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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 209 225 it is the complementary color RGB 47 46 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 209 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 208 209 225: RGB 213 209 220, RGB 230 227 239, RGB 247 245 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 209 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 208 209 225: RGB 208 209 225, RGB 191 191 206, RGB 174 173 187, RGB 157 155 168 and RGB 140 137 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 7 / 0 / 12

HEX #D0D1E1

RGB 208 209 225

HSL 236.47, 0.22%, 0.85%

LAB 84.2, 2.68, -8

 

Complementary color

CMYK 0 / 2 / 36 / 82

HEX #2F2E1E

RGB 47 46 30

HSL 56.47, 0.22%, 0.15%

LAB 18.59, -2.75, 10.51

 

CMYK 3 / 5 / 0 / 14

HEX #D5D1DC

RGB 213 209 220

HSL 261.82, 0.14%, 0.84%

LAB 84.44, 3.39, -4.95

 

CMYK 4 / 5 / 0 / 6

HEX #E6E3EF

RGB 230 227 239

HSL 255, 0.27%, 0.91%

LAB 90.78, 3.19, -5.48

 

CMYK 3 / 4 / 0 / 0

HEX #F7F5FF

RGB 247 245 255

HSL 252, 1%, 0.98%

LAB 96.94, 2.45, -4.56

 

CMYK 8 / 7 / 0 / 12

HEX #D0D1E1

RGB 208 209 225

HSL 236.47, 0.22%, 0.85%

LAB 84.2, 2.68, -8

 

CMYK 7 / 7 / 0 / 19

HEX #BFBFCE

RGB 191 191 206

HSL 240, 0.13%, 0.78%

LAB 77.75, 2.87, -7.52

 

CMYK 7 / 7 / 0 / 27

HEX #AEADBB

RGB 174 173 187

HSL 244.29, 0.09%, 0.71%

LAB 71.2, 3.07, -7.02

 

CMYK 7 / 8 / 0 / 34

HEX #9D9BA8

RGB 157 155 168

HSL 249.23, 0.07%, 0.63%

LAB 64.51, 3.29, -6.51

 

CMYK 6 / 8 / 0 / 42

HEX #8C8995

RGB 140 137 149

HSL 255, 0.05%, 0.56%

LAB 57.69, 3.52, -5.99

 

CMYK 8 / 7 / 0 / 12

HEX #D0D1E1

RGB 208 209 225

HSL 236.47, 0.22%, 0.85%

LAB 84.2, 2.68, -8

 

CMYK 7 / 8 / 0 / 12

HEX #D2D0E1

RGB 210 208 225

HSL 247.06, 0.22%, 0.85%

LAB 84.1, 3.87, -8.14

 

CMYK 6 / 8 / 0 / 12

HEX #D4D0E1

RGB 212 208 225

HSL 254.12, 0.22%, 0.85%

LAB 84.25, 4.53, -7.9

 

CMYK 4 / 8 / 0 / 12

HEX #D7D0E1

RGB 215 208 225

HSL 264.71, 0.22%, 0.85%

LAB 84.48, 5.53, -7.53

 

CMYK 3 / 8 / 0 / 12

HEX #DAD0E1

RGB 218 208 225

HSL 275.29, 0.22%, 0.85%

LAB 84.72, 6.53, -7.15

 

CMYK 8 / 7 / 0 / 12

HEX #D0D1E1

RGB 208 209 225

HSL 236.47, 0.22%, 0.85%

LAB 84.2, 2.68, -8

 

CMYK 10 / 5 / 0 / 92

HEX #131415

RGB 19 20 21

HSL 210, 0.05%, 0.08%

LAB 6.26, -0.18, -0.78

 

CMYK 7 / 7 / 0 / 72

HEX #434348

RGB 67 67 72

HSL 240, 0.04%, 0.27%

LAB 28.58, 1.15, -3.02

 

CMYK 7 / 7 / 0 / 52

HEX #72727B

RGB 114 114 123

HSL 240, 0.04%, 0.46%

LAB 48.31, 1.89, -4.96

 

CMYK 7 / 7 / 0 / 32

HEX #A1A2AE

RGB 161 162 174

HSL 235.38, 0.07%, 0.66%

LAB 66.88, 2.02, -6.33

 

CMYK 8 / 7 / 0 / 12

HEX #D0D1E1

RGB 208 209 225

HSL 236.47, 0.22%, 0.85%

LAB 84.2, 2.68, -8

 

CMYK 0 / 8 / 1 / 12

HEX #E1D0DE

RGB 225 208 222

HSL 310.59, 0.22%, 0.85%

LAB 85.2, 8.34, -4.78

 

CMYK 4 / 0 / 8 / 12

HEX #D8E1D0

RGB 216 225 208

HSL 91.76, 0.22%, 0.85%

LAB 88.45, -6.05, 7.26

 

CMYK 8 / 7 / 0 / 12

HEX #D0D1E1

RGB 208 209 225

HSL 236.47, 0.22%, 0.85%

LAB 84.2, 2.68, -8

 

CMYK 0 / 8 / 7 / 12

HEX #E1D0D1

RGB 225 208 209

HSL 356.47, 0.22%, 0.85%

LAB 84.85, 6.06, 1.62

 

CMYK 7 / 0 / 8 / 12

HEX #D1E1D0

RGB 209 225 208

HSL 116.47, 0.22%, 0.85%

LAB 87.95, -8.44, 6.48

 

CMYK 8 / 7 / 0 / 12

HEX #D0D1E1

RGB 208 209 225

HSL 236.47, 0.22%, 0.85%

LAB 84.2, 2.68, -8

 

CMYK 0 / 8 / 1 / 12

HEX #E1D0DE

RGB 225 208 222

HSL 310.59, 0.22%, 0.85%

LAB 85.2, 8.34, -4.78

 

CMYK 0 / 0 / 8 / 12

HEX #E1E0D0

RGB 225 224 208

HSL 56.47, 0.22%, 0.85%

LAB 88.86, -2.42, 7.94

 

CMYK 8 / 0 / 7 / 12

HEX #D0E1D2

RGB 208 225 210

HSL 127.06, 0.22%, 0.85%

LAB 87.93, -8.42, 5.39

 

CMYK 8 / 7 / 0 / 12

HEX #D0D1E1

RGB 208 209 225

HSL 236.47, 0.22%, 0.85%

LAB 84.2, 2.68, -8

 

CMYK 0 / 8 / 4 / 12

HEX #E1D0D9

RGB 225 208 217

HSL 328.24, 0.22%, 0.85%

LAB 85.06, 7.44, -2.33

 

CMYK 0 / 0 / 8 / 12

HEX #E1E0D0

RGB 225 224 208

HSL 56.47, 0.22%, 0.85%

LAB 88.86, -2.42, 7.94

 

CMYK 8 / 0 / 4 / 12

HEX #D0E1D7

RGB 208 225 215

HSL 144.71, 0.22%, 0.85%

LAB 88.05, -7.51, 2.94

 

Description

Color code: RGB 208 209 225 | qconv.com Color code: RGB 208 209 225 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 209 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 209 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 7 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 7% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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