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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 53 147 it is the complementary color RGB 41 202 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 53 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 53 147 shade: RGB 219 53 142, RGB 236 71 161, RGB 253 89 180, RGB 255 107 199 and RGB 255 125 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 53 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 53 147 shade: RGB 214 53 147, RGB 197 35 128, RGB 180 17 109, RGB 163 0 90 and RGB 146 0 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 53 147 shade: RGB 213 52 146, RGB 213 52 103, RGB 213 52 59 and RGB 213 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 53 147 shade: RGB 213 52 146, RGB 213 52 190, RGB 193 52 213, RGB 150 52 213 and RGB 106 52 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 53 147 shade matches the following richer shades: RGB 213 52 146, RGB 233 32 149 and RGB 253 12 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 53 147 shade: RGB 213 52 146, RGB 194 72 143, RGB 174 91 140, RGB 154 111 136 and RGB 134 131 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 53 147 shade: RGB 192 52 213, RGB 213 52 192, RGB 213 52 149, RGB 213 52 106 and RGB 213 52 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 53 147 shade: RGB 152 31 101, RGB 186 38 124, RGB 213 52 146, RGB 220 86 164 and RGB 227 120 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 53 147 shade: RGB 214 53 147, RGB 213 149 52 and RGB 52 213 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 53 147 shade: RGB 214 53 147, RGB 149 213 52 and RGB 52 149 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 53 147 shade: RGB 214 53 147, RGB 213 149 52, RGB 52 213 116 and RGB 52 116 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 53 147 shade: RGB 214 53 147, RGB 213 197 52, RGB 52 213 116 and RGB 52 68 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 31 / 16

HEX #D63593

RGB 214 53 147

HSL 324.97, 0.66%, 0.52%

LAB 50.63, 68.69, -14.47

 

Complementary color

CMYK 80 / 0 / 47 / 21

HEX #29CA6C

RGB 41 202 108

HSL 144.97, 0.66%, 0.48%

LAB 72.09, -60.45, 35.71

 

CMYK 0 / 76 / 35 / 14

HEX #DB358E

RGB 219 53 142

HSL 327.83, 0.7%, 0.53%

LAB 51.34, 69.4, -10.33

 

CMYK 0 / 70 / 32 / 7

HEX #EC47A1

RGB 236 71 161

HSL 327.27, 0.81%, 0.6%

LAB 56.99, 70.05, -12.77

 

CMYK 0 / 65 / 29 / 1

HEX #FD59B4

RGB 253 89 180

HSL 326.71, 0.98%, 0.67%

LAB 62.78, 70.21, -14.75

 

CMYK 0 / 58 / 22 / 0

HEX #FF6BC7

RGB 255 107 199

HSL 322.7, 1%, 0.71%

LAB 66.44, 65.81, -19.95

 

CMYK 0 / 51 / 15 / 0

HEX #FF7DDA

RGB 255 125 218

HSL 317.08, 1%, 0.75%

LAB 70.17, 60.41, -24.88

 

CMYK 0 / 75 / 31 / 16

HEX #D63593

RGB 214 53 147

HSL 324.97, 0.66%, 0.52%

LAB 50.63, 68.69, -14.47

 

CMYK 0 / 82 / 35 / 23

HEX #C52380

RGB 197 35 128

HSL 325.56, 0.7%, 0.45%

LAB 45.12, 67.33, -11.61

 

CMYK 0 / 91 / 39 / 29

HEX #B4116D

RGB 180 17 109

HSL 326.13, 0.83%, 0.39%

LAB 39.93, 64.91, -7.96

 

CMYK 0 / 100 / 45 / 36

HEX #A3005A

RGB 163 0 90

HSL 326.87, 1%, 0.32%

LAB 35.05, 61.38, -3.47

 

CMYK 0 / 100 / 51 / 43

HEX #920047

RGB 146 0 71

HSL 330.82, 1%, 0.29%

LAB 30.8, 55.84, 2.34

 

CMYK 0 / 76 / 31 / 16

HEX #D53492

RGB 213 52 146

HSL 324.97, 0.66%, 0.52%

LAB 50.31, 68.63, -14.38

 

CMYK 0 / 76 / 52 / 16

HEX #D53467

RGB 213 52 103

HSL 340.99, 0.66%, 0.52%

LAB 48.98, 64.5, 9.71

 

CMYK 0 / 76 / 72 / 16

HEX #D5343B

RGB 213 52 59

HSL 357.39, 0.66%, 0.52%

LAB 48.16, 61.83, 35.14

 

CMYK 0 / 76 / 76 / 16

HEX #D53434

RGB 213 52 52

HSL 0, 0.66%, 0.52%

LAB 48.07, 61.55, 39.05

 

CMYK 0 / 76 / 31 / 16

HEX #D53492

RGB 213 52 146

HSL 324.97, 0.66%, 0.52%

LAB 50.31, 68.63, -14.38

 

CMYK 0 / 76 / 11 / 16

HEX #D534BE

RGB 213 52 190

HSL 308.57, 0.66%, 0.52%

LAB 52.2, 74.27, -37.37

 

CMYK 9 / 76 / 0 / 16

HEX #C134D5

RGB 193 52 213

HSL 292.55, 0.66%, 0.52%

LAB 50.21, 73.77, -53.97

 

CMYK 30 / 76 / 0 / 16

HEX #9634D5

RGB 150 52 213

HSL 276.52, 0.66%, 0.52%

LAB 43.86, 65.77, -64.53

 

CMYK 50 / 76 / 0 / 16

HEX #6A34D5

RGB 106 52 213

HSL 260.12, 0.66%, 0.52%

LAB 38.42, 58.72, -73.65

 

CMYK 0 / 76 / 31 / 16

HEX #D53492

RGB 213 52 146

HSL 324.97, 0.66%, 0.52%

LAB 50.31, 68.63, -14.38

 

CMYK 0 / 86 / 36 / 9

HEX #E92095

RGB 233 32 149

HSL 325.07, 0.82%, 0.52%

LAB 52.43, 78.32, -12.61

 

CMYK 0 / 95 / 40 / 1

HEX #FD0C99

RGB 253 12 153

HSL 324.9, 0.98%, 0.52%

LAB 55.53, 85.36, -9.95

 

CMYK 0 / 76 / 31 / 16

HEX #D53492

RGB 213 52 146

HSL 324.97, 0.66%, 0.52%

LAB 50.31, 68.63, -14.38

 

CMYK 0 / 63 / 26 / 24

HEX #C2488F

RGB 194 72 143

HSL 325.08, 0.5%, 0.52%

LAB 49.6, 55.85, -13.96

 

CMYK 0 / 48 / 20 / 32

HEX #AE5B8C

RGB 174 91 140

HSL 324.58, 0.34%, 0.52%

LAB 49.95, 40.03, -11.93

 

CMYK 0 / 28 / 12 / 40

HEX #9A6F88

RGB 154 111 136

HSL 325.12, 0.18%, 0.52%

LAB 51.86, 21.14, -6.96

 

CMYK 0 / 2 / 1 / 47

HEX #868385

RGB 134 131 133

HSL 320, 0.01%, 0.52%

LAB 55.07, 1.52, -0.69

 

CMYK 10 / 76 / 0 / 16

HEX #C034D5

RGB 192 52 213

HSL 292.17, 0.66%, 0.52%

LAB 50.06, 73.57, -54.23

 

CMYK 0 / 76 / 10 / 16

HEX #D534C0

RGB 213 52 192

HSL 307.83, 0.66%, 0.52%

LAB 52.3, 74.56, -38.38

 

CMYK 0 / 76 / 30 / 16

HEX #D53495

RGB 213 52 149

HSL 323.85, 0.66%, 0.52%

LAB 50.42, 68.97, -16

 

CMYK 0 / 76 / 50 / 16

HEX #D5346A

RGB 213 52 106

HSL 339.88, 0.66%, 0.52%

LAB 49.06, 64.74, 7.98

 

CMYK 0 / 76 / 70 / 16

HEX #D5343F

RGB 213 52 63

HSL 355.9, 0.66%, 0.52%

LAB 48.21, 62.01, 32.87

 

CMYK 0 / 80 / 34 / 40

HEX #981F65

RGB 152 31 101

HSL 325.29, 0.66%, 0.36%

LAB 35.19, 54.19, -10.57

 

CMYK 0 / 80 / 33 / 27

HEX #BA267C

RGB 186 38 124

HSL 325.14, 0.66%, 0.44%

LAB 43.18, 63.46, -12.28

 

CMYK 0 / 76 / 31 / 16

HEX #D53492

RGB 213 52 146

HSL 324.97, 0.66%, 0.52%

LAB 50.31, 68.63, -14.38

 

CMYK 0 / 61 / 25 / 14

HEX #DC56A4

RGB 220 86 164

HSL 325.07, 0.66%, 0.6%

LAB 56.64, 60.18, -15.3

 

CMYK 0 / 47 / 19 / 11

HEX #E378B7

RGB 227 120 183

HSL 324.67, 0.66%, 0.68%

LAB 64.31, 49.07, -14.52

 

CMYK 0 / 75 / 31 / 16

HEX #D63593

RGB 214 53 147

HSL 324.97, 0.66%, 0.52%

LAB 50.63, 68.69, -14.47

 

CMYK 0 / 30 / 76 / 16

HEX #D59534

RGB 213 149 52

HSL 36.15, 0.66%, 0.52%

LAB 66.43, 15.61, 57.91

 

CMYK 76 / 0 / 0 / 16

HEX #34D5D5

RGB 52 213 213

HSL 180, 0.66%, 0.52%

LAB 77.95, -39.14, -11.65

 

CMYK 0 / 75 / 31 / 16

HEX #D63593

RGB 214 53 147

HSL 324.97, 0.66%, 0.52%

LAB 50.63, 68.69, -14.47

 

CMYK 30 / 0 / 76 / 16

HEX #95D534

RGB 149 213 52

HSL 83.85, 0.66%, 0.52%

LAB 78.59, -43.28, 67.8

 

CMYK 76 / 30 / 0 / 16

HEX #3495D5

RGB 52 149 213

HSL 203.85, 0.66%, 0.52%

LAB 59, -6.49, -40.71

 

CMYK 0 / 75 / 31 / 16

HEX #D63593

RGB 214 53 147

HSL 324.97, 0.66%, 0.52%

LAB 50.63, 68.69, -14.47

 

CMYK 0 / 30 / 76 / 16

HEX #D59534

RGB 213 149 52

HSL 36.15, 0.66%, 0.52%

LAB 66.43, 15.61, 57.91

 

CMYK 76 / 0 / 46 / 16

HEX #34D574

RGB 52 213 116

HSL 143.85, 0.66%, 0.52%

LAB 75.81, -61.61, 36.49

 

CMYK 76 / 46 / 0 / 16

HEX #3474D5

RGB 52 116 213

HSL 216.15, 0.66%, 0.52%

LAB 49.53, 13.32, -55.76

 

CMYK 0 / 75 / 31 / 16

HEX #D63593

RGB 214 53 147

HSL 324.97, 0.66%, 0.52%

LAB 50.63, 68.69, -14.47

 

CMYK 0 / 8 / 76 / 16

HEX #D5C534

RGB 213 197 52

HSL 54.04, 0.66%, 0.52%

LAB 78.65, -9.74, 69.47

 

CMYK 76 / 0 / 46 / 16

HEX #34D574

RGB 52 213 116

HSL 143.85, 0.66%, 0.52%

LAB 75.81, -61.61, 36.49

 

CMYK 76 / 68 / 0 / 16

HEX #3444D5

RGB 52 68 213

HSL 234.04, 0.66%, 0.52%

LAB 37.24, 43.65, -75.74

 

Description

Color code: RGB 214 53 147 | qconv.com Color code: RGB 214 53 147 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 53 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 53 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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