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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 137 95 it is the complementary color RGB 235 118 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 137 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 20 137 95: RGB 25 137 90, RGB 42 155 109, RGB 59 173 128, RGB 76 191 147 and RGB 93 209 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 137 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 20 137 95: RGB 20 137 95, RGB 3 119 76, RGB 0 101 57, RGB 0 83 38 and RGB 0 65 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 31 / 46

HEX #14895F

RGB 20 137 95

HSL 158.46, 0.75%, 0.31%

LAB 50.53, -40.91, 14.07

 

Complementary color

CMYK 0 / 50 / 32 / 8

HEX #EB76A0

RGB 235 118 160

HSL 338.46, 0.75%, 0.69%

LAB 64.29, 49.56, -1.36

 

CMYK 82 / 0 / 34 / 46

HEX #19895A

RGB 25 137 90

HSL 154.82, 0.69%, 0.32%

LAB 50.49, -41.54, 16.88

 

CMYK 73 / 0 / 30 / 39

HEX #2A9B6D

RGB 42 155 109

HSL 155.58, 0.57%, 0.39%

LAB 57.11, -42.35, 15.31

 

CMYK 66 / 0 / 26 / 32

HEX #3BAD80

RGB 59 173 128

HSL 156.32, 0.49%, 0.45%

LAB 63.65, -42.78, 13.92

 

CMYK 60 / 0 / 23 / 25

HEX #4CBF93

RGB 76 191 147

HSL 157.04, 0.47%, 0.52%

LAB 70.11, -42.97, 12.67

 

CMYK 56 / 0 / 21 / 18

HEX #5DD1A6

RGB 93 209 166

HSL 157.76, 0.56%, 0.59%

LAB 76.49, -43.02, 11.53

 

CMYK 85 / 0 / 31 / 46

HEX #14895F

RGB 20 137 95

HSL 158.46, 0.75%, 0.31%

LAB 50.53, -40.91, 14.07

 

CMYK 97 / 0 / 36 / 53

HEX #03774C

RGB 3 119 76

HSL 157.76, 0.95%, 0.24%

LAB 43.85, -39.41, 15.84

 

CMYK 100 / 0 / 44 / 60

HEX #006539

RGB 0 101 57

HSL 153.86, 1%, 0.2%

LAB 37.12, -36.84, 17.92

 

CMYK 100 / 0 / 54 / 67

HEX #005326

RGB 0 83 38

HSL 147.47, 1%, 0.16%

LAB 30.22, -33.79, 20.15

 

CMYK 100 / 0 / 71 / 75

HEX #004113

RGB 0 65 19

HSL 137.54, 1%, 0.13%

LAB 23.09, -30.29, 22.3

 

CMYK 85 / 0 / 31 / 46

HEX #14895F

RGB 20 137 95

HSL 158.46, 0.75%, 0.31%

LAB 50.53, -40.91, 14.07

 

CMYK 86 / 0 / 17 / 46

HEX #138A72

RGB 19 138 114

HSL 167.9, 0.76%, 0.31%

LAB 51.3, -36.54, 4.21

 

CMYK 86 / 0 / 3 / 46

HEX #138A86

RGB 19 138 134

HSL 177.98, 0.76%, 0.31%

LAB 51.88, -30.68, -6.57

 

CMYK 86 / 12 / 0 / 46

HEX #137A8A

RGB 19 122 138

HSL 188.07, 0.76%, 0.31%

LAB 46.83, -21.29, -16.52

 

CMYK 86 / 26 / 0 / 46

HEX #13668A

RGB 19 102 138

HSL 198.15, 0.76%, 0.31%

LAB 40.37, -10.07, -26.49

 

CMYK 85 / 0 / 31 / 46

HEX #14895F

RGB 20 137 95

HSL 158.46, 0.75%, 0.31%

LAB 50.53, -40.91, 14.07

 

CMYK 86 / 0 / 31 / 26

HEX #1BBC82

RGB 27 188 130

HSL 158.39, 0.75%, 0.42%

LAB 67.88, -52.42, 18.61

 

CMYK 85 / 0 / 31 / 6

HEX #23EFA6

RGB 35 239 166

HSL 158.53, 0.86%, 0.54%

LAB 84.4, -63, 22.42

 

CMYK 86 / 0 / 31 / 86

HEX #052318

RGB 5 35 24

HSL 158, 0.75%, 0.08%

LAB 11.28, -14.67, 4.17

 

CMYK 85 / 0 / 30 / 66

HEX #0D563C

RGB 13 86 60

HSL 158.63, 0.74%, 0.19%

LAB 31.96, -28.43, 9.15

 

CMYK 85 / 0 / 31 / 46

HEX #14895F

RGB 20 137 95

HSL 158.46, 0.75%, 0.31%

LAB 50.53, -40.91, 14.07

 

CMYK 86 / 72 / 0 / 46

HEX #13278A

RGB 19 39 138

HSL 229.92, 0.76%, 0.31%

LAB 21.67, 31.98, -56.55

 

CMYK 0 / 66 / 86 / 46

HEX #8A2F13

RGB 138 47 19

HSL 14.12, 0.76%, 0.31%

LAB 32.88, 37.42, 36.89

 

CMYK 85 / 0 / 31 / 46

HEX #14895F

RGB 20 137 95

HSL 158.46, 0.75%, 0.31%

LAB 50.53, -40.91, 14.07

 

CMYK 32 / 86 / 0 / 46

HEX #5E138A

RGB 94 19 138

HSL 277.82, 0.76%, 0.31%

LAB 25.8, 51.33, -49.49

 

CMYK 0 / 32 / 86 / 46

HEX #8A5E13

RGB 138 94 19

HSL 37.82, 0.76%, 0.31%

LAB 43.44, 11.57, 46.07

 

CMYK 85 / 0 / 31 / 46

HEX #14895F

RGB 20 137 95

HSL 158.46, 0.75%, 0.31%

LAB 50.53, -40.91, 14.07

 

CMYK 86 / 72 / 0 / 46

HEX #13278A

RGB 19 39 138

HSL 229.92, 0.76%, 0.31%

LAB 21.67, 31.98, -56.55

 

CMYK 0 / 86 / 54 / 46

HEX #8A133F

RGB 138 19 63

HSL 337.82, 0.76%, 0.31%

LAB 29.98, 49.9, 6.29

 

CMYK 0 / 14 / 86 / 46

HEX #8A7613

RGB 138 118 19

HSL 49.92, 0.76%, 0.31%

LAB 49.99, -2.28, 51.61

 

CMYK 85 / 0 / 31 / 46

HEX #14895F

RGB 20 137 95

HSL 158.46, 0.75%, 0.31%

LAB 50.53, -40.91, 14.07

 

CMYK 75 / 86 / 0 / 46

HEX #23138A

RGB 35 19 138

HSL 248.07, 0.76%, 0.31%

LAB 18.62, 44.33, -61.57

 

CMYK 0 / 86 / 54 / 46

HEX #8A133F

RGB 138 19 63

HSL 337.82, 0.76%, 0.31%

LAB 29.98, 49.9, 6.29

 

CMYK 12 / 0 / 86 / 46

HEX #7A8A13

RGB 122 138 19

HSL 68.07, 0.76%, 0.31%

LAB 54.41, -20.5, 54.77

 

Description

Color code: RGB 20 137 95 | qconv.com Color code: RGB 20 137 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 137 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 137 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 31 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 31% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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