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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 219 25 it is the complementary color RGB 46 36 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 219 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 209 219 25: RGB 214 219 20, RGB 231 237 39, RGB 248 255 58, RGB 255 255 77 and RGB 255 255 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 219 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 209 219 25: RGB 209 219 25, RGB 192 201 6, RGB 175 183 0, RGB 158 165 0 and RGB 141 147 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 89 / 14

HEX #D1DB19

RGB 209 219 25

HSL 63.09, 0.8%, 0.48%

LAB 84.12, -23.12, 80.61

 

Complementary color

CMYK 80 / 84 / 0 / 10

HEX #2E24E6

RGB 46 36 230

HSL 243.09, 0.8%, 0.52%

LAB 33.04, 64.93, -92.45

 

CMYK 2 / 0 / 91 / 14

HEX #D6DB14

RGB 214 219 20

HSL 61.51, 0.83%, 0.47%

LAB 84.49, -21.11, 81.81

 

CMYK 3 / 0 / 84 / 7

HEX #E7ED27

RGB 231 237 39

HSL 61.82, 0.85%, 0.54%

LAB 90.64, -22.33, 83.98

 

CMYK 3 / 0 / 77 / 0

HEX #F8FF3A

RGB 248 255 58

HSL 62.13, 1%, 0.61%

LAB 96.73, -23.39, 85.1

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 5 / 0 / 89 / 14

HEX #D1DB19

RGB 209 219 25

HSL 63.09, 0.8%, 0.48%

LAB 84.12, -23.12, 80.61

 

CMYK 4 / 0 / 97 / 21

HEX #C0C906

RGB 192 201 6

HSL 62.77, 0.94%, 0.41%

LAB 77.87, -21.8, 77.55

 

CMYK 4 / 0 / 100 / 28

HEX #AFB700

RGB 175 183 0

HSL 62.62, 1%, 0.36%

LAB 71.54, -20.28, 72.88

 

CMYK 4 / 0 / 100 / 35

HEX #9EA500

RGB 158 165 0

HSL 62.55, 1%, 0.32%

LAB 65.1, -18.67, 67.53

 

CMYK 4 / 0 / 100 / 42

HEX #8D9300

RGB 141 147 0

HSL 62.45, 1%, 0.29%

LAB 58.54, -17.01, 62.07

 

CMYK 5 / 0 / 89 / 14

HEX #D1DB19

RGB 209 219 25

HSL 63.09, 0.8%, 0.48%

LAB 84.12, -23.12, 80.61

 

CMYK 20 / 0 / 89 / 14

HEX #B1DC18

RGB 177 220 24

HSL 73.16, 0.8%, 0.48%

LAB 82.16, -36.65, 78.27

 

CMYK 34 / 0 / 89 / 14

HEX #91DC18

RGB 145 220 24

HSL 82.96, 0.8%, 0.48%

LAB 80.33, -48.72, 76.02

 

CMYK 49 / 0 / 89 / 14

HEX #70DC18

RGB 112 220 24

HSL 93.06, 0.8%, 0.48%

LAB 78.87, -59.48, 74.2

 

CMYK 64 / 0 / 89 / 14

HEX #4FDC18

RGB 79 220 24

HSL 103.16, 0.8%, 0.48%

LAB 77.82, -67.88, 72.91

 

CMYK 5 / 0 / 89 / 14

HEX #D1DB19

RGB 209 219 25

HSL 63.09, 0.8%, 0.48%

LAB 84.12, -23.12, 80.61

 

CMYK 7 / 0 / 87 / 94

HEX #0E0F02

RGB 14 15 2

HSL 64.62, 0.76%, 0.03%

LAB 3.97, -2.24, 5.08

 

CMYK 5 / 0 / 88 / 74

HEX #3F4208

RGB 63 66 8

HSL 63.1, 0.78%, 0.15%

LAB 26.65, -9.32, 31.99

 

CMYK 4 / 0 / 89 / 54

HEX #70750D

RGB 112 117 13

HSL 62.88, 0.8%, 0.25%

LAB 47.23, -14.17, 49.88

 

CMYK 5 / 0 / 89 / 34

HEX #A0A813

RGB 160 168 19

HSL 63.22, 0.8%, 0.37%

LAB 66.16, -19, 65.69

 

CMYK 5 / 0 / 89 / 14

HEX #D1DB19

RGB 209 219 25

HSL 63.09, 0.8%, 0.48%

LAB 84.12, -23.12, 80.61

 

CMYK 89 / 0 / 67 / 14

HEX #18DC49

RGB 24 220 73

HSL 135, 0.8%, 0.48%

LAB 77.2, -72.33, 57.67

 

CMYK 31 / 89 / 0 / 14

HEX #9718DC

RGB 151 24 220

HSL 278.88, 0.8%, 0.48%

LAB 41.84, 75.27, -71.83

 

CMYK 5 / 0 / 89 / 14

HEX #D1DB19

RGB 209 219 25

HSL 63.09, 0.8%, 0.48%

LAB 84.12, -23.12, 80.61

 

CMYK 89 / 5 / 0 / 14

HEX #18D2DC

RGB 24 210 220

HSL 183.06, 0.8%, 0.48%

LAB 76.95, -37.76, -16.93

 

CMYK 0 / 89 / 5 / 14

HEX #DC18D2

RGB 220 24 210

HSL 303.06, 0.8%, 0.48%

LAB 52.42, 84.32, -48.46

 

CMYK 5 / 0 / 89 / 14

HEX #D1DB19

RGB 209 219 25

HSL 63.09, 0.8%, 0.48%

LAB 84.12, -23.12, 80.61

 

CMYK 89 / 0 / 67 / 14

HEX #18DC49

RGB 24 220 73

HSL 135, 0.8%, 0.48%

LAB 77.2, -72.33, 57.67

 

CMYK 85 / 89 / 0 / 14

HEX #2218DC

RGB 34 24 220

HSL 243.06, 0.8%, 0.48%

LAB 29.81, 65.98, -92.1

 

CMYK 0 / 89 / 22 / 14

HEX #DC18AB

RGB 220 24 171

HSL 315, 0.8%, 0.48%

LAB 50.46, 79.24, -28.88

 

CMYK 5 / 0 / 89 / 14

HEX #D1DB19

RGB 209 219 25

HSL 63.09, 0.8%, 0.48%

LAB 84.12, -23.12, 80.61

 

CMYK 89 / 0 / 40 / 14

HEX #18DC84

RGB 24 220 132

HSL 153.06, 0.8%, 0.48%

LAB 77.9, -63.81, 31.07

 

CMYK 85 / 89 / 0 / 14

HEX #2218DC

RGB 34 24 220

HSL 243.06, 0.8%, 0.48%

LAB 29.81, 65.98, -92.1

 

CMYK 0 / 89 / 49 / 14

HEX #DC1870

RGB 220 24 112

HSL 333.06, 0.8%, 0.48%

LAB 48.31, 73.4, 3.41

 

Description

Color code: RGB 209 219 25 | qconv.com Color code: RGB 209 219 25 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 219 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 219 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 89 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 89% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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