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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 175 112 it is the complementary color RGB 46 80 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 175 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 175 112 shade: RGB 214 175 107, RGB 231 193 126, RGB 248 211 145, RGB 255 229 164 and RGB 255 247 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 175 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 175 112 shade: RGB 209 175 112, RGB 192 157 93, RGB 175 139 74, RGB 158 121 55 and RGB 141 103 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 175 112 shade: RGB 209 175 113, RGB 209 149 113, RGB 209 123 113 and RGB 209 113 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 175 112 shade: RGB 209 175 113, RGB 209 201 113, RGB 191 209 113, RGB 165 209 113 and RGB 139 209 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 175 112 shade matches the following richer shades: RGB 209 175 113, RGB 224 180 97, RGB 239 184 82 and RGB 255 189 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 175 112 shade: RGB 209 175 113, RGB 194 170 128, RGB 178 166 143, RGB 163 161 158 and RGB 148 157 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 175 112 shade: RGB 209 122 113, RGB 209 148 113, RGB 209 173 113, RGB 209 199 113 and RGB 193 209 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 175 112 shade: RGB 180 138 59, RGB 199 158 81, RGB 209 175 113, RGB 219 193 144 and RGB 229 210 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 175 112 shade: RGB 209 175 112, RGB 129 209 113 and RGB 135 113 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 175 112 shade: RGB 209 175 112, RGB 113 209 173 and RGB 173 113 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 175 112 shade: RGB 209 175 112, RGB 129 209 113, RGB 113 148 209 and RGB 193 113 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 175 112 shade: RGB 209 175 112, RGB 113 209 125, RGB 113 148 209 and RGB 209 113 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 46 / 18

HEX #D1AF70

RGB 209 175 112

HSL 38.97, 0.51%, 0.63%

LAB 73.14, 4.15, 36.8

 

Complementary color

CMYK 68 / 44 / 0 / 44

HEX #2E508F

RGB 46 80 143

HSL 218.97, 0.51%, 0.37%

LAB 34.6, 9.39, -38.59

 

CMYK 0 / 18 / 50 / 16

HEX #D6AF6B

RGB 214 175 107

HSL 38.13, 0.57%, 0.63%

LAB 73.56, 5.73, 40

 

CMYK 0 / 16 / 45 / 9

HEX #E7C17E

RGB 231 193 126

HSL 38.29, 0.69%, 0.7%

LAB 79.97, 4.96, 38.7

 

CMYK 0 / 15 / 42 / 3

HEX #F8D391

RGB 248 211 145

HSL 38.45, 0.88%, 0.77%

LAB 86.3, 4.3, 37.46

 

CMYK 0 / 10 / 36 / 0

HEX #FFE5A4

RGB 255 229 164

HSL 42.86, 1%, 0.82%

LAB 91.68, -0.12, 34.97

 

CMYK 0 / 3 / 28 / 0

HEX #FFF7B7

RGB 255 247 183

HSL 53.33, 1%, 0.86%

LAB 96.49, -6.88, 31.8

 

CMYK 0 / 16 / 46 / 18

HEX #D1AF70

RGB 209 175 112

HSL 38.97, 0.51%, 0.63%

LAB 73.14, 4.15, 36.8

 

CMYK 0 / 18 / 52 / 25

HEX #C09D5D

RGB 192 157 93

HSL 38.79, 0.44%, 0.56%

LAB 66.6, 4.94, 38.13

 

CMYK 0 / 21 / 58 / 31

HEX #AF8B4A

RGB 175 139 74

HSL 38.61, 0.41%, 0.49%

LAB 59.96, 5.88, 39.49

 

CMYK 0 / 23 / 65 / 38

HEX #9E7937

RGB 158 121 55

HSL 38.45, 0.48%, 0.42%

LAB 53.19, 7.02, 40.85

 

CMYK 0 / 27 / 74 / 45

HEX #8D6724

RGB 141 103 36

HSL 38.29, 0.59%, 0.35%

LAB 46.3, 8.43, 42.01

 

CMYK 0 / 16 / 46 / 18

HEX #D1AF71

RGB 209 175 113

HSL 38.75, 0.51%, 0.63%

LAB 73.16, 4.25, 36.3

 

CMYK 0 / 29 / 46 / 18

HEX #D19571

RGB 209 149 113

HSL 22.5, 0.51%, 0.63%

LAB 66.7, 18.28, 27.95

 

CMYK 0 / 41 / 46 / 18

HEX #D17B71

RGB 209 123 113

HSL 6.25, 0.51%, 0.63%

LAB 60.71, 32.33, 19.93

 

CMYK 0 / 46 / 46 / 18

HEX #D17171

RGB 209 113 113

HSL 0, 0.51%, 0.63%

LAB 58.56, 37.61, 17

 

CMYK 0 / 16 / 46 / 18

HEX #D1AF71

RGB 209 175 113

HSL 38.75, 0.51%, 0.63%

LAB 73.16, 4.25, 36.3

 

CMYK 0 / 4 / 46 / 18

HEX #D1C971

RGB 209 201 113

HSL 55, 0.51%, 0.63%

LAB 79.91, -9.34, 44.74

 

CMYK 9 / 0 / 46 / 18

HEX #BFD171

RGB 191 209 113

HSL 71.25, 0.51%, 0.63%

LAB 80.67, -20.53, 45.35

 

CMYK 21 / 0 / 46 / 18

HEX #A5D171

RGB 165 209 113

HSL 87.5, 0.51%, 0.63%

LAB 78.92, -30.44, 42.81

 

CMYK 33 / 0 / 46 / 18

HEX #8BD171

RGB 139 209 113

HSL 103.75, 0.51%, 0.63%

LAB 77.45, -39.61, 40.65

 

CMYK 0 / 16 / 46 / 18

HEX #D1AF71

RGB 209 175 113

HSL 38.75, 0.51%, 0.63%

LAB 73.16, 4.25, 36.3

 

CMYK 0 / 20 / 57 / 12

HEX #E0B461

RGB 224 180 97

HSL 39.21, 0.67%, 0.63%

LAB 75.67, 6.39, 47.8

 

CMYK 0 / 23 / 66 / 6

HEX #EFB852

RGB 239 184 82

HSL 38.98, 0.83%, 0.63%

LAB 78.02, 9.53, 57.9

 

CMYK 0 / 26 / 74 / 0

HEX #FFBD43

RGB 255 189 67

HSL 38.94, 1%, 0.63%

LAB 80.77, 12.87, 67.54

 

CMYK 0 / 16 / 46 / 18

HEX #D1AF71

RGB 209 175 113

HSL 38.75, 0.51%, 0.63%

LAB 73.16, 4.25, 36.3

 

CMYK 0 / 12 / 34 / 24

HEX #C2AA80

RGB 194 170 128

HSL 38.18, 0.35%, 0.63%

LAB 70.72, 2.53, 24.88

 

CMYK 0 / 7 / 20 / 30

HEX #B2A68F

RGB 178 166 143

HSL 39.43, 0.19%, 0.63%

LAB 68.55, 0.5, 13.48

 

CMYK 0 / 1 / 3 / 36

HEX #A3A19E

RGB 163 161 158

HSL 36, 0.03%, 0.63%

LAB 66.32, 0.16, 1.8

 

CMYK 15 / 10 / 0 / 32

HEX #949DAE

RGB 148 157 174

HSL 219.23, 0.14%, 0.63%

LAB 64.54, 0.37, -9.92

 

CMYK 0 / 42 / 46 / 18

HEX #D17A71

RGB 209 122 113

HSL 5.63, 0.51%, 0.63%

LAB 60.49, 32.87, 19.63

 

CMYK 0 / 29 / 46 / 18

HEX #D19471

RGB 209 148 113

HSL 21.88, 0.51%, 0.63%

LAB 66.46, 18.82, 27.63

 

CMYK 0 / 17 / 46 / 18

HEX #D1AD71

RGB 209 173 113

HSL 37.5, 0.51%, 0.63%

LAB 72.65, 5.31, 35.65

 

CMYK 0 / 5 / 46 / 18

HEX #D1C771

RGB 209 199 113

HSL 53.75, 0.51%, 0.63%

LAB 79.38, -8.32, 44.09

 

CMYK 8 / 0 / 46 / 18

HEX #C1D171

RGB 193 209 113

HSL 70, 0.51%, 0.63%

LAB 80.81, -19.75, 45.56

 

CMYK 0 / 23 / 67 / 29

HEX #B48A3B

RGB 180 138 59

HSL 39.17, 0.51%, 0.47%

LAB 60.07, 7.58, 47.15

 

CMYK 0 / 21 / 59 / 22

HEX #C79E51

RGB 199 158 81

HSL 39.15, 0.51%, 0.55%

LAB 67.42, 6.39, 45.35

 

CMYK 0 / 16 / 46 / 18

HEX #D1AF71

RGB 209 175 113

HSL 38.75, 0.51%, 0.63%

LAB 73.16, 4.25, 36.3

 

CMYK 0 / 12 / 34 / 14

HEX #DBC190

RGB 219 193 144

HSL 39.2, 0.51%, 0.71%

LAB 79.16, 2.17, 28.08

 

CMYK 0 / 8 / 24 / 10

HEX #E5D2AF

RGB 229 210 175

HSL 38.89, 0.51%, 0.79%

LAB 84.92, 1.18, 19.76

 

CMYK 0 / 16 / 46 / 18

HEX #D1AF70

RGB 209 175 112

HSL 38.97, 0.51%, 0.63%

LAB 73.14, 4.15, 36.8

 

CMYK 38 / 0 / 46 / 18

HEX #81D171

RGB 129 209 113

HSL 110, 0.51%, 0.63%

LAB 76.96, -42.86, 39.93

 

CMYK 35 / 46 / 0 / 18

HEX #8771D1

RGB 135 113 209

HSL 253.75, 0.51%, 0.63%

LAB 53.56, 30.48, -46.76

 

CMYK 0 / 16 / 46 / 18

HEX #D1AF70

RGB 209 175 112

HSL 38.97, 0.51%, 0.63%

LAB 73.14, 4.15, 36.8

 

CMYK 46 / 0 / 17 / 18

HEX #71D1AD

RGB 113 209 173

HSL 157.5, 0.51%, 0.63%

LAB 77.36, -36.82, 9.13

 

CMYK 17 / 46 / 0 / 18

HEX #AD71D1

RGB 173 113 209

HSL 277.5, 0.51%, 0.63%

LAB 57.36, 40.95, -40.5

 

CMYK 0 / 16 / 46 / 18

HEX #D1AF70

RGB 209 175 112

HSL 38.97, 0.51%, 0.63%

LAB 73.14, 4.15, 36.8

 

CMYK 38 / 0 / 46 / 18

HEX #81D171

RGB 129 209 113

HSL 110, 0.51%, 0.63%

LAB 76.96, -42.86, 39.93

 

CMYK 46 / 29 / 0 / 18

HEX #7194D1

RGB 113 148 209

HSL 218.13, 0.51%, 0.63%

LAB 61.04, 4.18, -35.1

 

CMYK 8 / 46 / 0 / 18

HEX #C171D1

RGB 193 113 209

HSL 290, 0.51%, 0.63%

LAB 59.66, 46.7, -36.73

 

CMYK 0 / 16 / 46 / 18

HEX #D1AF70

RGB 209 175 112

HSL 38.97, 0.51%, 0.63%

LAB 73.14, 4.15, 36.8

 

CMYK 46 / 0 / 40 / 18

HEX #71D17D

RGB 113 209 125

HSL 127.5, 0.51%, 0.63%

LAB 76.43, -45.88, 33.08

 

CMYK 46 / 29 / 0 / 18

HEX #7194D1

RGB 113 148 209

HSL 218.13, 0.51%, 0.63%

LAB 61.04, 4.18, -35.1

 

CMYK 0 / 46 / 6 / 18

HEX #D171C4

RGB 209 113 196

HSL 308.13, 0.51%, 0.63%

LAB 61.09, 49.05, -27.01

 

Description

Color code: RGB 209 175 112 | qconv.com Color code: RGB 209 175 112 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 175 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 175 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 46 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 46% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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