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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 188 167 it is the complementary color RGB 46 67 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 188 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 209 188 167: RGB 214 188 162, RGB 231 206 181, RGB 248 224 200, RGB 255 242 219 and RGB 255 255 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 188 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 209 188 167: RGB 209 188 167, RGB 192 170 148, RGB 175 152 129, RGB 158 134 110 and RGB 141 116 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 20 / 18

HEX #D1BCA7

RGB 209 188 167

HSL 30, 0.31%, 0.74%

LAB 77.47, 4.1, 13.34

 

Complementary color

CMYK 48 / 24 / 0 / 65

HEX #2E4358

RGB 46 67 88

HSL 210, 0.31%, 0.26%

LAB 27.57, -1.78, -15.1

 

CMYK 0 / 12 / 24 / 16

HEX #D6BCA2

RGB 214 188 162

HSL 30, 0.39%, 0.74%

LAB 77.8, 5.25, 16.56

 

CMYK 0 / 11 / 22 / 9

HEX #E7CEB5

RGB 231 206 181

HSL 30, 0.51%, 0.81%

LAB 84.21, 4.86, 15.63

NCS® S1510-Y40R

CMYK 0 / 10 / 19 / 3

HEX #F8E0C8

RGB 248 224 200

HSL 30, 0.77%, 0.88%

LAB 90.52, 4.51, 14.74

 

CMYK 0 / 5 / 14 / 0

HEX #FFF2DB

RGB 255 242 219

HSL 38.33, 1%, 0.93%

LAB 95.95, 0.66, 12.66

NCS® S0505-Y30R

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 0 / 10 / 20 / 18

HEX #D1BCA7

RGB 209 188 167

HSL 30, 0.31%, 0.74%

LAB 77.47, 4.1, 13.34

 

CMYK 0 / 11 / 23 / 25

HEX #C0AA94

RGB 192 170 148

HSL 30, 0.26%, 0.67%

LAB 70.94, 4.47, 14.26

 

CMYK 0 / 13 / 26 / 31

HEX #AF9881

RGB 175 152 129

HSL 30, 0.22%, 0.6%

LAB 64.29, 4.9, 15.25

 

CMYK 0 / 15 / 30 / 38

HEX #9E866E

RGB 158 134 110

HSL 30, 0.2%, 0.53%

LAB 57.51, 5.39, 16.32

 

CMYK 0 / 18 / 35 / 45

HEX #8D745B

RGB 141 116 91

HSL 30, 0.22%, 0.45%

LAB 50.58, 5.97, 17.49

 

CMYK 0 / 10 / 20 / 18

HEX #D1BCA7

RGB 209 188 167

HSL 30, 0.31%, 0.74%

LAB 77.47, 4.1, 13.34

 

CMYK 0 / 7 / 20 / 18

HEX #D1C3A8

RGB 209 195 168

HSL 39.51, 0.31%, 0.74%

LAB 79.28, 0.54, 15.35

 

CMYK 0 / 3 / 20 / 18

HEX #D1CAA8

RGB 209 202 168

HSL 49.76, 0.31%, 0.74%

LAB 81.08, -3.12, 17.87

 

CMYK 0 / 0 / 20 / 18

HEX #D1D1A8

RGB 209 209 168

HSL 60, 0.31%, 0.74%

LAB 82.9, -6.74, 20.4

 

CMYK 3 / 0 / 20 / 18

HEX #CAD1A8

RGB 202 209 168

HSL 70.24, 0.31%, 0.74%

LAB 82.37, -9.32, 19.58

 

CMYK 0 / 10 / 20 / 18

HEX #D1BCA7

RGB 209 188 167

HSL 30, 0.31%, 0.74%

LAB 77.47, 4.1, 13.34

 

CMYK 0 / 20 / 20 / 98

HEX #050404

RGB 5 4 4

HSL 0, 0.11%, 0.02%

LAB 1.15, 0.26, 0.09

 

CMYK 0 / 11 / 20 / 78

HEX #38322D

RGB 56 50 45

HSL 27.27, 0.11%, 0.2%

LAB 21.25, 1.65, 4.15

 

CMYK 0 / 10 / 21 / 58

HEX #6B6055

RGB 107 96 85

HSL 30, 0.11%, 0.38%

LAB 41.45, 2.41, 7.88

 

CMYK 0 / 10 / 20 / 38

HEX #9E8E7E

RGB 158 142 126

HSL 30, 0.14%, 0.56%

LAB 60, 3.28, 10.7

 

CMYK 0 / 10 / 20 / 18

HEX #D1BCA7

RGB 209 188 167

HSL 30, 0.31%, 0.74%

LAB 77.47, 4.1, 13.34

 

CMYK 14 / 0 / 20 / 18

HEX #B4D1A8

RGB 180 209 168

HSL 102.44, 0.31%, 0.74%

LAB 80.81, -17.22, 17.17

 

CMYK 18 / 20 / 0 / 18

HEX #ACA8D1

RGB 172 168 209

HSL 245.85, 0.31%, 0.74%

LAB 70.44, 9.83, -20.28

 

CMYK 0 / 10 / 20 / 18

HEX #D1BCA7

RGB 209 188 167

HSL 30, 0.31%, 0.74%

LAB 77.47, 4.1, 13.34

 

CMYK 20 / 0 / 10 / 18

HEX #A8D1BC

RGB 168 209 188

HSL 149.27, 0.31%, 0.74%

LAB 80.49, -17.67, 5.98

 

CMYK 10 / 20 / 0 / 18

HEX #BCA8D1

RGB 188 168 209

HSL 269.27, 0.31%, 0.74%

LAB 71.76, 15.01, -18.16

 

CMYK 0 / 10 / 20 / 18

HEX #D1BCA7

RGB 209 188 167

HSL 30, 0.31%, 0.74%

LAB 77.47, 4.1, 13.34

 

CMYK 14 / 0 / 20 / 18

HEX #B4D1A8

RGB 180 209 168

HSL 102.44, 0.31%, 0.74%

LAB 80.81, -17.22, 17.17

 

CMYK 20 / 10 / 0 / 18

HEX #A8BCD1

RGB 168 188 209

HSL 210.73, 0.31%, 0.74%

LAB 75.39, -2.37, -12.85

 

CMYK 6 / 20 / 0 / 18

HEX #C4A8D1

RGB 196 168 209

HSL 280.98, 0.31%, 0.74%

LAB 72.46, 17.65, -17.03

 

CMYK 0 / 10 / 20 / 18

HEX #D1BCA7

RGB 209 188 167

HSL 30, 0.31%, 0.74%

LAB 77.47, 4.1, 13.34

 

CMYK 20 / 0 / 20 / 18

HEX #A8D1A8

RGB 168 209 168

HSL 120, 0.31%, 0.74%

LAB 80.04, -21.36, 15.98

 

CMYK 20 / 10 / 0 / 18

HEX #A8BCD1

RGB 168 188 209

HSL 210.73, 0.31%, 0.74%

LAB 75.39, -2.37, -12.85

 

CMYK 0 / 20 / 0 / 18

HEX #D1A8D1

RGB 209 168 209

HSL 300, 0.31%, 0.74%

LAB 73.65, 22, -15.12

 

Description

Color code: RGB 209 188 167 | qconv.com Color code: RGB 209 188 167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 188 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 188 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 20 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 20% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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