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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2A68F it is the complementary color #4D5970. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2A68F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2A68F shade: #B7A68A, #C8B89D, #D9CAB0, #EADCC3 and #FBEED6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2A68F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2A68F shade: #B2A68F, #A1947C, #908269, #7F7056 and #6E5E43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2A68F shade: #B3A68F, #B39D8F, #B3938F and #B38F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2A68F shade: #B3A68F, #B3B08F, #ACB38F, #A2B38F and #98B38F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2A68F shade matches the following richer shades: #B3A68F, #C2AB7F, #D1B070, #E0B561 and #F0B952

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2A68F shade: #B3A68F, #A3A19E, #949DAD, #8598BD and #7693CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2A68F shade: #B3938F, #B39C8F, #B3A68F, #B3B08F and #ACB38F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2A68F shade: #8E7F61, #A29376, #B3A68F, #C3BAA7 and #D4CDC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2A68F shade: #B2A68F, #94B38F and #988FB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2A68F shade: #B2A68F, #8FB3A6 and #A68FB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2A68F shade: #B2A68F, #94B38F, #8F9BB3 and #AD8FB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2A68F shade: #B2A68F, #8FB394, #8F9BB3 and #B38FAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 20 / 30

HEX #B2A68F

RGB 178 166 143

HSL 39.43, 0.19%, 0.63%

LAB 68.55, 0.5, 13.48

 

Complementary color

CMYK 31 / 21 / 0 / 56

HEX #4D5970

RGB 77 89 112

HSL 219.43, 0.19%, 0.37%

LAB 37.65, 1.27, -14.63

 

CMYK 0 / 9 / 25 / 28

HEX #B7A68A

RGB 183 166 138

HSL 37.33, 0.24%, 0.63%

LAB 68.88, 1.69, 16.76

 

CMYK 0 / 8 / 22 / 22

HEX #C8B89D

RGB 200 184 157

HSL 37.67, 0.28%, 0.7%

LAB 75.45, 1.34, 15.78

 

CMYK 0 / 7 / 19 / 15

HEX #D9CAB0

RGB 217 202 176

HSL 38.05, 0.35%, 0.77%

LAB 81.91, 1.04, 14.87

 

CMYK 0 / 6 / 17 / 8

HEX #EADCC3

RGB 234 220 195

HSL 38.46, 0.48%, 0.84%

LAB 88.27, 0.77, 14.01

 

CMYK 0 / 5 / 15 / 2

HEX #FBEED6

RGB 251 238 214

HSL 38.92, 0.82%, 0.91%

LAB 94.53, 0.52, 13.18

 

CMYK 0 / 7 / 20 / 30

HEX #B2A68F

RGB 178 166 143

HSL 39.43, 0.19%, 0.63%

LAB 68.55, 0.5, 13.48

 

CMYK 0 / 8 / 23 / 37

HEX #A1947C

RGB 161 148 124

HSL 38.92, 0.16%, 0.56%

LAB 61.84, 0.82, 14.45

 

CMYK 0 / 10 / 27 / 44

HEX #908269

RGB 144 130 105

HSL 38.46, 0.16%, 0.49%

LAB 54.98, 1.19, 15.49

 

CMYK 0 / 12 / 32 / 50

HEX #7F7056

RGB 127 112 86

HSL 38.05, 0.19%, 0.42%

LAB 47.97, 1.63, 16.63

 

CMYK 0 / 15 / 39 / 57

HEX #6E5E43

RGB 110 94 67

HSL 37.67, 0.24%, 0.35%

LAB 40.78, 2.19, 17.88

 

CMYK 0 / 7 / 20 / 30

HEX #B3A68F

RGB 179 166 143

HSL 38.33, 0.19%, 0.63%

LAB 68.63, 0.88, 13.61

 

CMYK 0 / 12 / 20 / 30

HEX #B39D8F

RGB 179 157 143

HSL 23.33, 0.19%, 0.63%

LAB 66.28, 5.8, 10.29

 

CMYK 0 / 18 / 20 / 30

HEX #B3938F

RGB 179 147 143

HSL 6.67, 0.19%, 0.63%

LAB 63.7, 11.34, 6.62

 

CMYK 0 / 20 / 20 / 30

HEX #B38F8F

RGB 179 143 143

HSL 0, 0.19%, 0.63%

LAB 62.69, 13.57, 5.16

 

CMYK 0 / 7 / 20 / 30

HEX #B3A68F

RGB 179 166 143

HSL 38.33, 0.19%, 0.63%

LAB 68.63, 0.88, 13.61

 

CMYK 0 / 2 / 20 / 30

HEX #B3B08F

RGB 179 176 143

HSL 55, 0.19%, 0.63%

LAB 71.29, -4.49, 17.32

 

CMYK 4 / 0 / 20 / 30

HEX #ACB38F

RGB 172 179 143

HSL 71.67, 0.19%, 0.63%

LAB 71.55, -8.74, 17.59

 

CMYK 9 / 0 / 20 / 30

HEX #A2B38F

RGB 162 179 143

HSL 88.33, 0.19%, 0.63%

LAB 70.81, -12.47, 16.45

 

CMYK 15 / 0 / 20 / 30

HEX #98B38F

RGB 152 179 143

HSL 105, 0.19%, 0.63%

LAB 70.1, -16.11, 15.36

 

CMYK 0 / 7 / 20 / 30

HEX #B3A68F

RGB 179 166 143

HSL 38.33, 0.19%, 0.63%

LAB 68.63, 0.88, 13.61

 

CMYK 0 / 12 / 35 / 24

HEX #C2AB7F

RGB 194 171 127

HSL 39.4, 0.35%, 0.63%

LAB 70.96, 1.87, 25.74

 

CMYK 0 / 16 / 46 / 18

HEX #D1B070

RGB 209 176 112

HSL 39.59, 0.51%, 0.63%

LAB 73.4, 3.61, 37.12

 

CMYK 0 / 19 / 57 / 12

HEX #E0B561

RGB 224 181 97

HSL 39.69, 0.67%, 0.63%

LAB 75.92, 5.86, 48.09

 

CMYK 0 / 23 / 66 / 6

HEX #F0B952

RGB 240 185 82

HSL 39.11, 0.84%, 0.63%

LAB 78.36, 9.43, 58.3

 

CMYK 0 / 7 / 20 / 30

HEX #B3A68F

RGB 179 166 143

HSL 38.33, 0.19%, 0.63%

LAB 68.63, 0.88, 13.61

 

CMYK 0 / 1 / 3 / 36

HEX #A3A19E

RGB 163 161 158

HSL 36, 0.03%, 0.63%

LAB 66.32, 0.16, 1.8

 

CMYK 14 / 9 / 0 / 32

HEX #949DAD

RGB 148 157 173

HSL 218.4, 0.13%, 0.63%

LAB 64.51, 0.15, -9.41

 

CMYK 30 / 20 / 0 / 26

HEX #8598BD

RGB 133 152 189

HSL 219.64, 0.3%, 0.63%

LAB 62.61, 1.94, -21.37

 

CMYK 42 / 28 / 0 / 20

HEX #7693CC

RGB 118 147 204

HSL 219.77, 0.46%, 0.63%

LAB 60.85, 4.59, -32.57

 

CMYK 0 / 18 / 20 / 30

HEX #B3938F

RGB 179 147 143

HSL 6.67, 0.19%, 0.63%

LAB 63.7, 11.34, 6.62

 

CMYK 0 / 13 / 20 / 30

HEX #B39C8F

RGB 179 156 143

HSL 21.67, 0.19%, 0.63%

LAB 66.02, 6.35, 9.92

 

CMYK 0 / 7 / 20 / 30

HEX #B3A68F

RGB 179 166 143

HSL 38.33, 0.19%, 0.63%

LAB 68.63, 0.88, 13.61

 

CMYK 0 / 2 / 20 / 30

HEX #B3B08F

RGB 179 176 143

HSL 55, 0.19%, 0.63%

LAB 71.29, -4.49, 17.32

 

CMYK 4 / 0 / 20 / 30

HEX #ACB38F

RGB 172 179 143

HSL 71.67, 0.19%, 0.63%

LAB 71.55, -8.74, 17.59

 

CMYK 0 / 11 / 32 / 44

HEX #8E7F61

RGB 142 127 97

HSL 40, 0.19%, 0.47%

LAB 53.81, 0.91, 18.42

 

CMYK 0 / 9 / 27 / 36

HEX #A29376

RGB 162 147 118

HSL 39.55, 0.19%, 0.55%

LAB 61.53, 0.88, 17.4

 

CMYK 0 / 7 / 20 / 30

HEX #B3A68F

RGB 179 166 143

HSL 38.33, 0.19%, 0.63%

LAB 68.63, 0.88, 13.61

 

CMYK 0 / 5 / 14 / 24

HEX #C3BAA7

RGB 195 186 167

HSL 40.71, 0.19%, 0.71%

LAB 75.77, -0.05, 10.76

 

CMYK 0 / 3 / 9 / 17

HEX #D4CDC0

RGB 212 205 192

HSL 39, 0.19%, 0.79%

LAB 82.63, 0.18, 7.32

 

CMYK 0 / 7 / 20 / 30

HEX #B2A68F

RGB 178 166 143

HSL 39.43, 0.19%, 0.63%

LAB 68.55, 0.5, 13.48

 

CMYK 17 / 0 / 20 / 30

HEX #94B38F

RGB 148 179 143

HSL 111.67, 0.19%, 0.63%

LAB 69.84, -17.54, 14.95

 

CMYK 15 / 20 / 0 / 30

HEX #988FB3

RGB 152 143 179

HSL 255, 0.19%, 0.63%

LAB 61.29, 10.7, -17.61

 

CMYK 0 / 7 / 20 / 30

HEX #B2A68F

RGB 178 166 143

HSL 39.43, 0.19%, 0.63%

LAB 68.55, 0.5, 13.48

 

CMYK 20 / 0 / 7 / 30

HEX #8FB3A6

RGB 143 179 166

HSL 158.33, 0.19%, 0.63%

LAB 70.06, -14.86, 2.62

 

CMYK 7 / 20 / 0 / 30

HEX #A68FB3

RGB 166 143 179

HSL 278.33, 0.19%, 0.63%

LAB 62.51, 15.42, -15.63

 

CMYK 0 / 7 / 20 / 30

HEX #B2A68F

RGB 178 166 143

HSL 39.43, 0.19%, 0.63%

LAB 68.55, 0.5, 13.48

 

CMYK 17 / 0 / 20 / 30

HEX #94B38F

RGB 148 179 143

HSL 111.67, 0.19%, 0.63%

LAB 69.84, -17.54, 14.95

 

CMYK 20 / 13 / 0 / 30

HEX #8F9BB3

RGB 143 155 179

HSL 220, 0.19%, 0.63%

LAB 63.78, 0.96, -13.9

 

CMYK 3 / 20 / 0 / 30

HEX #AD8FB3

RGB 173 143 179

HSL 290, 0.19%, 0.63%

LAB 63.16, 17.82, -14.58

 

CMYK 0 / 7 / 20 / 30

HEX #B2A68F

RGB 178 166 143

HSL 39.43, 0.19%, 0.63%

LAB 68.55, 0.5, 13.48

 

CMYK 20 / 0 / 17 / 30

HEX #8FB394

RGB 143 179 148

HSL 128.33, 0.19%, 0.63%

LAB 69.62, -18.39, 11.87

 

CMYK 20 / 13 / 0 / 30

HEX #8F9BB3

RGB 143 155 179

HSL 220, 0.19%, 0.63%

LAB 63.78, 0.96, -13.9

 

CMYK 0 / 20 / 3 / 30

HEX #B38FAD

RGB 179 143 173

HSL 310, 0.19%, 0.63%

LAB 63.55, 18.75, -10.56

 

Description

Color code: HEX #B2A68F | qconv.com Color code: HEX #B2A68F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 166 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 166 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 20 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 20% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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