL 0, 0.26%, 0.34%

LAB 32.04, 19.64, 8.42

 

CMYK 0 / 42 / 42 / 38

HEX #9F5C5D

RGB 159 92 93

HSL 359.1, 0.27%, 0.49%

LAB 46.73, 27.5, 11.35

 

CMYK 0 / 42 / 41 / 18

HEX #D27A7B

RGB 210 122 123

HSL 359.32, 0.49%, 0.65%

LAB 60.83, 34.31, 14.41

 

CMYK 8 / 0 / 42 / 18

HEX #C1D17A

RGB 193 209 122

HSL 71.03, 0.49%, 0.65%

LAB 80.93, -18.78, 41.27

 

CMYK 42 / 24 / 0 / 18

HEX #7A9ED1

RGB 122 158 209

HSL 215.17, 0.49%, 0.65%

LAB 64.32, 0.77, -29.97

 

CMYK 0 / 42 / 41 / 18

HEX #D27A7B

RGB 210 122 123

HSL 359.32, 0.49%, 0.65%

LAB 60.83, 34.31, 14.41

 

CMYK 41 / 0 / 42 / 18

HEX #7BD17A

RGB 123 209 122

HSL 119.31, 0.49%, 0.65%

LAB 76.81, -43.44, 35.18

 

CMYK 42 / 41 / 0 / 18

HEX #7A7BD1

RGB 122 123 209

HSL 239.31, 0.49%, 0.65%

LAB 54.98, 21.19, -44.58

 

CMYK 0 / 42 / 41 / 18

HEX #D27A7B

RGB 210 122 123

HSL 359.32, 0.49%, 0.65%

LAB 60.83, 34.31, 14.41

 

CMYK 8 / 0 / 42 / 18

HEX #C1D17A

RGB 193 209 122

HSL 71.03, 0.49%, 0.65%

LAB 80.93, -18.78, 41.27

 

CMYK 42 / 0 / 0 / 18

HEX #7AD1D0

RGB 122 209 208

HSL 179.31, 0.49%, 0.65%

LAB 78.63, -26.42, -7.74

 

CMYK 34 / 42 / 0 / 18

HEX #8A7AD1

RGB 138 122 209

HSL 251.03, 0.49%, 0.65%

LAB 56.01, 26.01, -42.86

 

CMYK 0 / 42 / 41 / 18

HEX #D27A7B

RGB 210 122 123

HSL 359.32, 0.49%, 0.65%

LAB 60.83, 34.31, 14.41

 

CMYK 20 / 0 / 42 / 18

HEX #A7D17A

RGB 167 209 122

HSL 88.97, 0.49%, 0.65%

LAB 79.17, -28.62, 38.68

 

CMYK 42 / 0 / 0 / 18

HEX #7AD1D0

RGB 122 209 208

HSL 179.31, 0.49%, 0.65%

LAB 78.63, -26.42, -7.74

 

CMYK 22 / 42 / 0 / 18

HEX #A47AD1

RGB 164 122 209

HSL 268.97, 0.49%, 0.65%

LAB 58.43, 33.35, -38.89

 

Description

Color code: RGB 210 122 123 | qconv.com Color code: RGB 210 122 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 122 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 122 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 41 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 41% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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