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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 53 152 it is the complementary color RGB 46 202 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 53 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 53 152 shade: RGB 214 53 147, RGB 231 71 166, RGB 248 89 185, RGB 255 107 204 and RGB 255 125 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 53 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 53 152 shade: RGB 209 53 152, RGB 192 35 133, RGB 175 17 114, RGB 158 0 95 and RGB 141 0 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 53 152 shade: RGB 209 51 151, RGB 209 51 109, RGB 209 51 66 and RGB 209 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 53 152 shade: RGB 209 51 151, RGB 209 51 194, RGB 181 51 209, RGB 139 51 209 and RGB 96 51 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 53 152 shade matches the following richer shades: RGB 209 51 151, RGB 229 31 157 and RGB 249 11 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 53 152 shade: RGB 209 51 151, RGB 189 72 146, RGB 168 92 140, RGB 148 112 135 and RGB 128 132 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 53 152 shade: RGB 180 51 209, RGB 209 51 196, RGB 209 51 154, RGB 209 51 112 and RGB 209 51 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 53 152 shade: RGB 145 33 104, RGB 178 40 128, RGB 209 51 151, RGB 216 85 168 and RGB 224 119 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 53 152 shade: RGB 209 53 152, RGB 209 138 51 and RGB 51 209 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 53 152 shade: RGB 209 53 152, RGB 154 209 51 and RGB 51 154 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 53 152 shade: RGB 209 53 152, RGB 209 138 51, RGB 51 209 106 and RGB 51 122 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 53 152 shade: RGB 209 53 152, RGB 209 185 51, RGB 51 209 106 and RGB 51 75 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 27 / 18

HEX #D13598

RGB 209 53 152

HSL 321.92, 0.63%, 0.51%

LAB 49.94, 68.03, -18.59

 

Complementary color

CMYK 77 / 0 / 49 / 21

HEX #2ECA67

RGB 46 202 103

HSL 141.92, 0.63%, 0.49%

LAB 72.1, -60.67, 38.23

 

CMYK 0 / 75 / 31 / 16

HEX #D63593

RGB 214 53 147

HSL 324.97, 0.66%, 0.52%

LAB 50.63, 68.69, -14.47

 

CMYK 0 / 69 / 28 / 9

HEX #E747A6

RGB 231 71 166

HSL 324.38, 0.77%, 0.59%

LAB 56.34, 69.32, -16.76

 

CMYK 0 / 64 / 25 / 3

HEX #F859B9

RGB 248 89 185

HSL 323.77, 0.92%, 0.66%

LAB 62.17, 69.46, -18.61

 

CMYK 0 / 58 / 20 / 0

HEX #FF6BCC

RGB 255 107 204

HSL 320.68, 1%, 0.71%

LAB 66.62, 66.49, -22.49

 

CMYK 0 / 51 / 13 / 0

HEX #FF7DDF

RGB 255 125 223

HSL 314.77, 1%, 0.75%

LAB 70.35, 61.17, -27.36

 

CMYK 0 / 75 / 27 / 18

HEX #D13598

RGB 209 53 152

HSL 321.92, 0.63%, 0.51%

LAB 49.94, 68.03, -18.59

 

CMYK 0 / 82 / 31 / 25

HEX #C02385

RGB 192 35 133

HSL 322.55, 0.69%, 0.45%

LAB 44.38, 66.69, -15.89

 

CMYK 0 / 90 / 35 / 31

HEX #AF1172

RGB 175 17 114

HSL 323.16, 0.82%, 0.38%

LAB 39.12, 64.28, -12.42

 

CMYK 0 / 100 / 40 / 38

HEX #9E005F

RGB 158 0 95

HSL 323.92, 1%, 0.31%

LAB 34.18, 60.73, -8.12

 

CMYK 0 / 100 / 46 / 45

HEX #8D004C

RGB 141 0 76

HSL 327.66, 1%, 0.28%

LAB 29.87, 55.1, -2.47

 

CMYK 0 / 76 / 28 / 18

HEX #D13397

RGB 209 51 151

HSL 322.03, 0.63%, 0.51%

LAB 49.69, 68.52, -18.38

 

CMYK 0 / 76 / 48 / 18

HEX #D1336D

RGB 209 51 109

HSL 337.97, 0.63%, 0.51%

LAB 48.29, 64.2, 4.96

 

CMYK 0 / 76 / 68 / 18

HEX #D13342

RGB 209 51 66

HSL 354.3, 0.63%, 0.51%

LAB 47.39, 61.29, 29.92

 

CMYK 0 / 76 / 76 / 18

HEX #D13333

RGB 209 51 51

HSL 0, 0.63%, 0.51%

LAB 47.19, 60.64, 38.43

 

CMYK 0 / 76 / 28 / 18

HEX #D13397

RGB 209 51 151

HSL 322.03, 0.63%, 0.51%

LAB 49.69, 68.52, -18.38

 

CMYK 0 / 76 / 7 / 18

HEX #D133C2

RGB 209 51 194

HSL 305.7, 0.63%, 0.51%

LAB 51.63, 74.28, -40.63

 

CMYK 13 / 76 / 0 / 18

HEX #B533D1

RGB 181 51 209

HSL 289.37, 0.63%, 0.51%

LAB 48, 71.06, -55.33

 

CMYK 33 / 76 / 0 / 18

HEX #8B33D1

RGB 139 51 209

HSL 273.42, 0.63%, 0.51%

LAB 41.94, 63.37, -65.43

 

CMYK 54 / 76 / 0 / 18

HEX #6033D1

RGB 96 51 209

HSL 257.09, 0.63%, 0.51%

LAB 36.85, 56.73, -73.95

 

CMYK 0 / 76 / 28 / 18

HEX #D13397

RGB 209 51 151

HSL 322.03, 0.63%, 0.51%

LAB 49.69, 68.52, -18.38

 

CMYK 0 / 86 / 31 / 10

HEX #E51F9D

RGB 229 31 157

HSL 321.82, 0.79%, 0.51%

LAB 51.92, 78.44, -18.22

 

CMYK 0 / 96 / 35 / 2

HEX #F90BA2

RGB 249 11 162

HSL 321.93, 0.95%, 0.51%

LAB 55.06, 85.44, -16.05

 

CMYK 0 / 76 / 28 / 18

HEX #D13397

RGB 209 51 151

HSL 322.03, 0.63%, 0.51%

LAB 49.69, 68.52, -18.38

 

CMYK 0 / 62 / 23 / 26

HEX #BD4892

RGB 189 72 146

HSL 322.05, 0.47%, 0.51%

LAB 48.92, 54.8, -16.86

 

CMYK 0 / 45 / 17 / 34

HEX #A85C8C

RGB 168 92 140

HSL 322.11, 0.3%, 0.51%

LAB 49.34, 37.47, -12.93

 

CMYK 0 / 24 / 9 / 42

HEX #947087

RGB 148 112 135

HSL 321.67, 0.14%, 0.51%

LAB 51.42, 18.15, -7.09

 

CMYK 3 / 0 / 2 / 48

HEX #808481

RGB 128 132 129

HSL 135, 0.02%, 0.51%

LAB 54.74, -2.08, 1.09

 

CMYK 14 / 76 / 0 / 18

HEX #B433D1

RGB 180 51 209

HSL 288.99, 0.63%, 0.51%

LAB 47.85, 70.87, -55.58

 

CMYK 0 / 76 / 6 / 18

HEX #D133C4

RGB 209 51 196

HSL 304.94, 0.63%, 0.51%

LAB 51.73, 74.58, -41.62

 

CMYK 0 / 76 / 26 / 18

HEX #D1339A

RGB 209 51 154

HSL 320.89, 0.63%, 0.51%

LAB 49.81, 68.88, -19.98

 

CMYK 0 / 76 / 46 / 18

HEX #D13370

RGB 209 51 112

HSL 336.84, 0.63%, 0.51%

LAB 48.38, 64.46, 3.25

 

CMYK 0 / 76 / 67 / 18

HEX #D13346

RGB 209 51 70

HSL 352.78, 0.63%, 0.51%

LAB 47.45, 61.5, 27.61

 

CMYK 0 / 77 / 28 / 43

HEX #912168

RGB 145 33 104

HSL 321.96, 0.63%, 0.35%

LAB 34.2, 52.11, -14.11

 

CMYK 0 / 78 / 28 / 30

HEX #B22880

RGB 178 40 128

HSL 321.74, 0.63%, 0.43%

LAB 42.06, 61.37, -16.59

 

CMYK 0 / 76 / 28 / 18

HEX #D13397

RGB 209 51 151

HSL 322.03, 0.63%, 0.51%

LAB 49.69, 68.52, -18.38

 

CMYK 0 / 61 / 22 / 15

HEX #D855A8

RGB 216 85 168

HSL 321.98, 0.63%, 0.59%

LAB 56.01, 59.99, -18.64

 

CMYK 0 / 47 / 17 / 12

HEX #E077BA

RGB 224 119 186

HSL 321.71, 0.63%, 0.67%

LAB 63.82, 49.06, -16.99

 

CMYK 0 / 75 / 27 / 18

HEX #D13598

RGB 209 53 152

HSL 321.92, 0.63%, 0.51%

LAB 49.94, 68.03, -18.59

 

CMYK 0 / 34 / 76 / 18

HEX #D18A33

RGB 209 138 51

HSL 33.04, 0.63%, 0.51%

LAB 63.32, 19.81, 55.11

 

CMYK 76 / 0 / 4 / 18

HEX #33D1C9

RGB 51 209 201

HSL 176.96, 0.63%, 0.51%

LAB 76.39, -40.84, -7.53

 

CMYK 0 / 75 / 27 / 18

HEX #D13598

RGB 209 53 152

HSL 321.92, 0.63%, 0.51%

LAB 49.94, 68.03, -18.59

 

CMYK 26 / 0 / 76 / 18

HEX #9AD133

RGB 154 209 51

HSL 80.89, 0.63%, 0.51%

LAB 77.7, -39.72, 67.38

 

CMYK 76 / 26 / 0 / 18

HEX #339AD1

RGB 51 154 209

HSL 200.89, 0.63%, 0.51%

LAB 60.26, -10.82, -36.49

 

CMYK 0 / 75 / 27 / 18

HEX #D13598

RGB 209 53 152

HSL 321.92, 0.63%, 0.51%

LAB 49.94, 68.03, -18.59

 

CMYK 0 / 34 / 76 / 18

HEX #D18A33

RGB 209 138 51

HSL 33.04, 0.63%, 0.51%

LAB 63.32, 19.81, 55.11

 

CMYK 76 / 0 / 49 / 18

HEX #33D16A

RGB 51 209 106

HSL 140.89, 0.63%, 0.51%

LAB 74.41, -61.96, 39.66

 

CMYK 76 / 42 / 0 / 18

HEX #337AD1

RGB 51 122 209

HSL 213.04, 0.63%, 0.51%

LAB 50.95, 7.99, -51.21

 

CMYK 0 / 75 / 27 / 18

HEX #D13598

RGB 209 53 152

HSL 321.92, 0.63%, 0.51%

LAB 49.94, 68.03, -18.59

 

CMYK 0 / 11 / 76 / 18

HEX #D1B933

RGB 209 185 51

HSL 50.89, 0.63%, 0.51%

LAB 75.13, -5.33, 66.41

 

CMYK 76 / 0 / 49 / 18

HEX #33D16A

RGB 51 209 106

HSL 140.89, 0.63%, 0.51%

LAB 74.41, -61.96, 39.66

 

CMYK 76 / 64 / 0 / 18

HEX #334BD1

RGB 51 75 209

HSL 230.89, 0.63%, 0.51%

LAB 38.44, 37.85, -71.46

 

Description

Color code: RGB 209 53 152 | qconv.com Color code: RGB 209 53 152 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 53 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 53 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 27 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 27% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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