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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 83 183 it is the complementary color RGB 46 172 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 83 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 209 83 183: RGB 214 83 178, RGB 231 101 197, RGB 248 119 216, RGB 255 137 235 and RGB 255 155 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 83 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 209 83 183: RGB 209 83 183, RGB 192 65 164, RGB 175 47 145, RGB 158 29 126 and RGB 141 11 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 12 / 18

HEX #D153B7

RGB 209 83 183

HSL 312.38, 0.58%, 0.57%

LAB 55.24, 61.07, -28.62

 

Complementary color

CMYK 73 / 0 / 58 / 33

HEX #2EAC48

RGB 46 172 72

HSL 132.38, 0.58%, 0.43%

LAB 62.13, -54.78, 41.19

 

CMYK 0 / 61 / 17 / 16

HEX #D653B2

RGB 214 83 178

HSL 316.49, 0.62%, 0.58%

LAB 55.78, 61.69, -24.82

 

CMYK 0 / 56 / 15 / 9

HEX #E765C5

RGB 231 101 197

HSL 315.69, 0.73%, 0.65%

LAB 61.94, 61.37, -26.02

 

CMYK 0 / 52 / 13 / 3

HEX #F877D8

RGB 248 119 216

HSL 314.88, 0.9%, 0.72%

LAB 68.1, 60.87, -27.02

 

CMYK 0 / 46 / 8 / 0

HEX #FF89EB

RGB 255 137 235

HSL 310.17, 1%, 0.77%

LAB 72.99, 57.35, -29.91

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFE

RGB 255 155 254

HSL 300.6, 1%, 0.8%

LAB 77.2, 51.65, -33.75

 

CMYK 0 / 60 / 12 / 18

HEX #D153B7

RGB 209 83 183

HSL 312.38, 0.58%, 0.57%

LAB 55.24, 61.07, -28.62

 

CMYK 0 / 66 / 15 / 25

HEX #C041A4

RGB 192 65 164

HSL 313.23, 0.5%, 0.5%

LAB 49.09, 61.11, -27.26

 

CMYK 0 / 73 / 17 / 31

HEX #AF2F91

RGB 175 47 145

HSL 314.06, 0.58%, 0.44%

LAB 43.05, 60.65, -25.49

 

CMYK 0 / 82 / 20 / 38

HEX #9E1D7E

RGB 158 29 126

HSL 314.88, 0.69%, 0.37%

LAB 37.21, 59.38, -23.14

 

CMYK 0 / 92 / 24 / 45

HEX #8D0B6B

RGB 141 11 107

HSL 315.69, 0.86%, 0.3%

LAB 31.72, 56.82, -19.92

 

CMYK 0 / 60 / 12 / 18

HEX #D153B7

RGB 209 83 183

HSL 312.38, 0.58%, 0.57%

LAB 55.24, 61.07, -28.62

 

CMYK 0 / 61 / 22 / 18

HEX #D051A2

RGB 208 81 162

HSL 321.73, 0.57%, 0.57%

LAB 53.92, 58.6, -18.43

 

CMYK 0 / 61 / 32 / 18

HEX #D0518D

RGB 208 81 141

HSL 331.65, 0.57%, 0.57%

LAB 53.19, 55.89, -7.16

 

CMYK 0 / 61 / 43 / 18

HEX #D05177

RGB 208 81 119

HSL 342.05, 0.57%, 0.57%

LAB 52.54, 53.44, 4.99

 

CMYK 0 / 61 / 53 / 18

HEX #D05162

RGB 208 81 98

HSL 351.97, 0.57%, 0.57%

LAB 52.04, 51.5, 16.82

 

CMYK 0 / 60 / 12 / 18

HEX #D153B7

RGB 209 83 183

HSL 312.38, 0.58%, 0.57%

LAB 55.24, 61.07, -28.62

 

CMYK 0 / 60 / 20 / 98

HEX #050204

RGB 5 2 4

HSL 320, 0.43%, 0.01%

LAB 0.76, 1.06, -0.48

 

CMYK 0 / 61 / 13 / 78

HEX #381631

RGB 56 22 49

HSL 312.35, 0.44%, 0.15%

LAB 13.45, 21.21, -10.24

 

CMYK 0 / 61 / 12 / 58

HEX #6B2A5E

RGB 107 42 94

HSL 312, 0.44%, 0.29%

LAB 28.35, 35.97, -17.24

 

CMYK 0 / 60 / 13 / 38

HEX #9E3F8A

RGB 158 63 138

HSL 312.63, 0.43%, 0.43%

LAB 42.25, 48.63, -22.71

 

CMYK 0 / 60 / 12 / 18

HEX #D153B7

RGB 209 83 183

HSL 312.38, 0.58%, 0.57%

LAB 55.24, 61.07, -28.62

 

CMYK 0 / 37 / 61 / 18

HEX #D08451

RGB 208 132 81

HSL 24.09, 0.57%, 0.57%

LAB 62.09, 24.33, 39.31

 

CMYK 61 / 0 / 12 / 18

HEX #51D0B7

RGB 81 208 183

HSL 168.19, 0.57%, 0.57%

LAB 76.24, -40.93, 2.02

 

CMYK 0 / 60 / 12 / 18

HEX #D153B7

RGB 209 83 183

HSL 312.38, 0.58%, 0.57%

LAB 55.24, 61.07, -28.62

 

CMYK 12 / 0 / 61 / 18

HEX #B7D051

RGB 183 208 81

HSL 71.81, 0.57%, 0.57%

LAB 79.48, -26.05, 58.53

 

CMYK 61 / 12 / 0 / 18

HEX #51B7D0

RGB 81 183 208

HSL 191.81, 0.57%, 0.57%

LAB 69.59, -22.14, -21.48

 

CMYK 0 / 60 / 12 / 18

HEX #D153B7

RGB 209 83 183

HSL 312.38, 0.58%, 0.57%

LAB 55.24, 61.07, -28.62

 

CMYK 0 / 37 / 61 / 18

HEX #D08451

RGB 208 132 81

HSL 24.09, 0.57%, 0.57%

LAB 62.09, 24.33, 39.31

 

CMYK 61 / 0 / 49 / 18

HEX #51D06B

RGB 81 208 107

HSL 132.28, 0.57%, 0.57%

LAB 74.78, -56.21, 39.77

 

CMYK 61 / 24 / 0 / 18

HEX #519ED0

RGB 81 158 208

HSL 203.62, 0.57%, 0.57%

LAB 62.3, -8.8, -32.69

 

CMYK 0 / 60 / 12 / 18

HEX #D153B7

RGB 209 83 183

HSL 312.38, 0.58%, 0.57%

LAB 55.24, 61.07, -28.62

 

CMYK 0 / 18 / 61 / 18

HEX #D0AA51

RGB 208 170 81

HSL 42.05, 0.57%, 0.57%

LAB 71.39, 3.78, 50.13

 

CMYK 61 / 0 / 49 / 18

HEX #51D06B

RGB 81 208 107

HSL 132.28, 0.57%, 0.57%

LAB 74.78, -56.21, 39.77

 

CMYK 61 / 43 / 0 / 18

HEX #5177D0

RGB 81 119 208

HSL 222.05, 0.57%, 0.57%

LAB 51.26, 14.13, -50.08

 

Description

Color code: RGB 209 83 183 | qconv.com Color code: RGB 209 83 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 83 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 83 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 12 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 12% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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