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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 165 122 it is the complementary color RGB 46 90 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 165 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 209 165 122: RGB 214 165 117, RGB 231 183 136, RGB 248 201 155, RGB 255 219 174 and RGB 255 237 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 165 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 209 165 122: RGB 209 165 122, RGB 192 147 103, RGB 175 129 84, RGB 158 111 65 and RGB 141 93 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 42 / 18

HEX #D1A57A

RGB 209 165 122

HSL 29.66, 0.49%, 0.65%

LAB 70.78, 10.56, 28.45

 

Complementary color

CMYK 65 / 32 / 0 / 48

HEX #2E5A85

RGB 46 90 133

HSL 209.66, 0.49%, 0.35%

LAB 37.09, -0.8, -28.54

 

CMYK 0 / 23 / 45 / 16

HEX #D6A575

RGB 214 165 117

HSL 29.69, 0.54%, 0.65%

LAB 71.21, 12.05, 31.78

 

CMYK 0 / 21 / 41 / 9

HEX #E7B788

RGB 231 183 136

HSL 29.68, 0.66%, 0.72%

LAB 77.66, 11.27, 30.49

 

CMYK 0 / 19 / 38 / 3

HEX #F8C99B

RGB 248 201 155

HSL 29.68, 0.87%, 0.79%

LAB 84.02, 10.57, 29.29

 

CMYK 0 / 14 / 32 / 0

HEX #FFDBAE

RGB 255 219 174

HSL 33.33, 1%, 0.84%

LAB 89.38, 6.18, 26.77

 

CMYK 0 / 7 / 24 / 0

HEX #FFEDC1

RGB 255 237 193

HSL 42.58, 1%, 0.88%

LAB 94.17, -0.55, 23.55

 

CMYK 0 / 21 / 42 / 18

HEX #D1A57A

RGB 209 165 122

HSL 29.66, 0.49%, 0.65%

LAB 70.78, 10.56, 28.45

 

CMYK 0 / 23 / 46 / 25

HEX #C09367

RGB 192 147 103

HSL 29.66, 0.41%, 0.58%

LAB 64.2, 11.37, 29.78

 

CMYK 0 / 26 / 52 / 31

HEX #AF8154

RGB 175 129 84

HSL 29.67, 0.36%, 0.51%

LAB 57.52, 12.33, 31.21

 

CMYK 0 / 30 / 59 / 38

HEX #9E6F41

RGB 158 111 65

HSL 29.68, 0.42%, 0.44%

LAB 50.71, 13.47, 32.75

 

CMYK 0 / 34 / 67 / 45

HEX #8D5D2E

RGB 141 93 46

HSL 29.68, 0.51%, 0.37%

LAB 43.78, 14.85, 34.36

 

CMYK 0 / 21 / 42 / 18

HEX #D1A57A

RGB 209 165 122

HSL 29.66, 0.49%, 0.65%

LAB 70.78, 10.56, 28.45

 

CMYK 0 / 15 / 42 / 18

HEX #D1B27A

RGB 209 178 122

HSL 38.62, 0.49%, 0.65%

LAB 74.06, 3.59, 32.75

 

CMYK 0 / 8 / 42 / 18

HEX #D1C17A

RGB 209 193 122

HSL 48.97, 0.49%, 0.65%

LAB 77.93, -4.31, 37.74

 

CMYK 0 / 0 / 42 / 18

HEX #D1D07A

RGB 209 208 122

HSL 59.31, 0.49%, 0.65%

LAB 81.88, -12, 42.72

 

CMYK 6 / 0 / 42 / 18

HEX #C4D17A

RGB 196 209 122

HSL 68.97, 0.49%, 0.65%

LAB 81.15, -17.62, 41.59

 

CMYK 0 / 21 / 42 / 18

HEX #D1A57A

RGB 209 165 122

HSL 29.66, 0.49%, 0.65%

LAB 70.78, 10.56, 28.45

 

CMYK 0 / 20 / 40 / 98

HEX #050403

RGB 5 4 3

HSL 30, 0.25%, 0.02%

LAB 1.14, 0.12, 0.47

 

CMYK 0 / 21 / 41 / 78

HEX #382C21

RGB 56 44 33

HSL 28.7, 0.26%, 0.17%

LAB 19.02, 3.58, 9.23

 

CMYK 0 / 21 / 42 / 58

HEX #6B543E

RGB 107 84 62

HSL 29.33, 0.27%, 0.33%

LAB 37.51, 6.22, 16.49

 

CMYK 0 / 21 / 42 / 38

HEX #9E7D5C

RGB 158 125 92

HSL 30, 0.26%, 0.49%

LAB 54.77, 8.17, 22.84

 

CMYK 0 / 21 / 42 / 18

HEX #D1A57A

RGB 209 165 122

HSL 29.66, 0.49%, 0.65%

LAB 70.78, 10.56, 28.45

 

CMYK 29 / 0 / 42 / 18

HEX #95D17A

RGB 149 209 122

HSL 101.38, 0.49%, 0.65%

LAB 78.11, -35.02, 37.11

 

CMYK 38 / 42 / 0 / 18

HEX #817AD1

RGB 129 122 209

HSL 244.83, 0.49%, 0.65%

LAB 55.27, 23.6, -44.09

 

CMYK 0 / 21 / 42 / 18

HEX #D1A57A

RGB 209 165 122

HSL 29.66, 0.49%, 0.65%

LAB 70.78, 10.56, 28.45

 

CMYK 42 / 0 / 22 / 18

HEX #7AD1A4

RGB 122 209 164

HSL 148.97, 0.49%, 0.65%

LAB 77.53, -36.34, 14.23

 

CMYK 22 / 42 / 0 / 18

HEX #A47AD1

RGB 164 122 209

HSL 268.97, 0.49%, 0.65%

LAB 58.43, 33.35, -38.89

 

CMYK 0 / 21 / 42 / 18

HEX #D1A57A

RGB 209 165 122

HSL 29.66, 0.49%, 0.65%

LAB 70.78, 10.56, 28.45

 

CMYK 29 / 0 / 42 / 18

HEX #95D17A

RGB 149 209 122

HSL 101.38, 0.49%, 0.65%

LAB 78.11, -35.02, 37.11

 

CMYK 42 / 20 / 0 / 18

HEX #7AA7D1

RGB 122 167 209

HSL 208.97, 0.49%, 0.65%

LAB 66.81, -4.26, -26.13

 

CMYK 13 / 42 / 0 / 18

HEX #B57AD1

RGB 181 122 209

HSL 280.69, 0.49%, 0.65%

LAB 60.2, 38.35, -35.99

 

CMYK 0 / 21 / 42 / 18

HEX #D1A57A

RGB 209 165 122

HSL 29.66, 0.49%, 0.65%

LAB 70.78, 10.56, 28.45

 

CMYK 41 / 0 / 42 / 18

HEX #7BD17A

RGB 123 209 122

HSL 119.31, 0.49%, 0.65%

LAB 76.81, -43.44, 35.18

 

CMYK 42 / 20 / 0 / 18

HEX #7AA7D1

RGB 122 167 209

HSL 208.97, 0.49%, 0.65%

LAB 66.81, -4.26, -26.13

 

CMYK 0 / 42 / 0 / 18

HEX #D07AD1

RGB 208 122 209

HSL 299.31, 0.49%, 0.65%

LAB 63.29, 46.44, -30.96

 

Description

Color code: RGB 209 165 122 | qconv.com Color code: RGB 209 165 122 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 165 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 165 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 42 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 42% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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