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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21.1 90.8 46 it is the complementary color RGB 233.9 164.2 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21.1 90.8 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21.1 90.8 46 shade: RGB 26.1 90.8 41, RGB 43.1 108.8 60, RGB 60.1 126.8 79, RGB 77.1 144.8 98 and RGB 94.1 162.8 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21.1 90.8 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21.1 90.8 46 shade: RGB 21.1 90.8 46, RGB 4.1 72.8 27, RGB 0 54.8 8, RGB 0 36.8 0 and RGB 0 18.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21.1 90.8 46 shade: RGB 21 91 46, RGB 21 91 27, RGB 34 91 21, RGB 53 91 21 and RGB 72 91 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21.1 90.8 46 shade: RGB 21 91 46, RGB 21 91 65, RGB 21 91 84, RGB 21 79 91 and RGB 21 61 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21.1 90.8 46 shade matches the following richer shades: RGB 21 91 46, RGB 12 100 44 and RGB 3 109 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21.1 90.8 46 shade: RGB 21 91 46, RGB 30 82 49, RGB 39 73 51, RGB 49 64 54 and RGB 58 55 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21.1 90.8 46 shade: RGB 34 91 21, RGB 21 91 27, RGB 21 91 46, RGB 21 91 64 and RGB 21 91 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21.1 90.8 46 shade: RGB 6 24 12, RGB 13 57 29, RGB 21 91 46, RGB 29 124 63 and RGB 37 158 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21.1 90.8 46 shade: RGB 21.1 90.8 46, RGB 21 53 91 and RGB 91 21 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21.1 90.8 46 shade: RGB 21.1 90.8 46, RGB 46 21 91 and RGB 91 46 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21.1 90.8 46 shade: RGB 21.1 90.8 46, RGB 21 53 91, RGB 91 21 67 and RGB 91 60 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21.1 90.8 46 shade: RGB 21.1 90.8 46, RGB 21 32 91, RGB 91 21 67 and RGB 91 80 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 49 / 64

HEX #155A2E

RGB 21.1 90.8 46

HSL 141.43, 0.62%, 0.22%

LAB 33.58, -32.42, 19.81

 

Complementary color

CMYK 0 / 30 / 11 / 8

HEX #E9A4D1

RGB 233.9 164.2 209

HSL 321.43, 0.62%, 0.78%

LAB 75.27, 32.46, -12.44

 

CMYK 71 / 0 / 55 / 64

HEX #1A5A29

RGB 26.1 90.8 41

HSL 133.82, 0.55%, 0.23%

LAB 33.62, -32.31, 22.77

 

CMYK 60 / 0 / 45 / 57

HEX #2B6C3C

RGB 43.1 108.8 60

HSL 135.43, 0.43%, 0.3%

LAB 40.79, -32.62, 21.15

 

CMYK 53 / 0 / 38 / 50

HEX #3C7E4F

RGB 60.1 126.8 79

HSL 137, 0.36%, 0.37%

LAB 47.82, -32.59, 19.68

 

CMYK 47 / 0 / 32 / 43

HEX #4D9062

RGB 77.1 144.8 98

HSL 138.52, 0.31%, 0.44%

LAB 54.71, -32.41, 18.36

 

CMYK 42 / 0 / 28 / 36

HEX #5EA275

RGB 94.1 162.8 117

HSL 140, 0.27%, 0.5%

LAB 61.47, -32.16, 17.15

 

CMYK 77 / 0 / 49 / 64

HEX #155A2E

RGB 21.1 90.8 46

HSL 141.43, 0.62%, 0.22%

LAB 33.58, -32.42, 19.81

 

CMYK 94 / 0 / 63 / 71

HEX #04481B

RGB 4.1 72.8 27

HSL 140, 0.89%, 0.15%

LAB 26.29, -31.26, 21.64

 

CMYK 100 / 0 / 85 / 79

HEX #003608

RGB 0 54.8 8

HSL 128.76, 1%, 0.11%

LAB 18.93, -27.99, 22.87

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36.8 0

HSL 120, 1%, 0.07%

LAB 11.35, -22.08, 16.44

 

CMYK 100 / 0 / 100 / 93

HEX #001200

RGB 0 18.8 0

HSL 120, 1%, 0.04%

LAB 4.15, -8.47, 6.05

 

CMYK 77 / 0 / 49 / 64

HEX #155B2E

RGB 21 91 46

HSL 141.43, 0.63%, 0.22%

LAB 33.65, -32.52, 19.9

 

CMYK 77 / 0 / 70 / 64

HEX #155B1B

RGB 21 91 27

HSL 125.14, 0.63%, 0.22%

LAB 33.39, -35.46, 29.85

 

CMYK 63 / 0 / 77 / 64

HEX #225B15

RGB 34 91 21

HSL 108.86, 0.63%, 0.22%

LAB 33.72, -32.96, 33.04

 

CMYK 42 / 0 / 77 / 64

HEX #355B15

RGB 53 91 21

HSL 92.57, 0.63%, 0.22%

LAB 34.59, -26.49, 34.2

 

CMYK 21 / 0 / 77 / 64

HEX #485B15

RGB 72 91 21

HSL 76.29, 0.63%, 0.22%

LAB 35.82, -18.37, 35.84

 

CMYK 77 / 0 / 49 / 64

HEX #155B2E

RGB 21 91 46

HSL 141.43, 0.63%, 0.22%

LAB 33.65, -32.52, 19.9

 

CMYK 77 / 0 / 29 / 64

HEX #155B41

RGB 21 91 65

HSL 157.71, 0.63%, 0.22%

LAB 34.03, -28.25, 8.96

 

CMYK 77 / 0 / 8 / 64

HEX #155B54

RGB 21 91 84

HSL 174, 0.63%, 0.22%

LAB 34.56, -22.8, -2.11

 

CMYK 77 / 13 / 0 / 64

HEX #154F5B

RGB 21 79 91

HSL 190.29, 0.63%, 0.22%

LAB 30.66, -13.84, -12.4

 

CMYK 77 / 33 / 0 / 64

HEX #153D5B

RGB 21 61 91

HSL 205.71, 0.63%, 0.22%

LAB 24.49, -2.56, -21.95

 

CMYK 77 / 0 / 49 / 64

HEX #155B2E

RGB 21 91 46

HSL 141.43, 0.63%, 0.22%

LAB 33.65, -32.52, 19.9

 

CMYK 88 / 0 / 56 / 61

HEX #0C642C

RGB 12 100 44

HSL 141.82, 0.79%, 0.22%

LAB 36.7, -37.77, 24.81

 

CMYK 97 / 0 / 62 / 57

HEX #036D29

RGB 3 109 41

HSL 141.51, 0.95%, 0.22%

LAB 39.78, -42.37, 30.06

 

CMYK 77 / 0 / 49 / 64

HEX #155B2E

RGB 21 91 46

HSL 141.43, 0.63%, 0.22%

LAB 33.65, -32.52, 19.9

 

CMYK 63 / 0 / 40 / 68

HEX #1E5231

RGB 30 82 49

HSL 141.92, 0.46%, 0.22%

LAB 30.72, -25.91, 14.34

 

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

CMYK 23 / 0 / 16 / 75

HEX #314036

RGB 49 64 54

HSL 140, 0.13%, 0.22%

LAB 25.52, -8.52, 4.14

 

CMYK 0 / 5 / 2 / 77

HEX #3A3739

RGB 58 55 57

HSL 320, 0.03%, 0.22%

LAB 23.43, 1.75, -0.79

 

CMYK 63 / 0 / 77 / 64

HEX #225B15

RGB 34 91 21

HSL 108.86, 0.63%, 0.22%

LAB 33.72, -32.96, 33.04

 

CMYK 77 / 0 / 70 / 64

HEX #155B1B

RGB 21 91 27

HSL 125.14, 0.63%, 0.22%

LAB 33.39, -35.46, 29.85

 

CMYK 77 / 0 / 49 / 64

HEX #155B2E

RGB 21 91 46

HSL 141.43, 0.63%, 0.22%

LAB 33.65, -32.52, 19.9

 

CMYK 77 / 0 / 30 / 64

HEX #155B40

RGB 21 91 64

HSL 156.86, 0.63%, 0.22%

LAB 34.01, -28.51, 9.55

 

CMYK 77 / 0 / 9 / 64

HEX #155B53

RGB 21 91 83

HSL 173.14, 0.63%, 0.22%

LAB 34.53, -23.11, -1.53

 

CMYK 75 / 0 / 50 / 91

HEX #06180C

RGB 6 24 12

HSL 140, 0.6%, 0.06%

LAB 6.49, -8.8, 4.58

 

CMYK 77 / 0 / 49 / 78

HEX #0D391D

RGB 13 57 29

HSL 141.82, 0.63%, 0.14%

LAB 20.44, -22.56, 13.21

 

CMYK 77 / 0 / 49 / 64

HEX #155B2E

RGB 21 91 46

HSL 141.43, 0.63%, 0.22%

LAB 33.65, -32.52, 19.9

 

CMYK 77 / 0 / 49 / 51

HEX #1D7C3F

RGB 29 124 63

HSL 141.47, 0.62%, 0.3%

LAB 45.68, -41.3, 25.66

 

CMYK 77 / 0 / 49 / 38

HEX #259E50

RGB 37 158 80

HSL 141.32, 0.62%, 0.38%

LAB 57.49, -49.98, 31.52

 

CMYK 77 / 0 / 49 / 64

HEX #155A2E

RGB 21.1 90.8 46

HSL 141.43, 0.62%, 0.22%

LAB 33.58, -32.42, 19.81

 

CMYK 77 / 42 / 0 / 64

HEX #15355B

RGB 21 53 91

HSL 212.57, 0.63%, 0.22%

LAB 21.8, 2.94, -26.19

 

CMYK 0 / 77 / 73 / 64

HEX #5B1519

RGB 91 21 25

HSL 356.57, 0.63%, 0.22%

LAB 19.35, 31.89, 16.26

 

CMYK 77 / 0 / 49 / 64

HEX #155A2E

RGB 21.1 90.8 46

HSL 141.43, 0.62%, 0.22%

LAB 33.58, -32.42, 19.81

 

CMYK 49 / 77 / 0 / 64

HEX #2E155B

RGB 46 21 91

HSL 261.43, 0.63%, 0.22%

LAB 14.8, 30.06, -37.38

 

CMYK 0 / 49 / 77 / 64

HEX #5B2E15

RGB 91 46 21

HSL 21.43, 0.63%, 0.22%

LAB 24.42, 18.29, 24.7

 

CMYK 77 / 0 / 49 / 64

HEX #155A2E

RGB 21.1 90.8 46

HSL 141.43, 0.62%, 0.22%

LAB 33.58, -32.42, 19.81

 

CMYK 77 / 42 / 0 / 64

HEX #15355B

RGB 21 53 91

HSL 212.57, 0.63%, 0.22%

LAB 21.8, 2.94, -26.19

 

CMYK 0 / 77 / 26 / 64

HEX #5B1543

RGB 91 21 67

HSL 320.57, 0.63%, 0.22%

LAB 20.7, 36.34, -11.22

 

CMYK 0 / 34 / 77 / 64

HEX #5B3C15

RGB 91 60 21

HSL 33.43, 0.63%, 0.22%

LAB 28.14, 9.55, 28.66

 

CMYK 77 / 0 / 49 / 64

HEX #155A2E

RGB 21.1 90.8 46

HSL 141.43, 0.62%, 0.22%

LAB 33.58, -32.42, 19.81

 

CMYK 77 / 65 / 0 / 64

HEX #15205B

RGB 21 32 91

HSL 230.57, 0.63%, 0.22%

LAB 15.21, 18.3, -36.81

 

CMYK 0 / 77 / 26 / 64

HEX #5B1543

RGB 91 21 67

HSL 320.57, 0.63%, 0.22%

LAB 20.7, 36.34, -11.22

 

CMYK 0 / 12 / 77 / 64

HEX #5B5015

RGB 91 80 21

HSL 50.57, 0.63%, 0.22%

LAB 34.02, -2.87, 34.62

 

Description

Color code: RGB 21.1 90.8 46 | qconv.com Color code: RGB 21.1 90.8 46 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21.1 red, 90.8 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21.1 90.8 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 49 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 49% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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