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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #274933 it is the complementary color #D8B6CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #274933. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #274933 shade: #2C492E, #3D5B41, #4E6D54, #5F7F67 and #70917A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #274933. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #274933 shade: #274933, #163720, #05250D, #001300 and #000100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #274933 shade: #274933, #27492A, #2E4927, #374927 and #404927

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #274933 shade: #274933, #27493C, #274945, #274349 and #273A49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #274933 shade matches the following richer shades: #274933, #1E5230, #155B2E, #0C642B and #036D28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #274933 shade: #274933, #304036, #393738, #432E3B and #4C253E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #274933 shade: #2D4927, #27492A, #274933, #27493C and #274945

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #274933 shade: #0A130E, #192E20, #274933, #366446 and #447F59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #274933 shade: #274933, #273649 and #492729

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #274933 shade: #274933, #332749 and #493327

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #274933 shade: #274933, #273649, #49273D and #493A27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #274933 shade: #274933, #272C49, #49273D and #494427

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

Complementary color

CMYK 0 / 16 / 6 / 15

HEX #D8B6CC

RGB 216 182 204

HSL 321.18, 0.3%, 0.78%

LAB 77.53, 15.89, -6.54

 

CMYK 40 / 0 / 37 / 71

HEX #2C492E

RGB 44 73 46

HSL 124.14, 0.25%, 0.23%

LAB 28.11, -17.45, 12.83

 

CMYK 33 / 0 / 29 / 64

HEX #3D5B41

RGB 61 91 65

HSL 128, 0.2%, 0.3%

LAB 35.71, -17.15, 11.54

 

CMYK 28 / 0 / 23 / 57

HEX #4E6D54

RGB 78 109 84

HSL 131.61, 0.17%, 0.37%

LAB 43.06, -16.87, 10.41

 

CMYK 25 / 0 / 19 / 50

HEX #5F7F67

RGB 95 127 103

HSL 135, 0.14%, 0.44%

LAB 50.21, -16.63, 9.4

 

CMYK 23 / 0 / 16 / 43

HEX #70917A

RGB 112 145 122

HSL 138.18, 0.13%, 0.5%

LAB 57.17, -16.43, 8.47

 

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

CMYK 60 / 0 / 42 / 78

HEX #163720

RGB 22 55 32

HSL 138.18, 0.43%, 0.15%

LAB 20.07, -18.43, 10.84

 

CMYK 86 / 0 / 65 / 85

HEX #05250D

RGB 5 37 13

HSL 135, 0.76%, 0.08%

LAB 11.85, -18.45, 11.77

 

CMYK 100 / 0 / 100 / 93

HEX #001300

RGB 0 19 0

HSL 120, 1%, 0.04%

LAB 4.21, -8.59, 6.14

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

CMYK 47 / 0 / 42 / 71

HEX #27492A

RGB 39 73 42

HSL 125.29, 0.3%, 0.22%

LAB 27.75, -20.07, 14.79

 

CMYK 37 / 0 / 47 / 71

HEX #2E4927

RGB 46 73 39

HSL 107.65, 0.3%, 0.22%

LAB 28.09, -17.97, 17.16

 

CMYK 25 / 0 / 47 / 71

HEX #374927

RGB 55 73 39

HSL 91.76, 0.3%, 0.22%

LAB 28.7, -14.2, 18.07

 

CMYK 12 / 0 / 47 / 71

HEX #404927

RGB 64 73 39

HSL 75.88, 0.3%, 0.22%

LAB 29.42, -10.14, 19.12

 

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

CMYK 47 / 0 / 18 / 71

HEX #27493C

RGB 39 73 60

HSL 157.06, 0.3%, 0.22%

LAB 28.17, -15.99, 3.94

 

CMYK 47 / 0 / 5 / 71

HEX #274945

RGB 39 73 69

HSL 172.94, 0.3%, 0.22%

LAB 28.45, -13.52, -1.49

 

CMYK 47 / 8 / 0 / 71

HEX #274349

RGB 39 67 73

HSL 190.59, 0.3%, 0.22%

LAB 26.52, -8.71, -6.96

 

CMYK 47 / 21 / 0 / 71

HEX #273A49

RGB 39 58 73

HSL 206.47, 0.3%, 0.22%

LAB 23.47, -2.94, -11.6

 

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

CMYK 63 / 0 / 41 / 68

HEX #1E5230

RGB 30 82 48

HSL 140.77, 0.46%, 0.22%

LAB 30.7, -26.13, 14.92

 

CMYK 77 / 0 / 49 / 64

HEX #155B2E

RGB 21 91 46

HSL 141.43, 0.63%, 0.22%

LAB 33.65, -32.52, 19.9

 

CMYK 88 / 0 / 57 / 61

HEX #0C642B

RGB 12 100 43

HSL 141.14, 0.79%, 0.22%

LAB 36.68, -37.94, 25.34

 

CMYK 97 / 0 / 63 / 57

HEX #036D28

RGB 3 109 40

HSL 140.94, 0.95%, 0.22%

LAB 39.76, -42.51, 30.55

 

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

CMYK 25 / 0 / 16 / 75

HEX #304036

RGB 48 64 54

HSL 142.5, 0.14%, 0.22%

LAB 25.45, -8.92, 4.02

 

CMYK 0 / 4 / 2 / 78

HEX #393738

RGB 57 55 56

HSL 330, 0.02%, 0.22%

LAB 23.3, 1.1, -0.32

 

CMYK 0 / 31 / 12 / 74

HEX #432E3B

RGB 67 46 59

HSL 322.86, 0.19%, 0.22%

LAB 21.81, 12.11, -4.42

 

CMYK 0 / 51 / 18 / 70

HEX #4C253E

RGB 76 37 62

HSL 321.54, 0.35%, 0.22%

LAB 20.86, 22.17, -7.78

 

CMYK 38 / 0 / 47 / 71

HEX #2D4927

RGB 45 73 39

HSL 109.41, 0.3%, 0.22%

LAB 28.03, -18.36, 17.07

 

CMYK 47 / 0 / 42 / 71

HEX #27492A

RGB 39 73 42

HSL 125.29, 0.3%, 0.22%

LAB 27.75, -20.07, 14.79

 

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

CMYK 47 / 0 / 18 / 71

HEX #27493C

RGB 39 73 60

HSL 157.06, 0.3%, 0.22%

LAB 28.17, -15.99, 3.94

 

CMYK 47 / 0 / 5 / 71

HEX #274945

RGB 39 73 69

HSL 172.94, 0.3%, 0.22%

LAB 28.45, -13.52, -1.49

 

CMYK 47 / 0 / 26 / 93

HEX #0A130E

RGB 10 19 14

HSL 146.67, 0.31%, 0.06%

LAB 5.08, -3.97, 1.59

 

CMYK 46 / 0 / 30 / 82

HEX #192E20

RGB 25 46 32

HSL 140, 0.3%, 0.14%

LAB 16.82, -12.3, 6.43

 

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

CMYK 46 / 0 / 30 / 61

HEX #366446

RGB 54 100 70

HSL 140.87, 0.3%, 0.3%

LAB 38.45, -23.28, 12.21

 

CMYK 46 / 0 / 30 / 50

HEX #447F59

RGB 68 127 89

HSL 141.36, 0.3%, 0.38%

LAB 48.42, -28.42, 14.82

 

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

CMYK 47 / 26 / 0 / 71

HEX #273649

RGB 39 54 73

HSL 213.53, 0.3%, 0.22%

LAB 22.13, -0.27, -13.66

 

CMYK 0 / 47 / 44 / 71

HEX #492729

RGB 73 39 41

HSL 356.47, 0.3%, 0.22%

LAB 20.15, 16.23, 5.66

 

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

CMYK 30 / 47 / 0 / 71

HEX #332749

RGB 51 39 73

HSL 261.18, 0.3%, 0.22%

LAB 18.52, 14.2, -19.2

 

CMYK 0 / 30 / 47 / 71

HEX #493327

RGB 73 51 39

HSL 21.18, 0.3%, 0.22%

LAB 23.44, 8.13, 11.53

 

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

CMYK 47 / 26 / 0 / 71

HEX #273649

RGB 39 54 73

HSL 213.53, 0.3%, 0.22%

LAB 22.13, -0.27, -13.66

 

CMYK 0 / 47 / 16 / 71

HEX #49273D

RGB 73 39 61

HSL 321.18, 0.3%, 0.22%

LAB 20.84, 19.56, -7.16

 

CMYK 0 / 21 / 47 / 71

HEX #493A27

RGB 73 58 39

HSL 33.53, 0.3%, 0.22%

LAB 25.53, 3.56, 14.3

 

CMYK 47 / 0 / 30 / 71

HEX #274933

RGB 39 73 51

HSL 141.18, 0.3%, 0.22%

LAB 27.94, -18.18, 9.39

 

CMYK 47 / 40 / 0 / 71

HEX #272C49

RGB 39 44 73

HSL 231.18, 0.3%, 0.22%

LAB 18.86, 6.7, -18.75

 

CMYK 0 / 47 / 16 / 71

HEX #49273D

RGB 73 39 61

HSL 321.18, 0.3%, 0.22%

LAB 20.84, 19.56, -7.16

 

CMYK 0 / 7 / 47 / 71

HEX #494427

RGB 73 68 39

HSL 51.18, 0.3%, 0.22%

LAB 28.64, -2.81, 18.31

 

Description

Color code: HEX #274933 | qconv.com Color code: HEX #274933 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 73 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 73 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 30 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 30% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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