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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 81 142 it is the complementary color RGB 46 174 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 81 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 209 81 142: RGB 214 81 137, RGB 231 99 156, RGB 248 117 175, RGB 255 135 194 and RGB 255 153 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 81 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 209 81 142: RGB 209 81 142, RGB 192 63 123, RGB 175 45 104, RGB 158 27 85 and RGB 141 9 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 32 / 18

HEX #D1518E

RGB 209 81 142

HSL 331.41, 0.58%, 0.57%

LAB 53.38, 56.31, -7.45

 

Complementary color

CMYK 74 / 0 / 35 / 32

HEX #2EAE71

RGB 46 174 113

HSL 151.41, 0.58%, 0.43%

LAB 63.38, -48.56, 21.69

 

CMYK 0 / 62 / 36 / 16

HEX #D65189

RGB 214 81 137

HSL 334.74, 0.62%, 0.58%

LAB 54.01, 57.25, -3.46

 

CMYK 0 / 57 / 32 / 9

HEX #E7639C

RGB 231 99 156

HSL 334.09, 0.73%, 0.65%

LAB 60.17, 56.75, -5.19

 

CMYK 0 / 53 / 29 / 3

HEX #F875AF

RGB 248 117 175

HSL 333.44, 0.9%, 0.72%

LAB 66.35, 56.11, -6.64

 

CMYK 0 / 47 / 24 / 0

HEX #FF87C2

RGB 255 135 194

HSL 330.5, 1%, 0.76%

LAB 71.2, 52.19, -9.98

 

CMYK 0 / 40 / 16 / 0

HEX #FF99D5

RGB 255 153 213

HSL 324.71, 1%, 0.8%

LAB 75.36, 45.93, -14.25

 

CMYK 0 / 61 / 32 / 18

HEX #D1518E

RGB 209 81 142

HSL 331.41, 0.58%, 0.57%

LAB 53.38, 56.31, -7.45

 

CMYK 0 / 67 / 36 / 25

HEX #C03F7B

RGB 192 63 123

HSL 332.09, 0.51%, 0.5%

LAB 47.22, 56.53, -5.5

 

CMYK 0 / 74 / 41 / 31

HEX #AF2D68

RGB 175 45 104

HSL 332.77, 0.59%, 0.43%

LAB 41.2, 56.27, -3.04

 

CMYK 0 / 83 / 46 / 38

HEX #9E1B55

RGB 158 27 85

HSL 333.44, 0.71%, 0.36%

LAB 35.42, 55.21, 0.18

 

CMYK 0 / 94 / 53 / 45

HEX #8D0942

RGB 141 9 66

HSL 334.09, 0.88%, 0.29%

LAB 30.04, 52.85, 4.45

 

CMYK 0 / 61 / 32 / 18

HEX #D1518E

RGB 209 81 142

HSL 331.41, 0.58%, 0.57%

LAB 53.38, 56.31, -7.45

 

CMYK 0 / 61 / 41 / 18

HEX #D0517A

RGB 208 81 122

HSL 340.63, 0.57%, 0.57%

LAB 52.62, 53.75, 3.32

 

CMYK 0 / 61 / 52 / 18

HEX #D05164

RGB 208 81 100

HSL 351.02, 0.57%, 0.57%

LAB 52.08, 51.67, 15.69

 

CMYK 0 / 60 / 61 / 18

HEX #D05351

RGB 208 83 81

HSL 0.94, 0.57%, 0.57%

LAB 52.05, 49.33, 26.89

 

CMYK 0 / 50 / 61 / 18

HEX #D06951

RGB 208 105 81

HSL 11.34, 0.57%, 0.57%

LAB 56.19, 38.63, 32.12

 

CMYK 0 / 61 / 32 / 18

HEX #D1518E

RGB 209 81 142

HSL 331.41, 0.58%, 0.57%

LAB 53.38, 56.31, -7.45

 

CMYK 0 / 60 / 40 / 98

HEX #050203

RGB 5 2 3

HSL 340, 0.43%, 0.01%

LAB 0.74, 0.92, -0.1

 

CMYK 0 / 61 / 32 / 78

HEX #381626

RGB 56 22 38

HSL 331.76, 0.44%, 0.15%

LAB 12.95, 19.15, -2.98

 

CMYK 0 / 62 / 32 / 58

HEX #6B2949

RGB 107 41 73

HSL 330.91, 0.45%, 0.29%

LAB 27.28, 33.12, -5.05

 

CMYK 0 / 61 / 32 / 38

HEX #9E3D6B

RGB 158 61 107

HSL 331.55, 0.44%, 0.43%

LAB 40.68, 45.04, -6

 

CMYK 0 / 61 / 32 / 18

HEX #D1518E

RGB 209 81 142

HSL 331.41, 0.58%, 0.57%

LAB 53.38, 56.31, -7.45

 

CMYK 0 / 17 / 61 / 18

HEX #D0AC51

RGB 208 172 81

HSL 42.99, 0.57%, 0.57%

LAB 71.9, 2.72, 50.71

 

CMYK 61 / 7 / 0 / 18

HEX #51C2D0

RGB 81 194 208

HSL 186.61, 0.57%, 0.57%

LAB 72.82, -27.65, -16.59

 

CMYK 0 / 61 / 32 / 18

HEX #D1518E

RGB 209 81 142

HSL 331.41, 0.58%, 0.57%

LAB 53.38, 56.31, -7.45

 

CMYK 31 / 0 / 61 / 18

HEX #8FD051

RGB 143 208 81

HSL 90.71, 0.57%, 0.57%

LAB 77.01, -41.26, 55.11

 

CMYK 61 / 31 / 0 / 18

HEX #518FD0

RGB 81 143 208

HSL 210.71, 0.57%, 0.57%

LAB 57.99, -0.27, -39.43

 

CMYK 0 / 61 / 32 / 18

HEX #D1518E

RGB 209 81 142

HSL 331.41, 0.58%, 0.57%

LAB 53.38, 56.31, -7.45

 

CMYK 0 / 17 / 61 / 18

HEX #D0AC51

RGB 208 172 81

HSL 42.99, 0.57%, 0.57%

LAB 71.9, 2.72, 50.71

 

CMYK 61 / 0 / 29 / 18

HEX #51D093

RGB 81 208 147

HSL 151.18, 0.57%, 0.57%

LAB 75.43, -49.13, 20.1

 

CMYK 61 / 44 / 0 / 18

HEX #5175D0

RGB 81 117 208

HSL 222.99, 0.57%, 0.57%

LAB 50.72, 15.36, -50.95

 

CMYK 0 / 61 / 32 / 18

HEX #D1518E

RGB 209 81 142

HSL 331.41, 0.58%, 0.57%

LAB 53.38, 56.31, -7.45

 

CMYK 1 / 0 / 61 / 18

HEX #CED051

RGB 206 208 81

HSL 60.94, 0.57%, 0.57%

LAB 81.2, -16.69, 60.89

 

CMYK 61 / 0 / 29 / 18

HEX #51D093

RGB 81 208 147

HSL 151.18, 0.57%, 0.57%

LAB 75.43, -49.13, 20.1

 

CMYK 60 / 61 / 0 / 18

HEX #5351D0

RGB 83 81 208

HSL 240.94, 0.57%, 0.57%

LAB 41.65, 38.06, -65.56

 

Description

Color code: RGB 209 81 142 | qconv.com Color code: RGB 209 81 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 81 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 81 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 32 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 32% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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