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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 119 99 it is the complementary color RGB 46 136 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 119 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 209 119 99: RGB 214 119 94, RGB 231 137 113, RGB 248 155 132, RGB 255 173 151 and RGB 255 191 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 119 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 209 119 99: RGB 209 119 99, RGB 192 101 80, RGB 175 83 61, RGB 158 65 42 and RGB 141 47 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 53 / 18

HEX #D17763

RGB 209 119 99

HSL 10.91, 0.54%, 0.6%

LAB 59.57, 33.13, 26.34

 

Complementary color

CMYK 71 / 13 / 0 / 39

HEX #2E889C

RGB 46 136 156

HSL 190.91, 0.54%, 0.4%

LAB 52.5, -19.56, -18.36

 

CMYK 0 / 44 / 56 / 16

HEX #D6775E

RGB 214 119 94

HSL 12.5, 0.59%, 0.6%

LAB 60.16, 34.67, 30.03

 

CMYK 0 / 41 / 51 / 9

HEX #E78971

RGB 231 137 113

HSL 12.2, 0.71%, 0.67%

LAB 66.58, 33.43, 28.27

 

CMYK 0 / 38 / 47 / 3

HEX #F89B84

RGB 248 155 132

HSL 11.9, 0.89%, 0.75%

LAB 72.93, 32.3, 26.68

 

CMYK 0 / 32 / 41 / 0

HEX #FFAD97

RGB 255 173 151

HSL 12.69, 1%, 0.8%

LAB 78.1, 27.49, 23.53

 

CMYK 0 / 25 / 33 / 0

HEX #FFBFAA

RGB 255 191 170

HSL 14.82, 1%, 0.83%

LAB 82.61, 20.24, 19.56

 

CMYK 0 / 43 / 53 / 18

HEX #D17763

RGB 209 119 99

HSL 10.91, 0.54%, 0.6%

LAB 59.57, 33.13, 26.34

 

CMYK 0 / 47 / 58 / 25

HEX #C06550

RGB 192 101 80

HSL 11.25, 0.47%, 0.53%

LAB 53.05, 34.42, 28.24

 

CMYK 0 / 53 / 65 / 31

HEX #AF533D

RGB 175 83 61

HSL 11.58, 0.48%, 0.46%

LAB 46.5, 35.82, 30.42

 

CMYK 0 / 59 / 73 / 38

HEX #9E412A

RGB 158 65 42

HSL 11.9, 0.58%, 0.39%

LAB 39.94, 37.27, 32.92

 

CMYK 0 / 67 / 84 / 45

HEX #8D2F17

RGB 141 47 23

HSL 12.2, 0.72%, 0.32%

LAB 33.47, 38.67, 35.63

 

CMYK 0 / 43 / 53 / 18

HEX #D17763

RGB 209 119 99

HSL 10.91, 0.54%, 0.6%

LAB 59.57, 33.13, 26.34

 

CMYK 0 / 36 / 53 / 18

HEX #D08661

RGB 208 134 97

HSL 20, 0.54%, 0.6%

LAB 62.78, 24.51, 31.58

 

CMYK 0 / 26 / 53 / 18

HEX #D09961

RGB 208 153 97

HSL 30.27, 0.54%, 0.6%

LAB 67.32, 14.19, 37.29

 

CMYK 0 / 18 / 53 / 18

HEX #D0AB61

RGB 208 171 97

HSL 40, 0.54%, 0.6%

LAB 71.82, 4.49, 42.82

 

CMYK 0 / 9 / 53 / 18

HEX #D0BD61

RGB 208 189 97

HSL 49.73, 0.54%, 0.6%

LAB 76.48, -5, 48.38

 

CMYK 0 / 43 / 53 / 18

HEX #D17763

RGB 209 119 99

HSL 10.91, 0.54%, 0.6%

LAB 59.57, 33.13, 26.34

 

CMYK 0 / 40 / 60 / 98

HEX #050302

RGB 5 3 2

HSL 20, 0.43%, 0.01%

LAB 0.92, 0.38, 0.56

 

CMYK 0 / 43 / 52 / 78

HEX #38201B

RGB 56 32 27

HSL 10.34, 0.35%, 0.16%

LAB 15.24, 10.92, 8.26

 

CMYK 0 / 43 / 52 / 58

HEX #6B3D33

RGB 107 61 51

HSL 10.71, 0.35%, 0.31%

LAB 31.12, 18.99, 14.83

 

CMYK 0 / 43 / 53 / 38

HEX #9E5A4B

RGB 158 90 75

HSL 10.84, 0.36%, 0.46%

LAB 45.76, 26.3, 20.78

 

CMYK 0 / 43 / 53 / 18

HEX #D17763

RGB 209 119 99

HSL 10.91, 0.54%, 0.6%

LAB 59.57, 33.13, 26.34

 

CMYK 20 / 0 / 53 / 18

HEX #A7D061

RGB 167 208 97

HSL 82.16, 0.54%, 0.6%

LAB 78.57, -30.93, 50.08

 

CMYK 53 / 41 / 0 / 18

HEX #617BD0

RGB 97 123 208

HSL 225.95, 0.54%, 0.6%

LAB 53.23, 14.94, -46.89

 

CMYK 0 / 43 / 53 / 18

HEX #D17763

RGB 209 119 99

HSL 10.91, 0.54%, 0.6%

LAB 59.57, 33.13, 26.34

 

CMYK 53 / 0 / 44 / 18

HEX #61D074

RGB 97 208 116

HSL 130.27, 0.54%, 0.6%

LAB 75.4, -51.13, 36.19

 

CMYK 44 / 53 / 0 / 18

HEX #7461D0

RGB 116 97 208

HSL 250.27, 0.54%, 0.6%

LAB 48.03, 34.97, -55.12

 

CMYK 0 / 43 / 53 / 18

HEX #D17763

RGB 209 119 99

HSL 10.91, 0.54%, 0.6%

LAB 59.57, 33.13, 26.34

 

CMYK 20 / 0 / 53 / 18

HEX #A7D061

RGB 167 208 97

HSL 82.16, 0.54%, 0.6%

LAB 78.57, -30.93, 50.08

 

CMYK 53 / 9 / 0 / 18

HEX #61BDD0

RGB 97 189 208

HSL 190.27, 0.54%, 0.6%

LAB 71.89, -22.11, -17.95

 

CMYK 34 / 53 / 0 / 18

HEX #8A61D0

RGB 138 97 208

HSL 262.16, 0.54%, 0.6%

LAB 50.11, 40.23, -51.68

 

CMYK 0 / 43 / 53 / 18

HEX #D17763

RGB 209 119 99

HSL 10.91, 0.54%, 0.6%

LAB 59.57, 33.13, 26.34

 

CMYK 36 / 0 / 53 / 18

HEX #86D061

RGB 134 208 97

HSL 100, 0.54%, 0.6%

LAB 76.71, -42.77, 47.41

 

CMYK 53 / 9 / 0 / 18

HEX #61BDD0

RGB 97 189 208

HSL 190.27, 0.54%, 0.6%

LAB 71.89, -22.11, -17.95

 

CMYK 18 / 53 / 0 / 18

HEX #AB61D0

RGB 171 97 208

HSL 280, 0.54%, 0.6%

LAB 53.77, 48.73, -45.62

 

Description

Color code: RGB 209 119 99 | qconv.com Color code: RGB 209 119 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 119 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 119 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 53 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 53% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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